Just wondering... this list is pretty much amazing. Only a few films that I believe should have been mentioned. First and foremost, Out of Africa. It's a fantastic and meaningful movie. Beautifully romantic. Wonderfully acted by Meryl Streep and hunky Robert Redford. The others are a bit more mainstream, but I believe they should have deserved a spot. First, the 2012 version of Jane Eyre. Mostly due to excellent acting. Also deliciously romantic. And actually a thoroughly good movie. Pride and Prejudice (2005), I think, deserves a spot because it almost matches The Notebook in how much it has affected young people. It was well-reviewed, and the cast was excellent, not only because of Keira Knightley (in the very beginning of her career) but also because of the excellent supporting cast. Garden State, as well, is an excellent film, as well as an excellent romance, coming out of the indie film world. Natalie Portman and Zac Braff both do an excellent job. Definitely one of my favorites, along with The Graduate and Eternal Sunshine of the Spotless Mind, both of which rightfully appear on this list. Lastly, I have to say that Love Actually should certainly have been included. It's very cheesy, certainly, but it's become such a staple in both the romantic comedy world and the Christmas movie world. It was also one of the, if not THE, first romantic film to host various interlocking stories. And the CAST. I can't even. Besides these few that I feel could have been included, I think this list does a great job. Especially appreciate that it gives equal wait to classic films like The Apartment and recent films like The Silver Linings Playbook and Moonrise Kingdom. Cheers!
The 100 best romantic movies: hunky
Experts including Tom Hiddleston, Joan Collins and EL James vote for the best films about love and romance
Now we know which are the 100 best romantic movies of all time. But which are funny and which are heartbreaking? Which depict a dignified romance and which are saucy? Which are strictly arthouse and which are cheesy? We’ve applied 19 handy labels to the 100 films in our list. Here you’ll find all the films with a male star who we believe to be ‘hunky’.
Got something to add? Tell us what you think in the comments below.
The 100 best romantic movies: hunky
Brokeback Mountain (2005)
Director: Ang Lee
Cast: Jake Gyllenhaal, Heath Ledger, Michelle Williams, Anne Hathaway
Best quote: 'I wish I knew how to quit you.'
Defining moment: When Jack and Ennis make love in a tent.
A camp romance
Lee’s adaptation of E Annie Proulx's short story is a desperately sad account of gay love beaten into submission by society’s attitudes and conventions. Jack (Gyllenhaal) and Ennis (Ledger) are two ranch hands in early 1960s Wyoming who spend one glorious summer out in the wilderness falling in love and sleeping with each other.
It’s a golden age – a long-lost arcadia – that can never be recovered by this unlikely romantic pair as the years go by and Jack and Ennis live separate lives (though they occasionally meet up for secretive fishing trips to rekindle their passion). As they age, Jack is more successful at holding down an everyday life with a job and family, but Ennis seriously struggles, and his story is all the more tragic for it. It’s a brilliantly acted film, and Lee finds time to celebrate and explore the love at the core of his story as well as creating space to mourn its fallout. DC
Read the Time Out review of 'Brokeback Mountain'
Gone with the Wind (1939)
Director: Victor Fleming
Cast: Vivien Leigh, Clark Gable
Best quote: 'Frankly, my dear, I don't give a damn.'
Defining moment: Rhett Butler’s scandalous proposal – Scarlett is in mourning, her husband not yet cold in his grave.
Why should we still give a damn? Because after more than 70 years, ‘Gone with the Wind’ still does it bigger and better. At nearly four hours long it’s the ultimate rainy-day-in-bed-with-the-flu movie and features maybe the greatest ever screen lovers. Every actress in Hollywood was screen-tested or considered for the role of spoiled Southern belle Scarlett O’Hara. In the end, it went to the hardly-known British actress Leigh, with Gable cast as infamous ladies’ man Rhett Butler.
Scarlett knows exactly what kind of man Rhett is the moment she meets him – the kind of who has a pretty good idea what a girl looks like in her petticoats. Years later, after toughing out the Civil War, Scarlett notches him up (or is it vice versa?) as husband number three. And their stormy marriage gives us one of cinema’s greatest unanswered questions. Can she win him back? Is tomorrow another day? CC
Read the Time Out review of 'Gone with the Wind'
Wild at Heart (1990)
Director: David Lynch
Cast: Nicolas Cage, Laura Dern
Best quote: 'The way your head works is God's own private mystery.'
