A Serious Man

Film

Comedy drama

A serious Man.jpg

Time Out rating:

<strong>Rating: </strong>5/5

User ratings:

<strong>Rating: </strong>3/5
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Time Out says

Tue Nov 17 2009

Towards the end of the Coen brothers’ ‘The Big Lebowski’, a black-clad German complains that a situation isn’t fair. ‘Fair?’ splutters Walter Sobchak (John Goodman). ‘Who’s the fucking nihilist around here?!’ Life isn’t fair for the lead of the Coens’ latest, ‘A Serious Man’, either: Larry Gopnik (Michael Stuhlbarg), a mild-mannered mathematics professor in 1967 suburban Jewish Minnesota, is struggling with a crumbling marriage, alienated kids, a burdensome brother, malicious professional rumours, a siren neighbour and incessant calls from a mail-order record company. Unlike the nihilists, however, Larry has faith: he is a conscientious Jew and tries to be a serious man. So, to quote a Jefferson Airplane song from the film’s soundtrack, when the truth is found to be lies and all the hope within you dies… Then what?

Glanced at in many of the Coens’ earlier films, Jewishness is front and centre here, from the shtetl-set, Yiddish-speaking prologue to the hermetically Jewish community in which Larry lives. Drawing on the actual milieu of their own adolescence, the filmmakers – past masters of outré production design and sardonic genre subversion – play things relatively straight to tell a story that, for all its plentiful absurdities, is sincerely engaged with the challenge of unjust suffering. Bewildered, desperate, nose twitching in perplexity, Stuhlbarg’s Larry has been compared to Job; understandably, given his host of burdens and the setting’s Old Testament overtones. Yet Larry is perhaps closer to Kafka’s Josef K, another put-upon character who suffers an unwarranted ordeal without quite being heroic.

The Coens nod at some familiar stylistic tropes – florid swearing, sexual euphemism, crusty, aged characters – but the film’s potency is rooted in quiet precision and detailed realisation. Roger Deakins’s typically polished photography gives an oppressively hard edge to Midwestern suburbia while the sound design is a wondrous melange of soup-slurping, hacking coughs, gastric juices and ominous clanging. Stuhlbarg, a Tony-winning stage actor, leads a largely unknown but impeccable cast that also includes Sari Lennick as Larry’s no-nonsense wife, Fred Melamed as her smug, unctuous lover and Richard Kind as Larry’s sad-sack brother, forever draining a cyst on his neck.

Established religion offers Larry little consolation but the idea of faith, or at least good living, that emerges from his struggle matches the sensibility the Coens have unobtrusively espoused throughout their work: reject worldly status, bear trials with humility, find joy in fellow-feeling. Bad things happen to good people. To acknowledge – even, as storytellers, to embrace – this fact is not to indulge in nihilism, but to make more urgent the social task that might mitigate its effects. You better find somebody to love.
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Release details

UK release:

Fri Nov 20, 2009

Duration:

106 mins

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Comments & ratings

Rated as: 3/5 (46 ratings)
  • “ O CERTAINTY - Where art thou ?” ( “Receive with simplicity everything that happens to you” - Rashi) A Serious Man (2009) is a riotous spiritual film re-telling of the Book of JOB. But this JOB is set the suburban spiritual barrens of Minnesota in 1967 by the Coen Bros ( other films included O Brother-Where art thou ?, The Big Lebowski, Fargo, No Country for Old Men & Millers Crossing ). The spiritual terrain is mildly coincident with the early Minnesota youth of the eventual Bob Dylan. Untenured university physics lecturer Larry Gopnick is an “almost JOB”. Like the Biblical JOB ( see below) and despite Larry’s strong belief, hard work and ethics, his family bonds and finances suddenly disintegrate. His tenure application looks likely to follow them. But unlike the almost unique Old Testament JOB who actually gets divine replies and a divine appearance in a dark cloud , poor Larry gets neither a divine counter-response nor meaningful explanation from three rabbis from whom he hilariously seeks counsel. One such counsel - a howler “one size fits all” parable called The Goy’s Teeth – orthodoxly challenges any believer’s claim to reasonably expect some sort of a divine audit. The parable may also imply :” How could we even recognize –much less handle - some sort of tangible message whose only explanation seems to be of extra-human origin ?”. “How can any frail human live with such shocking but possibly ambiguous message ?” By default poor Larry’s sole sympathy comes from his divorce lawyer David Milgram, whose counsel he pays hourly (see below and the 1950s “Milgram” experiments : dissociative tolerance of induced pseudo human suffering ). And merrily sweeping along with Larry’s new chaos as physics instructor is the arrival of Uncertainty Principle and Chaos theories as well as the imminent middle east wars that will trigger a dangerous new path for Israel. Watch closing credits for Coen Bros’ mischievous buried disclaimer that “No Jews were harmed in the making of this film”. The Biblical JOB narrative : The Old Testament Book of Job describes - almost as scientific experiment - the torments allowed by the Old Testament God to be inflicted upon a wealthy true believer. Satan is described to postulate that deprivation of all wealth and comfort would reverse Job’s piety, and the Old Testament God allows such.proposition to be tested. Calamities are then experimentally inflicted ( ? see Milgram above ?) , and most of Job’s jerk friends blame them on Job himself for some alleged new moral blameworthiness ! JOB does not renounce his faith, pleads for some explanation , but eventually "curses the day he was born" like George Bailey in “It’s a Wonderful Life” (1946). Answering from a dark cloud the Old Testament God responds saying that there are many things Job does not know, and also rebukes the three jerk friends. The narrative ends with Job restored to health, family and wealth. One analysis is that Job underwent an almost existential epiphany, a “righteous sufferer” now recognizing that his previous piety and comforts were naive, and now better understanding the nature of faith and earthly skillset limits of many of the jerks who were criticizing him for the externally generated torments. Rabbi Reuven Bulka has analyzed Nov 10 2012 Ottawa Citizen : “Try as we might to discern where God is in all this, the answer is the same — perplexity. We do not know. And maybe we are better off not knowing. Job never got an answer to why he went through his agonizing suffering. It was enough for him just to “hear” from God. He then knew that however powerless he was to explain what happened, at least the ultimate meaning of the universe had not disappeared.” Bob Driscoll in Lanark County Ontario Canada January 25/13 . This film is upcoming at the Open Circle

