An Education (12A)

Film

Romance

Time Out rating:

<strong>Rating: </strong>4/5

User ratings:

<strong>Rating: </strong>3/5
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Time Out says

Wed Sep 30 2009

Read an interview with Scherfig here

This is ‘Fish Tank’ for the suburbs: semis, not slums; safe, not sorry. Journalist Lynn Barber’s spiky memoir of striking up a relationship with an older man in early 1960s west London has been turned into an accessible comedy romance by screenwriter Nick Hornby that seems designed to play extraordinarily well in the very same privet-lined streets it describes.
It’s true that Barber, in her book, saw more absurdity than seediness in her youthful engagement to a criminal Jack the Lad at the same time as she was preparing to apply to Oxford from her Twickenham grammar school. But Hornby softens the edges further so that David (Peter Sarsgaard), her flashy suitor, is more charming than predatory, more vulnerable than cunning. The paedophile question is side-stepped entirely, even turned into a gag, and good-looking, redeemable Sarsgaard doesn’t appear to be in his late thirties, as Barber assumes in her memoir, even if he claimed to be 27 to her 16. Hornby’s script also makes too much of the peril of – God forbid – not getting into Oxford so that the film ends on an odd note that seeks false drama and resolution in Jenny being accepted or not at the university.

Luckily, Danish director Scherfig and star Mulligan give the film considerable weight by surrounding this lightly played, strange romance with both an acute understanding of Barber’s endearing screen alter ego, Jenny (Mulligan), and incisive material about the differences between this know-it-all young lady and her less worldly mum (Cara Seymour) and dad (Alfred Molina), for whom wine is a Christmas treat and the French are the enemy across the water. It’s through them that we see the first chink of light in the generation gap that would widen as the decade went on.

There’s a persistent comic tone which makes the light treatment of Jenny and David’s affair more palatable than it should be. This is provided partly by Molina and Seymour as the likeable, misguided parents, but partly by Rosamund Pike’s brilliant empty-headed posh fluff, Helen, one of the early 1960s urban beau monde that includes Dominic Cooper as Helen’s louche boyfriend, who glides with David from nightclub to art auction to dog track with Jenny in tow.

As Jenny, Mulligan offers a great impression of Audrey Hepburn once she ties up her hair, throws off her school uniform and puts on an expensive, modish dress and jewellery. She is simply excellent in the role, the perfect mix of naivety and maturity beyond her character’s years. She has a strong but down-to-earth beauty which alone does much to compensate for some of the film’s less convincing, broader moments.

Read an interview with Scherfig here
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Release details

Rated:

12A

UK release:

Fri Oct 30 2009

Duration:

95 mins

Cast and crew

Cast:

Peter Sarsgaard, Alfred Molina, Carey Mulligan

Screenwriter:

Nick Hornby

Director:

Lone Scherfig

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Comments & ratings

Rated as: 3/5 (17 ratings)
  • I've been to see it reading your review, I want my money back! very bad acting: the main character only switches between two expressions. very poor screenplay, cheesy, predictable, with unexplainable gaps: why would he ask to marry her? embarassing scenes, check the banana scene: the whole cinema was in astonished silence

    andrea Sun Nov 8 2009
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  • there is an idea here which evolves to an intelligent parafdigm ,where jenny played by a 17 year old mulligan ,starsts to question the idea of formal education itself ,here she is challenging the shallow and hollow social and redundant traditions that insist on education being an obligatory essence for anyone who has the ability to think . At the same time we see the past consequences of what has happenned to the other so-called successful icons of educational triumphs played by a dowdy frustrated bored school headmistress in a brilliant cameo by emma thompson . THE ENCOUNTERS BETWEEN the teacher and pupil about her extra curricular romance and affair with an older good looking rich jewish man , and their french adventures in sixties paris are both charming and very intriguing as they raise some relevant questions about what is happiness and what is pseudo -satisfaction . the scenes where jenny challenges her peers -parents and teachers are zealously executed with a pomposity which is commendable and convincing simultaneously . Jenny is happy with her illicit lover who drives a posh bristol and takes her away from her twickenham suburbia to the wonders of saint germaine with the eclectic FRENCH music ,CAFES,CUISINE and movies to tempt her . Yet the discovery of her ultimate betrayal by Skarsgard ,her tender and conscientious lover brings this lovely gallic liaision to a halt and brings us full circle into the frustrated world of reality but as for the movie it delivers and mulligan as jenny is a contemporary brilliant talent who reminds one of katherine hepburn in her forties classics where the project was based upon the strong shoulders of an eccentric talent and an innovatively written script -a definitely entertaining and provoking movie which takes a very wicked tongue in cheek view of the english education system and the satirical remarks about OXFORD ,JEWS AND LATIN itself are hiariously divine yet very subtle where no one is forcing anything down your throat in the name of so-called romcom . intelligent cinema and art too with mellow entertainment like summer rain with a tongue in cheek ending which is priceless .

    usman khawaja Sun Nov 8 2009
    Rated as: 4/5
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  • I could see this was a well produced and acted film, but I didn't enjoy the story.

    Jo Thu Nov 5 2009
    Rated as: 2/5
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  • I loved this film, for all it's small faults, as it speaks to life moments of school, innocence, love, parenthood and experience. A film without 3D, CGI or big budget stars, but it does have everything else for a great night out at the flicks. Sit back, think about yourself as a 16yo, your Mum & Dad, school and your first love. What could be better?

    Paul Tue Nov 3 2009
    Rated as: 5/5
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  • thank you for one of the few less than golden reviews of this. i thought it was so misguided. sure, there were a couple of wonderful scenes, but the entire film was phony, scary, and frothy. it had to be saved by swelling strings in the soundtrack, not a good sign. in the end, a very slight picture -- maybe a good lark if it was truly told -- but in its bombastic form, it rang false.

    ken krimstein Mon Oct 19 2009
    Rated as: 1/5
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