Defining moment: After dancing like a maniac to speed-metal combo Powermad, Sailor Ripley busts into a swoonsome version of Elvis’s ‘Love Me’.
No one does romance quite like David Lynch: just think of Sandy and the robins in ‘Blue Velvet’, or Henry and the radiator lady in ‘Eraserhead’. There are those who write him off as an ironist, but this uniquely intense and unabashed worship of love as an otherworldly, all-consuming and dangerous state of higher consciousness is anything but detached.
Lynch loves love, and he loves lovers, none more so than Sailor and Lula, the star-crossed, whisky-fuelled, sex-crazed, emotionally scarred couple that are the wild heart of his madcap kaleidoscopic road movie. This is all-American love reimagined as a carnival show: brutal and beautiful and completely barmy. TH
Read the Time Out review of 'Wild at Heart'
The Bridges of Madison County (1995)
Director: Clint Eastwood
Cast: Meryl Streep, Clint Eastwood, Annie Corley
Best quote: 'Do you want more eggs or should we just fuck on the linoleum one last time?'
Defining moment: Meryl and Clint in her kitchen, slow-dancing to the honeyed sounds of jazz crooner Johnny Hartman.
Four days in paradise
This classy adaptation of Robert James Waller’s bestseller is ‘Brief Encounter’ in another time and another place. It’s mid-‘60s Iowa and Italian housewife Streep, long wedded to a local farmer, starts thinking about the life she could have had when dashing National Geographic photographer Clint turns up to shoot the famed covered bridges nearby.
While the latterday framing device is somewhat clunky, the central middle-aged romance is exquisitely inscribed through tender looks, stolen moments, and much sultry jazz on the radio, building to a wrenchingly bittersweet conclusion that love’s liberating affirmation doesn’t always arrive when circumstances allow it to flourish. ‘This kind of certainty comes but once in a lifetime’ is the key line, and we believe it. Sigh. TJ
Read the Time Out review of 'The Bridges of Madison County'
William Shakespeare’s Romeo + Juliet (1996)
Director: Baz Luhrmann
Cast: Leonardo DiCaprio, Claire Danes
Best quote: 'A plague on both your houses! They have made worms’ meat of me.'
Defining moment: DiCaprio and Danes making loved-up eyes at each other through the glass and water of a fish tank.
From the Globe to the ghetto
Baz Luhrmann had some cast-iron source material to work with in the form of Shakespeare’s story – but the Australian writer-director took the playwright’s romantic tragedy to another place entirely with this ultra-modern reworking. At the same, he never lost sight of the essence of Shakespeare’s tale of two young lovers doomed from the first time they lay eyes on each other.
The moment that Romeo (DiCaprio, so young!) and Juliet (Danes, so young too!) meet at a wild fancy-dress party is pure bliss to watch, just as Luhrmann’s staging of the final death scene is almost impossible to bear. There are guns, hip-hop, open-topped cars and characters so larger-than-life that the whole thing now, in retrospect, feels like Tarantino directing a season-finale episode of ‘Dynasty’. It’s mad, musical and immensely moving. DC
Read the Time Out review of 'William Shakespeare’s Romeo + Juliet'
Blue Valentine (2010)
Director: Derek Cianfrance
Cast: Ryan Gosling, Michelle Williams
Best quote: 'In my experience, the prettier a girl is, the more nuts she is, which makes you insane.'
Defining moment: When Dean threatens to throw himself from a New York bridge if Cindy won't tell him what's up.
In sickness and in health
The rough follows the smooth in this bittersweet US indie which flits back and forth from the dying embers of a five-year marriage to the first throes of heady passion. Cindy and Dean are tired, frustrated young parents, but not long ago they were dancing on the streets. Cianfrance gives us a frank portrait of where love can head if there are problems from the start.
It's a difficult and sad watch, but an invigorating one as we run along with the energy of Cindy and Dean's first meetings and then scratch our heads at where it all went wrong. What makes 'Blue Valentine' a smart summary of a faltering romance are the specifics of Dean and Cindy's problems: there's no cynical suggestion that all or most relationships head south with time. Instead, Cianfrance makes subtle suggestions as to why this one might not last the distance. DC
Read the Time Out review of 'Blue Valentine'
Director: Jean-Luc Godard
Cast: Jean-Paul Belmondo, Jean Seberg
Best quote: 'Informers inform, burglars burgle, murderers murder, lovers love.'
Defining moment: The lovers’ ambiguous parting words in the final scene. What do they mean?