    Bob Driscoll Sat Jan 26
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  • Hardly anybody seemst to pick up on the line with which the (main) film starts- and that is the Schroedinger contradiction, that Larry eplains his students and which later in the film (when Say - in his dreams- hits Larry's head against the black board, exclaiming: "I am a serious man".) This to me is the key to understanding the film: There will always be a small uncertainty in life, that can not be proofed as either right or wrong. Neither religion or science (nor drugs) can clear this uncertainty up.Does it matter? Because in the end we all die. Accidents, tornado or illness - that brigs the only certainty there is. Brilliant film

    mira-kira Wed Apr 11 2012
    Rated as: 5/5
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  • Wowza, problem solved like it never hpaepend.

    Wowza, problem solved lik Tue Jan 24 2012
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  • The only thing more boring than watching this film is reading the pretentious rubbish people write about it.

    jake Wed Dec 14 2011
    Rated as: 1/5
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  • A dazzling black comedy in which Larry Gopnick seeks the same answers from Hashem as sought by Sheriff "Ed Thomas Bell" (No Country) and soundalike namesake Knight Antonius Block 50 years before No Country. Not boring if you can recognize great film. 5 stars Dec 8 2011 Ontario Canada

    Bob Driscoll Fri Dec 9 2011
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  • A dazzling black comedy in which Larry Gopnick seeks the same answers from Hashem as sought by Sheriff "Ed Thomas Bell" (No Country) and soundalike namesake Knight Antonius Block 50 years before No Country. Not boring if you can recognize great film. 5 stars Dec 8 2011 Ontario Canada

    Bob Driscoll Fri Dec 9 2011
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  • really didnt expect to like it as mucha s i did its not my type of film

    chris jackson Mon May 23 2011
    Rated as: 4/5
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  • This is a great review for a great movie. No, it is not the most exciting. This movie lacks explosions, violence, and outbursts of vulgarity. However this movie does offer a deep look into the complexities of everyday life: which very often can, and do, become overwhelming. Despite the fact that we are raised with the values of endless optimism, most of the time our life goes in whatever direction we had not planned. Still we are forced to live out the remainder of our days and manage the best we can. In other words, we have the power and freedom to make our lives better, and cannot rely on the false prophet's wisdom, but to the point this movie was made to fail. 1) This movie highly conflicts with our overinflated senses of self. 2) In a culture which is predominantly anti-intellectual, having people look a little deeper than the surface is asking far too much of most. (Not to mention their own fears of what they are and/or are not) 3) There is no happy ending. This movie provides a raw look at the absurdities of modern living. There is no feelgood, happy-go-lucky mood, but instead we are left with only an introspective yearning.Yes, it is not for everybody, but this movie was great because: it was unique, intellectually stimulating, and all the while humorous. (By the way you do not have to be Jewish to enjoy the film. Also if you look closely it can be seen as a paradox to Christian suburbia.)

    Toastman Tue Mar 8 2011
    Rated as: 5/5
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  • The Time Out review is spot on. Only thing to add is that it is the details that make this film so great to watch. The Coens are endlessly creative. The lacks of stars makes everything fresh. It is not everyone's cup of tea. But why bother to dump on it.

    Peter Kellow Sun Feb 13 2011
    Rated as: 5/5
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  • I was really hoping to enjoy this film and have enjoyed several Coen Brothers films in the past, but was sadly disappointed.

    Kevin R Fri Aug 6 2010
    Rated as: 2/5
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