Eastern Promises (18)

Film

Thrillers

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Time Out rating:

<strong>Rating: </strong>3/5

User ratings:

<strong>Rating: </strong>4/5
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Time Out says

Tue Oct 9 2007

Just as the shivering ghost of Coppola’s ‘Godfather’ hovers over the gruesome opening barbershop murder in Cronenberg’s impressive, if flawed, London-set mafia thriller, so can you can detect the influence of Paul Schrader in the samurai-ethics of its novitiate hero, Nikolai (an outstanding Viggo Mortensen), a lowly chauffeur with useful taxidermy skills, whose formidable forbearance, shaded tact and steely-strength mark him out as a man of yet-unfulfilled ambitions. Good influences on a great director, undoubtedly; but as Cronenberg’s thoughtful, atmospheric, meticulously-directed and slyly analytical film progresses – and as Nik becomes torn between his feelings for feisty midwife Anna (Naomi Watts) and duty to deceptively-bonhomous boss Semyon (Armin Muller-Stahl) whom she enlists to translate the diary of a dead Russian prostitute – it’s magpie intelligence make your body ache for shots of pure Cronenberg.

When they come – and they do, not least in the sordid symphony of slips, steel, blood and bare-flesh Cronenberg choreographs as the now-promoted ‘vory’ does gut-wrenchingly realistic battle with Chechen rivals on the wet tiles of Finsbury baths – it’s a pleasurable shock. It’s fascinating to watch Cronenberg apply his uniquely transgressive, dualist gaze to the Thameside alleys, velveteen private clubs and the psychological battles and shady internecine struggles of old and new Londoners. But his is a morally-complex vision seemingly at odds with that of the script provided by Steve ‘Dirty Pretty Things’ Knight, whose penchant for mechanistic and self-cancelling moral correspondences and ambiguities provides a birth for every death, for every racial, social or moral presumption, a clever qualification, reversal or inversion. The marriage of the two minds – the one fissive, the other more domesticated and pc – has produced a slightly hesitant, slightly undercharacterised and gently compromising, hybrid: an oddly diplomatic, if often brutal, dip into the hellish demi-mondes lurking behind bouncer-guarded London doorways, which while lacking either the immersive compulsion of his first ‘London’ film ‘Spider’ or the clarity and graphic power of his similarly-themed ‘A History of Violence’, offers something quite new and intriguing from Cronenberg, an ironic but undeniably romantic comment on the uncertain return on moral capital, an achievement that would have been inconceivable without Mortensen’s extraordinary central performance.

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Release details

Rated:

18

UK release:

Fri Oct 26 2007

Duration:

100 mins

Cast and crew

Cast:

Sinéad Cusack, Naomi Watts, Armin Mueller-Stahl, Viggo Mortensen, Vincent Cassel

Editor:

Ronald Sanders

Director:

David Cronenberg

Cinematography:

Peter Suschitzky

Production Designer:

Carol Spier

Screenwriter:

Steven Knight

Music:

Howard Shore

Art Director:

Rebecca Holmes

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Comments & ratings

Rated as: 4/5 (19 ratings)
  • CONTAINS SLIGHT SPOILER: I agree with the TO review in that it would be inconceivable without Mortensen`s extraordinary central performance.Watts and Mueller-stahl are good but Cassel,whom i sometimes like,is poor,i hadn`t the slightest belief in the softening of his character in the films ending(what was Cronenberg thinking!).Overall watchable but not much here without Mortensen(a 5 star performance in a 2&1/2 star film).I much prefered Cronenberg`s Spider(my favourite of his films i`ve seen) and A History of Violence,as long as you bear in mind it`s based on a graphic novel & not to be taken entirely seriously.

    E A Dobson Sat Dec 4 2010
    Rated as: 3/5
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  • something lacking here, in retrospect. still, bloody good viewing and vigo mortennsen is absolutely amazing. not yer best cronenberg but u shud still watch this one

    benjamin ross Wed Apr 8 2009
    Rated as: 4/5
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  • For all its flaws I enjoyed this film. Yes the characters are one dimensional and it 's trying to be too Godfatherish but the juxtaposition of the ordinary family with the gangsters is well done. Particularly liked the locations

    Steve Foster Sat Dec 13 2008
    Rated as: 2/5
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  • Excellent Film!! viggo mortensen is brilliant!

    Nath Wed Aug 6 2008
    Rated as: 5/5
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  • This film by Cronenburg is a hybrid.It doesn’t do what it says on the tin,what it tries to do is more interesting but it doesn’t quite come off.Steven Knight has covered the London of immigrants before in what I thought was a more succesful film,’Dirty Pretty Things’.He writes a moral story that is more plot-driven. However Cronenburg rightly slips in his own preoccupations and images, which are in his usual areas: physicality, identity, corruption and transgression.He adumbrates a closed world, a sealed society. It’s strange how he makes this London a pupa hatched in it’s own devious juices, an exotic cocoon which he manifests for our gaze. I preferred his two previous films,The History of Violence and Spider(especially it’s version of London). This is an 18 credited film and rightly so.In the 1st scenes a young prostitute dies giving birth and a man’s throat is graphically cut. There is a naked fight sequence in a bath house that is amazing, tense, eruptive and shocking .Vigo Mortensen gives a truly superb Russian mafia soul a tortured, tattoed embodiment. His accent and ungrammatical enunciation word-perfect. Naomi Watts although good as a sweet-natured nurse somehow doesn’t fit into the picture, she wouldn’t be able to come anywhere near these kind of people.Yet she’s used as the wedge that splits up the family. Vincent Cassell is far to OTT as Krill, the Russian mobsters son. The ending is too pat and incomplete as if the author had lost invention or the Director had run short of funding. However the film is far better than British gangster films or even American mafia films in that it tries to get inside transgressive criminality in transition.Intriguing without being overwhelming.

    Technoguy Thu Mar 6 2008
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  • An absolutely beautiful film even though the violence was harsh at moments it cowers in the brillance of an epic film. any one who slates it should grow a heart

    Todd Fri Nov 23 2007
    Rated as: 5/5
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  • What a great film! Mortensen is wonderful, tough yet with a certain vulnerability that makes the twist towards the end very believable.Brutal at times, this film engaged me throughout although the last two minutes were disappointing.Go see and enjoy!

    annette Sat Nov 17 2007
    Rated as: 4/5
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  • Really enjoyed this film and loved the twist, although it was quite predictable from the beginning and wasn't pleased with the ending. Yeah she was happy, but did she end up with him? Did the old man go down? What happened to Kirril in the end???- assuming that Nikolai took the old mans place. Very good film, very gorey and there was one part that scared me and turned my stomach at the same time!!! Worth watching

    Clou Thu Nov 8 2007
    Rated as: 5/5
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  • Engaging until the "twist" in the plot then loses its way. Mortensen is powerful and magnetic.

    critique Wed Nov 7 2007
    Rated as: 3/5
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  • The fight scenes in this film were very good, however the film itself lacked a certain something. It seemed to be short on the depth of plot, and when the film ended, in my opinion quite abruptly, I was left feeling robbed. I couldn't believe the filmmakers didn't continue the storly line when good old Viggo sweeps into power. Maybe it is crying out for a sequel. Maybe they couldn't be bothered. Maybe I was robbed? who knows.

    KingChumley Tue Nov 6 2007
    Rated as: 2/5
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