A girl and a gun
As love stories go, 'Breathless' ('À Bout de Souffle') is not one for the ages. Jean-Paul Belmondo, playing a Parisian wideboy on the run after shooting a cop, and Jean Seberg as the hipster American newspaper girl who unwittingly shelters him, look impossibly beautiful together, smoking Lucky Strikes and debating existentialist theory in bed. But they seem entirely too cool to be in love.
Yet Godard’s groundbreaking New Wave take on the Hollywood B-movie is romantic almost in spite of itself. Its still-youthful jazz rhythms, its fresh exploration of Paris at its most invitingly chic and its sexy bedroom talk are what so many of us want romance to look and feel like. So we’re more than happy to indulge it, like the cinematic equivalent of a dirty weekend. GL
Read the Time Out review of 'Breathless'
The Last of the Mohicans (1992)
Director: Michael Mann
Cast: Daniel Day-Lewis, Madeleine Stowe
Best quote: 'Stay alive. No matter how long it takes, no matter how far, I will find you.'
Defining moment: Declaring undying love against a thundering waterfall.
Hip to be squaw
Is ‘The Last of the Mohicans’ really a boy’s own adventure? No, of course not. It’s a romance cleverly disguised as a swashbuckler. The year is 1757, and the British and French are fighting for control of North America. Daniel Day-Lewis is Hawkeye, a white man raised by Native Americans who saves British general’s daughter Cora (Madeleine Stowe) from a murderous tribe.
But Cora is no helpless dame – watch her slip a musket into her pocket. There is no game-playing between these two. ‘What are you looking at, sir?’ she asks. ‘I’m looking at you miss.’ In that one moment, in their shy smiles, we know they are destined to be together. This is epic romance, and you can’t help being swept away – in spite of that Enya-ish soundtrack. CC
Read the Time Out review of 'The Last of the Mohicans'
Director: James Cameron
Cast: Kate Winslet, Leonardo DiCaprio
Best quote: 'Where to, Miss?' 'To the stars!'
Defining moment: Oh, go on then: the prow scene, where Leo claims to be the king of the world, and just for a moment we all believe him.
My heart will go on… and on… and on…
Few films inspire as much passion as James Cameron’s epic would-be folly. Following a troubled production, when the film finally splashed into cinemas, it became the biggest money-spinner of all time, provoking an ocean of housewives’ tears and one of the biggest Oscar hauls in history. Then the backlash hit, like an iceberg in Arctic waters: wait a second, people pointed out, the dialogue’s godawful, the depiction of social class is farcical, and the romance is just join-the-dots Mills and Boon nonsense.
So which is true? Well, both, to be fair. ‘Titanic’ is an incredibly involving experience, especially once the ship hits the berg and all hell breaks loose. Sure, it’s about as intellectually valid as a Jilly Cooper novel, but if you’re looking for a high-concept crowd-pleaser with its heart firmly on its sleeve, they don’t come much bigger, sillier or more enjoyable. TH
Read the Time Out review of 'Titanic'
Dirty Dancing (1987)
Director: Emile Ardolino
Cast: Patrick Swayze, Jennifer Grey
Best quote: 'Come on, ladies. God wouldn't have given you maracas if He didn't want you to shake 'em.'
Defining moment: Nobody puts Baby in a corner. When even Ryan Gosling has scored using your defining moment (in ‘Crazy, Stupid, Love’), you know it’s a good ’un.
Sir Patrick of Swayz
She dreamt of studying the economics of underdeveloped countries and volunteering for the Peace Corps. He just wanted to dance the night away. Until one day she manhandles some watermelons into his backstage area (not a metaphor), and falls in love at first sight.
Filmed at the peak of Patrick Swayze’s handsomeness, with a healthy dollop of none-more-’80s style and a cracking jukebox full of irresistibly catchy numbers, a thousand clip shows would have us remember ‘Dirty Dancing’ as something of a minor classic. And, for once, they would be right on the money. CB
Read the Time Out review of 'Dirty Dancing'
Director: Andrew Haigh
Cast: Chris New, Tom Cullen
Best quote: 'I couldn't be more proud of you than if you were the first man on the moon.'
Defining moment: When Glen interviews Russell on tape for an art project the morning after the night before.
Boy meets boy
This British film, shot on a shoestring, captures in a lively and fresh style the first throes of attraction, passion and maybe even love between two men, Glen (New) and Russell (Cullen), who meet one night in a bar and spend a couple of days and nights together. They talk, they have sex, they size each other up. Glen is open and chatty, while Russell is more guarded and defensive.
