Six in Paris


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Time Out says

A disappointingly lightweight collection of sketches, filmed in 16mm (blown up to 35mm) in an attempt to encourage experiment by reducing costs. Godard's contribution elaborates a story told in Une Femme est une Femme (about a girl who posts letters to her two lovers, then agonises that she got the envelopes mixed), interestingly but not very successfully shot cinéma-vérité style with Albert Maysles as cameraman. Rohmer and Rouch are desperately cramped for space; Douchet's episode is routine Nouvelle Vague sexual sparring; Pollet's is neatly observed but conventional. By far the best sketch is Chabrol's ruthlessly funny caricature of a bourgeois couple (played by himself and Audran) whose constant nagging, quarrelling and platitudinising drive their young son to resort to ear-plugs, with the result that he is blithely unaware of his mother's desperate cries for help when...

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