Inception (12A)

Film

Gangster films

Inception.jpg

Time Out rating:

<strong>Rating: </strong>4/5

User ratings:

<strong>Rating: </strong>3/5
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Time Out says

Tue Jul 13 2010

Funny things, dreams. Fascinating for the dreamer, but as dull as a late morning in Slough for anybody else, unless, of course, your guide is Freud.  Or, as it turns out, Christopher Nolan, the 39-year-old British director of ‘Memento’ and ‘The Dark Knight’, whose solution to the boredom of other people’s dreams is to collide their woozy, ever-changing, upside-down and roundabout nature with the thrust of a fast-paced, men-on-a-mission movie and a startling visual language that mirrors their strangeness. Better still, the dreams preferred by Nolan include images of Paris folding in on itself and a trackless train thundering through a city. The limited, sleepworld excitements of retaking your A levels ad infinitum or forever missing a flight at the airport don’t figure here.

Nolan throws a perfect storm of stunts, effects, locations and actors at one big idea: that it’s possible to pilfer ideas from dreams by a process called ‘extraction’, which involves hooking yourself up to a drip, falling asleep and entering the world of the subconscious. The holy grail of this process is to reverse it, which is ‘inception’, the planting of a new idea in another’s mind. That’s the trick that experts Dom (Leonardo DiCaprio) and Arthur (Joseph Gordon Levitt), aided by new recruits Ariadne (Ellen Page) and Eames (Tom Hardy), try to pull off while hopping from Tokyo to Paris to Mombasa. They’re working for Saito (Ken Watanabe) in pursuit of business magnate Robert (Cillian Murphy), and their motives vary, from financial to intellectual. But DiCaprio has another driver: the memory of his wife Mal (Marion Cottilard) is haunting him and it’s going to take a lot of psychological spring-cleaning for him to reconnect with that lost world.

All hail Nolan for mastering a higher class of mass entertainment. Like all good science fiction, ‘Inception’ demands we pay serious attention to pure fantasy on the back of strong ideas and exquisite craft – but it also combines fantasy with real observations about our sleeping lives. Like a dream, Nolan’s film fades swiftly in the light – but while it lasts, it feels like there’s nothing more important to decipher.
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Release details

Rated:

12A

UK release:

Fri Jul 16, 2010

Duration:

148 mins

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Comments & ratings

Rated as: 3/5 (100 ratings)
  • Good,, wayne s ,truthteller , that fool noctor and all the other movie 'haters' have not messed this one up,I'll sneak in and sneak out again with great stealth,,, LOVED IT LOVEDIT LOVED IT 5 STAR, TOTALLY FANTASTIC. I knew that after Memento that this guy COULD make good movies. Now hopefully he will stop making those purile,infantile,batman monstrocities!!!!!

    jock Fri Jul 30 2010
    Rated as: 5/5
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  • Honestly, did no one see the last scene. It was all his dream! They even warned you in the interviews. People, go read up on your existentialism. But, as with that theory, it does all get muddled up.

    Yolandy Fri Jul 30 2010
    Rated as: 3/5
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  • Plot was very clear but its a film you have to see to the end to make other parts you see first clear. you dont need to be intelligent or clever - just warned people if they missed a part then a few parts later they maybe slightly confused... get over urself ped...

    Sian Thu Jul 29 2010
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  • Nolan chose to construct it this way because it interested and fascinated him and he felt he could create something interesting. For me what he did worked and I'm pleased that he didnt choose to make it simpler. The relatively simple premise of the film could have been done in a far simpler construction and may have been equally absorbing but I was transfixed all the way through.

    pedro Thu Jul 29 2010
    Rated as: 5/5
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  • Shaffy, my reference was only to The Matrix, and not the other two films. Pedro, I was never confused about the premise which on reflection is probably one of the key problems with the film. My overriding concern with Inception is exactly “howâ€� that journey has been constructed.

    Jason E Wed Jul 28 2010
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  • I enjoyed the movie, but totally unsure why it was so absolutely necessary for them to change his mind....did it save the earth........ or was it just to make someone else rich in the capitalist money go round..... (which is fine if true) why did the young girl join the team..... just for fun ? I don't believe that the reasons WHY where explained, if they had been then certainly a 5 star movie

    mike Wed Jul 28 2010
    Rated as: 4/5
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  • Carry on the debate people.Had to watch from 2nd row from the front( only a few seats left).Understood it,liked it and am going to see it again without strainingmy neck.

    N.UK Wed Jul 28 2010
    Rated as: 5/5
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  • The comparison with the Matrix is not appropriate. Of course the characters will come across with a greater sense of depth when the director has a trilogy in which to develop them. 'Inception' was intense and fast paced, certainly not confusing!

    Shaffy Wed Jul 28 2010
    Rated as: 5/5
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  • The point is, I'm clearly not that intelligent but this film was totally clear. Industrial spies want to cjange the course of the large multinational without leaviing a trace, face some emotional demons and some unexpected traps and dangers. Oceans Elleven, meets James Bond meets the Matrix with some unique twists in the methods and mazes. Pretty simple as far as I could see.

    pedro Wed Jul 28 2010
    Rated as: 5/5
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  • Or…I “thinkâ€� I am intelligent, so therefore, I am intelligent. Good for Pedro that he is more intelligent than those morons who thought Inception was unnecessarily confusing. Well done Pedro. Here’s your badge, and please wear it with pride.

    Jason E Wed Jul 28 2010
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