Haigh’s film is marked by an immediacy and a sense of tentative exploration that’s rare in depictions of couplings, and by a keen awareness that we project one image on the world and hold another back for ourselves. Not a great deal happens in terms of big events, but the film’s honesty and realism mean that it’s a little film with a lot to say. DC
Read the Time Out review of 'Weekend'
Pretty Woman (1990)
Director: Garry Marshall
Cast: Richard Gere, Julia Roberts
Best quote: 'You and I are such similar creatures Vivian. We both screw people for money.'
Defining moment: Gere and Roberts take a private jet from LA to San Francisco for a date at the opera.
Date with destiny
Roberts offered a very different shot in the arm to prostitutes everywhere with this ludicrous but undeniably charming romantic fantasy about a Hollywood streetwalker who falls for a stinking rich businessman (Gere) after he hires her for a week to be his companion at dinners and evening engagements, in between his epic workload of barking at lawyers.
Sure, the idea of a prostitute who’s as beautiful, clean, happy and glamorous as Roberts is absurd, but then Gere’s portrait of the archetypal 1980s business shark with a core of ice yearning to be melted is just as caricatured as her tart with a heart.
‘Pretty Woman’ is slushy, cheesy and so smoothly crafted that it succeeds as the very definition of romantic escapism. Roberts also has some winning comic moments, including her curtain-call quip to an elderly lady at the opera: ‘It was so good I almost pee’d my pants.’ DC
Read the Time Out review of 'Pretty Woman'
Director: Jerry Zucker
Cast: Demi Moore, Patrick Swayze
Best quote: 'I love you. I really love you.' 'Ditto.'
Defining moment: Swayze and Moore send shares in pottery classes skywards.
Care for a little necrophilia?
Screenwriter Bruce Joel Rubin was initially dismayed to hear that producers planned to hand his heartbreaking supernatural romance over to ‘Airplane!’ director Jerry Zucker (‘I thought with this director that they were going to turn “Ghost” into some kind of comedy and it’d be horrible’), but in fact the move led to a skilfully put-together mixture of tearjerker and madcap farce, enabling Whoopi Goldberg to turn in an Oscar-winning Best Supporting Actress performance for her role as con artist/medium Oda Mae Brown.
Counting sexy pottery as a given, ‘Ghost’ is also romantically notable for the queer frisson of the scene where Sam's spirit possesses Oda Mae to share one final dance with Demi Moore's grieving Molly. CB
Read the Time Out review of 'Ghost'
Edward Scissorhands (1990)
Director: Tim Burton
Cast: Johnny Depp, Winona Ryder
Best quote: Kim: 'Hold me.' Edward: 'I can’t.'
Defining moment: Kim dances in the ‘snow’ Edward makes from an ice sculpture in sunny California.
Cuts you up
The scariest thing about Burton’s gothic fairy tale is reading the list of actors who were considered for the part of Edward, the man with scissors for hands created by a scientist. The studio insisted Burton meet Tom Cruise (who believed the story needed a ‘happier ending’). Michael Jackson badly wanted the part. Tom Hanks turned it down.
Finally, Burton got his way and cast Johnny Depp, who, like a Camden goth Charlie Chaplin, plays Edward with a dash of slapstick and sad-eyed loneliness (watch Edward’s scissor fingers twitch when he’s nervous). It was the beginning of a beautiful friendship between Depp and Burton, who’ve made seven films together since. Not such a happy ending for Depp and his co-star and then-girlfriend, Ryder. They split in 1993. CC
Read the Time Out review of 'Edward Scissorhands'
It Happened One Night (1934)
Director: Frank Capra
Cast: Claudette Colbert, Clark Gable
Best quote: 'I don't know very much about him, except that I love him.'
Defining moment: The pre-censor motel room scene, in which the two unmarried travelling companions use a sheet slung over a washing line to protect their dignity.
Greyhounds of love
Here it is, ground zero, the birth of the modern romantic comedy. Not that there hadn’t been romances before, some of them fairly amusing. But ‘It Happened One Night’ was the one that codified the rules of engagement: mismatched lovers thrown together by circumstance; snappy, off-the-cuff repartee; grand, irrational gestures of devotion; endings so deliriously happy that nothing could ever go wrong again.
