It begins with a disturbing howl emanating from the darkness of their poor apartment on the outskirts of São Paulo. This is no cry of despair but rather the labour yelps of the mother, Cleuza (Sandra Corveloni). The film’s excellent, dovetailed script and the liveliness of its performances provide an intimate, honest portrait of the four half-brothers: talented 18-year-old footballer Dario; messenger Dínis; religious pump attendant Dinho; and aspirant bus driver Reginaldo. The film speaks well of lived experience and difficult choices, stripped of many of the violent clichés, exaggerations and expressions of hopelessness in the face of poverty, corruption and crime depicted in some favela melodramas.
Salles and Thomas’s movie contains some extraordinary moments and its fine editing injects a dynamic cross-cutting energy. But, it must be said, there are some stiff or incredible scenes that hark back to the sentimentality of old neo-realism, while its open-ended finale leaves the viewer a little let down and unsatisfied.
|Release date:||Friday September 19 2008|
Cast and crew
|Director:||Walter Salles, Daniela Thomas|
|Screenwriter:||Walter Salles, Daniela Thomas|
José Geraldo Rodrigues
Kaique Jesus Santos
Average User Rating
2.5 / 5
- 5 star:1
- 4 star:0
- 3 star:0
- 2 star:2
- 1 star:0
I am with Mark and was reaching for both my pillow and razor blade halfway through the film. Some of the audience left and the film did drag on. I wanted to like the film but it did ramble on. I give it two for effort too.
This reviewer must have seen a different film from me...this film should have been SO much better. It was all over the place and felt disjointed, confused and ultimately pointless. It claims to be set in a favela but was ultimately just a poor neghbourhood of the city - a far cry from the reality of favela living. The film lacked a heart, the cutting was annoying, the football scenes were played out to the point of boredom, and the ending was plain silly. 2 out of 6.