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The best of 2011: Classical music

Time Out's Classical editor, Jonathan Lennie, picks his favourite musical moments of 2011

The best of 2011 in London

The Time Out editors have all picked their favourite events and moments of 2011. See if you agree with them.

See all of our best of 2011 lists

Classical & Opera

  • Your guide to classical music, concerts and opera in London including what's on at the Royal Opera House, Royal Albert Hall, Wigmore Hall and more.

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We have been truly spoiled in London this year: a wealth of talented performers in every discipline; several orchestras taking risks with ‘difficult’ works, the big art centres continuing to dream up music-themed series, and as much music by anniversary boys Mahler and Liszt as one could possibly hope for. Meanwhile, the local churches kept lunchtime music-making alive and well. And with a thriving fringe scene in north London and two major world premieres of truly modern operas, the future is looking bright for the art form. This year’s Classical pick celebrates the great, the good and the truly original.


The best of 2011...

  • 1
    Simon Rattle Simon Rattle - © Sam Peach

    Berlin Philharmonic Orchestra

    February 20-23, Barbican Hall/Royal Festival Hall

    February 20-23 Sir Simon Rattle brought his mighty orchestra to town for a four-concert joint residency north and south of the river. Bursting with virtuosic talent, the Phil still boasts 'that sound’, but was no fusty band here, as Rattle applied himself to investigating even the smallest corners of the music. The focus was on the heart of the BPO repertoire – Mahler, Schubert, Haydn, Schoenberg and Brahms. What a treat!

  • 2
    Gewandhaus Orchestra Leipzig and Ricardo Chailly at The Barbican Gewandhaus Orchestra Leipzig and Ricardo Chailly at The Barbican - © Mark Allen

    Leipzig Gewandhaus Orchestra

    Oct 25-Nov 3, Barbican Hall

    The Beethoven Symphonies have been well represented over the years, so it would take something special to mark out any particular cycle. But with Leipzig’s finest stepping up to the task this was something notable. Conducting the scores at the original marked tempi, Riccardo Chailly injected life into pieces often rendered dirge-like through received practice – the second movement of the Seventh Symphony a revelation, making sense of Wagner’s declaration that it is ‘the apotheosis of the dance’.

  • 3
    Gothic Symphony Gothic Symphony

    The Gothic Symphony

    July 17, Royal Albert Hall

    Perhaps it was more the ambition than the outcome that renders Havergal Brian’s enormous First Symphony as a highlight. Martyn Brabbins gave a heroic performance conducting nearly a thousand performers – not only the massed BBC Concert Orchestra and BBC National Orchestra of Wales, but the vast 800-strong choir, comprised of both professional and amateurs in a score that at one point divides into 38 parts! If there were muddy textures it was surely due to the fact that Brian, who lived to be 96, did not hear it performed for 40 years, and it is a tribute to him that he his longevity was put to the creation of a further of 31 symphonies. As Brian notated (from Goethe’s ‘Faust’) in the score: ‘Whoever strives with all his might. That man we can redeem.’

  • 4
    © Richard Hubert

    Two Boys

    June / July, English National Opera

    This world premiere was unfairly overshadowed by its proximity to the sensationalist ‘Anna Nicole’ at Covent Garden. The 30-year-old American composer Nico Muhly managed a good trick – his minimalist piece looked and sounded new, while retaining the essence of traditional opera. In a plot worthy of a television detective drama, it featured gay teenagers, online grooming, and cyber sex, and saw a splendid turn from young tenor Nicky Spence as a teenager inveigled by the virtual online world and soprano Susan Bickley as the middle-aged detective investigating a stabbing. The abiding image is of the chorus illuminated by the light of their laptops singing in aleaotoric babble.

  • 5
    Duke Bluebeards Castle Duke Bluebeards Castle - © Clive Barda

    Infernal Dance: Inside the World of Béla Bartók

    January-November, Royal Festival Hall

    The conductor Esa-Pekka Salonen was the architect of this exploration of Hungary’s great modernist. And with such quality performers the influential composer’s works were heard at their best – the Philharmonia Orchestra was the backbone for most events, with the Takács Quartet playing all six quartets; pianist Yefim Bronfman the soloist in the two Piano Concertos, and singers Sir John Tomlinson and Measha Brueggergosman stealing the show in Bartók’s one-act opera ‘Duke Bluebeard’s Castle’.

...and the worst of 2011

  • Israel Phiharmonic Orchestra with Zubin Mehta Israel Phiharmonic Orchestra with Zubin Mehta - © BBC Chris Chirstodoulou

    Israel Philharmonic Orchestra

    September 1, Royal Albert Hall

    The accolade this year goes not to performers but rather to a small section of an audience. Pro-Palestinian protesters disrupted a BBC Proms concert by the Israel Philharmonic under its director Zubin Mehta, and violinist Gil Shaham, to such an extent that the BBC pulled its live coverage. Why pick on the orchestra? They are not politicians but rather musicians who happen to be from Israel. Art seeks to rise above nationality, as the orchestra’s programme that evening reflected in works by Austrian, German, Spanish and Russian composers. As such this target was wholly inappropriate.

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