It had a troubled production – both Gable and Colbert found the script tasteless – but when the movie picked up all five major Academy Awards, their criticism understandably abated. It’s been endlessly remade (twice in Bollywood alone) and can count both Stalin and Hitler among its celebrity fans. But ‘It Happened One Night’ remains the genius genesis moment for the romcom – and Hollywood has never looked back. TH
Read the Time Out review of 'It Happened One Night'
An Officer and a Gentleman (1982)
Director: Taylor Hackford
Cast: Richard Gere, Deborah Winger, Louis Gossett Jr
Best quote: 'I got nowhere else to go!'
Defining moment: That ’80s-tastic finale, with Richard Gere in naval whites and ‘Up Where We Belong’ on the soundtrack.
Come on and join your fellow man
‘Star Wars’ showed the movie business that audiences were ready for old-fashioned stories in shiny new packaging, and this mega-hit melodrama took a not-dissimilar approach. Old Hollywood might have pictured the local girl trying to keep her honour yet win the heart of a dashing navy recruit. Here, Richard Gere hogs the limelight as the would-be flyboy learning to love someone other than himself – while Debra Winger alternates good-girl and bad-girl moves.
It’s far from subtle, but certainly delivers more grit than a payload of weepy master Nicholas Sparks’ adaptations. And the big hit single made the image of uniformed Gere ubiquitous for a while – provided you could get goggle-eyed, windmill-armed vocalist Joe Cocker out of your mind. TJ
Read the Time Out review of 'An Officer and a Gentleman'
The Way We Were (1973)
Director: Sydney Pollack
Cast: Barbra Streisand, Robert Redford, Bradford Dillman
Best quote: 'When you love someone… you go deaf, dumb and blind.'
Defining moment: The first sight of Babs and His Bobness as 1930s college students.
Let’s call the whole thing off
‘Scattered pictures from the corners of my mind…’ Alan and Marilyn Bergman’s lyrics and Marvin Hamlisch’s melody proved an Oscar-winning combination, bolstering the already considerable star power which has long made this a mums’ favourite. Barbra Streisand is a bolshy, strident Jewish lefty, Redford a WASP prince out to further his own literary career. They seem like chalk and cheese, but such is the stuff of romantic sagas.
That said, the movie never seems quite sure whether it’s unabashed retro-styled escapism or a serious look at the currents of US politics leading to the cultural strife of the ’50s – though the studio’s slashing cuts to the McCarthy-era footage certainly tip it towards the former. Like the song says, ‘Misty watercolor memories, of the way we were’. TJ
Read the Time Out review of 'The Way We Were'
The Notebook (2004)
Director: Nick Cassavetes
Cast: Ryan Gosling, Rachel McAdams
Best quote: 'Do you think our love can make miracles?'
Defining moment: That snog in the rain, just after Allie learns about the 365 love letters from Noah that she never received.
The world gets Gozzled
The, er, literary oeuvre of Nicholas Sparks has been churned into an awful lot of insipid Hollywood schlock – nobody past puberty got misty-eyed over Miley Cyrus in ‘The Last Song’, and surely no one of any age remembers Kevin Costner in ‘Message in a Bottle’.
On the face of it, it’s hard to say why the aggressively sentimental ‘The Notebook’ is any different. But there’s something so earnest about the way this star-crossed teen romance – he’s a common country boy, she’s a beautiful heiress, you do the math – hits its clichéd marks that the film itself takes on the unassailable, idealistic purity of first love. Magic casting, too: here’s where the world’s love affair with Ryan Gosling started, before he got way too cool for this sort of thing. GL
Read the Time Out review of 'The Notebook'
Silver Linings Playbook (2012)
Director: David O Russell
Cast: Bradley Cooper, Jennifer Lawrence
Best quote: 'I love you. I knew it from the moment I saw you. I'm sorry it took me so long to catch up.'
Defining moment: Tiffany meets Pat’s dysfunctional parents.
Crazy in love
You know that moment when you meet someone for the first time and something clicks? Maybe you bond over a mutual hatred of beetroot. Or love the same film? That’s exactly what happens to Pat (Bradley Cooper) and Tiffany (Jennifer Lawrence) in ‘Silver Linings Playbook’ – except it’s anti-depressant side effects they bond over.
