Your critical guide to arts, culture and going out in the capital

Search what's on

  • A-Z of Camden culture

  • By Time Out editors

  • L is for...
    Looking forward
    In the dysfunctional family of London boroughs, Camden has always been the scruffy, stoned but affable adolescent cousin. Now the developers are moving in for much-needed wash and brush-up - but will the area lose its buzz? Time Out looks at the latest set of blue prints.
    Read more

    M is for....
    Market forces
    From ad hoc markets stalls to ubiquitous chain stores, the area's evolution had been dramatic. Time Out meets a Camden pioneer whose timeless sense of style has led to fashion institution.
    Read more

    N is for…

    Number Ten

    Tony’s invite lands on the doormat at Supernova Heights (1997)
    ‘I defy anybody to have an official fucking letter drop through the letterbox, while you’re dressed as an Afghan clown, at five in the morning, off your fucking head on acid and going, “It’s from the fucking Prime Minister! It’s from the Prime Minister! What does it say? He wants us to go round for a fuckin’… Fuck! He’s inviting us to his house for a drink! Well, we’ve gotta go then – fucking right we’ve gotta go!” It was dead exciting – have a bit of a livener before you go, wahey! We had a tour of the place, and it was chilling to go into the briefing room where Thatcher had directed the handling of the miners’ strike. It was horrible. We’d watched the election all through the night and I asked Tony Blair how he managed to stay up all night. He leaned towards me and said, “Probably not by the same means you did!” And at that point I thought: You fuckin’ smartarse! I thought that was hilarious. I had a lot of respect for him after that. But he knew exactly what he was doing – the second that photo had been taken, he was off talking to someone else. The only reason I got invited was to be in that photograph.’
    Noel Gallagher
    Feature continues
    Advertisement

    O is for…
    Outdoor
    Pink Floyd play Camden for free… (Parliament Hill Fields, 1969)
    True to the spirit of the time, Camden Council came over all generous in the summers of ’68 and ’69 when they put on a series of free outdoor ‘fringe’ festivals at Parliament Hill Fields. The bands were mighty impressive in hindsight– Fleetwood Mac, Procol Harum, Jefferson Airplane and Fairport Convention – but the shows were reported as sparsely populated. Pick of the lot must be Friday May 9 1969, which saw a line-up of Pink Floyd, Roy Harper, The Pretty Things and Pete Brown’s Battered Ornaments playing to what was, according to a Welsh hitch-hiker, ‘a fairly typical hippy gathering with some badly disguised drug-squad officers’. Amazingly, it ran until 3am – with permission given from the council. It would seem that Camden has long been a haven to both longhairs and late nights.

    P is for…
    Proper punks
    The Ramones teach the UK the rules of punk rock (Roundhouse, July 4 1976)
    ‘During the soundcheck, all these kids kept coming over to us and telling us we were responsible for them forming their own bands,’ said Joey Ramone of his band’s first show in the UK, at the Roundhouse supporting the Flamin’ Groovies. In fact, the ‘kids’ of which he spoke were actually, pretty much to a man, the future of rock ’n’ roll.

    ‘Me, Simmo, Jonesy, the Sex Pistols… we were all in the back alley and we threw a rock at their dressing-room window,’ remembered Joe Strummer of the show. ‘Johnny Ramone stuck his head out, we all formed a human chain and he pulled us up through the window. That was the first time we met ’em, and it was just this really great punk-rock moment.’ The show itself also made a lasting impression, not least on the young Strummer. ‘It was like white heat, because of the constant barrage of the tunes,’ he enthused. ‘You couldn’t put a cigarette paper between one tune ending and the next beginning. People weren’t ready for this, just… piledriver. It was unbelievable.’

    Q is for…
    Queen of pop
    Madonna hits Camden – and the UK – for the first time (Camden Palace, 1983)
    Arguably the biggest star to use the venue (opened in 1899 as the Palace Theatre) as a launch pad was Madonna, who performed her first UK show here in 1983. At the time, the venue was operated by Steve Strange and Rusty Egan of Visage, who had bought into the Music Machine (as it was then known) in April 1982, and saw it as London’s answer to Studio 54 (it wasn’t). This was also the UK debut of that NY disco mainstay, the ‘track date’ (ie. a star singing a few of their numbers over a backing tape) which is now a staple of clubs such as G-A-Y.

    Madonna took to the stage in her now-familiar cut-off black top, black skirt and leggings accompanied by three other dancers, and performed a half-hour set incorporating ‘Lucky Star’, ‘Holiday’ and then-debut single ‘Everybody’. Despite everyone present now claiming they knew they were witnessing the birth of a megastar, audience reaction at the time was mixed. Within a year, however, Madonna had steamrollered all before her in the pop world. The next time Madonna played the Palace, or Koko as it’s now known, was 22 years later, and tickets changed hands for upwards of £250 each. Unsurprisingly, everyone in that audience made sure they said it was the best thing ever.

  • Add your comment to this feature
  • Page:
    | 1 | 2 | 3 | 4 |

2 comments

  1. Posted by james on 16 Apr 2007 11:37

    yeach, Oasis and London make a good combination

  2. Posted by Liz on 15 Apr 2007 05:07

    The Oasis and London, beautiful memories !

Have your say






Travel Supermarket
Hotels.com
Expedia.co.uk logo
Venere.com
hotel.info

More ways to enjoy Time Out