He’s recovering from a nasty manic episode. She’s been sleeping around since her husband died (‘I'm just the crazy slut with a dead husband!’) As romcoms go, this is awkward and messy, but motors on offbeat energy and a fast-paced wisecracking script. It’s a date movie with a beating heart, a story that believes in love. A happy pill of a film. CC
Read the Time Out review of 'Silver Linings Playbook'
Splendor in the Grass (1961)
Director: Elia Kazan
Cast: Natalie Wood, Warren Beatty, Pat Hingle
Best quote: 'My pride? My pride? I don't want my pride!'
Defining moment: The young lovers break from their frenzied necking as waters symbolically cascade in the background.
Youth in revolt
Rural Kansas, 1928, when ‘nice’ girls were supposed to hold out until the wedding night. Every fibre of her being is telling high-schooler Natalie Wood she wants alpha male Warren Beatty right now, but his oil magnate dad has decided she’s too ordinary for marriage. Welcome to a world before contraception, as acclaimed playwright William Inge’s Oscar-winning script puts in place a devastating conflict between fundamental human desires and layers of obfuscating social hypocrisy.
Both in their early twenties at the time, Beatty and Wood make a sensual couple, as director Kazan constructs a pristine vision of Americana, played against a coruscating narrative where yearning slides uncontrollably into hysteria. Wood’s startling performance deserved an Oscar but got only a nomination. TJ
Read the Time Out review of 'Splendor in the Grass'
Doctor Zhivago (1965)
Director: David Lean
Cast: Julie Christie, Omar Sharif, Geraldine Chaplin
Best quote: 'There's an extraordinary girl at this party.' 'I know. I'm dancing with her.'
Defining moment: Years after their parting, Yuri catches a glimpse of his beloved Lara from a crowded tram and runs after her – a mirror image of his first sighting.
A balalaika made for two
David Lean’s super-sized epic of love lost and found – several times over – across a half-century of tumultuous Russian history may seem to have fallen slightly out of fashion these days. But you need only have counted the not-so-subtle references to its florid aesthetic in Joe Wright’s recent ‘Anna Karenina’ to see how it captured the imagination of more than one generation. Not for nothing was Maurice Jarre’s swirling ‘Lara’s Theme’ a Top 10 hit in its day, after all.
Still, the lush sound and iconography of ‘Zhivago’ – that wedding-cake ice palace, those fashion-spread furs – has rather superceded the knotty, compromised politics of its love story, a cruel triangle in which different viewers may find themselves sympathising with different sides. GL
Read the Time Out review of 'Doctor Zhivago'
Un Chant d'Amour (1950)
Director: Jean Genet
Cast: Java, André Reybaz, Lucien Sénémaud
Best quote: no dialogue
Defining moment: Phallic substitutes (flowers, cigarettes, a pistol) we expect in a film from 1950, but full-on tumescence we don’t.
Let yourself go
Jean Genet had already been discharged from the French Foreign Legion for indecency, bummed around Europe as a thief and rent-boy, and forged a strong literary reputation before he made this silent, clandestinely-shot 26-minute short in 1950. It’s a potent combination of the raw and the poetic, as male prisoners writhe under the lustful eye of a peeping guard, dreaming of encounters metaphorical and corporeal.
Its explicit gaze is still pretty eye-popping by conventional standards, and in 1966 a California court banned ‘Un Chant d’Amour’, pronouncing it ‘cheap pornography calculated to promote homosexuality, perversion and morbid sex practices’. Needless to say, it became an underground sensation (though nowadays it’s on Youtube), and a touchstone for future film-makers including Kenneth Anger, Rainer Werner Fassbinder and Todd Haynes. TJ
Read the Time Out review of 'Un Chant d'Amour'
Out of Sight (1998)
Director: Steven Soderbergh
Cast: George Clooney, Jennifer Lopez
Best quote: 'Jack, please don't make me do this.'
Defining moment: J-Lo and Clooney get up close and personal in the boot of a getaway car.
Junk in the trunk
It's got to be the sexiest meet-cute in the movies. Clooney is a bank robber who’s just bust out of prison. Lopez is the federal marshal who gets in his way. We already know she likes a bad boy, so when he bundles her into the boot of a getaway car, sparks fly.
The chemistry between Clooney and Lopez is smokin’ hot in Soderbergh’s down-and-dirty adaptation of Elmore Leonard's novel. Sandra Bullock was originally tested for the marshal role, but it’s impossible to believe she would have sizzled like J-Lo. ‘Out of Sight’ will also go down in history as the movie that finally made TV pin-up Clooney a bona fide Hollywood star. CC
Read the Time Out review of 'Out of Sight'
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