the 50 greatest world war ii movies

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As Quentin Tarantino's outrageous men-on-a-mission epic 'Inglourious Basterds' hits our screens, we at Time Out (with the assistance of Tarantino himself) thought it would be a fine time to revisit that most cinematic of conflicts. Some of our choices are stone-cold action classics, others are arthouse masterpieces, but all are worthy of celebration. Sign up today!

Click here for 40 through to 31...

50. Escape to Victory (1981)

Directed by John Huston A prison camp kickabout becomes an escape opportunity for Stallone, Caine, Pele and Moore.
It should be cinematic gold – football and war! Like those birthday cards in the For Boys section that picture a racing car jumping over a steam train full of cowboys, ‘Victory…’ apparently has everything for the sexually immature adolescent male. But this comic-book fantasy, wherein Allied POWs are forced to play a lose-lose football match against their captors, turns out to be something more subversive. By highlighting the charmless grandstanding of Sly Stallone over the silky skills of Pele and Bobby Moore, the film emphasises the common footballing culture of the assorted Krauts, Tommies and Frogs and becomes a rallying call to greater European integration. Paul FaircloughClick here for a clip from the filmClick here to read the original Time Out review

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49. The Keep (1983)

Directed by Michael MannGerman soldiers wake an ageless evil in a crumbling Carpathian castle.
The joker in the WWII movie pack, at least until ‘Inglourious Basterds’ hove into view, was this utterly bizarre cod-spiritualist dark castle chiller from a pre-‘Miami Vice’ Michael Mann. The mist-shrouded opening sequences, as Jurgen Prochnow’s dead-meat Nazi platoon occupy the titular fortress, rumoured to be stalked by evil spirits, are breathtaking, Mann’s superb eye for visual detail fusing with some spectacular design work to create a real atmosphere of impending dread. But it all begins to fall apart with the introduction of Scott Glenn’s Jewish translator (it doesn’t help that he’s saddled with the name Glaeken Trismegestus), who has some mysterious connection to the old castle. The film was drastically cut and limped out to a disinterested public, but it’s unashamed weirdness and wondrous sets have helped to build a pretty solid fanbase since. Director’s cut, please! Tom HuddlestonWatch the opening scenes

Read the original Time Out review

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48. Stalingrad (1993)

Directed by Joseph VilsmajerRussia V Germany – the battle of the titans.
There are few war stories more grim, empty and defeated than Joseph Vilsmajer’s epic depiction of the backbreaking battle between the German and Russian forces at Stalingrad. While the similarly-themed ‘Enemy at the Gates’ tried to turn the Russian story into a heroic tale of young studs at war, Vilsmajer’s film, focusing on the German side, treats the conflict with wide-open eyes, taking in every horrific, inhuman detail, every gunshot, every death by starvation, every body buried in the rubble. And so, while the film may stand as one of the most realistic depictions of WWII, it’s far from pleasant viewing. THWatch the trailer

Read the original Time Out review

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47. The Last Metro (1980)

Directed by Francois TruffautAll aboard for ‘Nazi-occupied Sesame Street’!Francois Truffaut’s cinematic swansong feels like a dense and hearty fruitcake compared to the light and fluffy soufflé that was his is first, ‘Les 400 Coups’, even though both were based on personal experiences. This handsome and nostalgic, if somewhat conventional ‘adult’ ensemble drama set almost exclusively in a Parisian theatre in the ’40s takes on ideas of heroism, fidelity, the interplay between art and censorship and the creative minutiae of putting on a play. Catherine Deneuve stars as an actress who is also the wife of a famed German-Jewish theatre director and the film documents her toil to conceal her husband from both the Nazis and braying anti-semitic drama critic, Jean-Louis Richard, while taking strange directions from the basement in which he is hiding. Though the film has its admirers – it cleaned up at the 1981 Ceasar Awards – one of the key criticisms it still faces (and one that Truffaut was fully aware of at the time of its making) is that the occupation of Paris is dealt with in only the most fleeting and superficial of ways. David Jenkins

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Quentin Tarantino says:

‘I don’t like Truffaut’s “The Last Metro”. It seems very phoney, like it’s made on Nazi-occupied Sesame Street. The story is all about the director of a theatre group hiding from the Nazis inside the theatre and ghost-directing his wife, Catherine Deneuve, and the leading man, Gerard Depardieu, from his hideout. And I watched it and thought: This is a great premise for a comedy, but it really doesn’t work as drama.’Watch the trailer
Read the original Time Out review

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46. Triumph of the Will (1935)

Directed by Leni ReifenstahlThe birth of the 1,000-year Reich, according to arch-propagandist Leni Riefenstahl.Perhaps the cinematic Rosetta Stone that unlocks much of the sentiment (mostly hatred and anger) on the remainder of this list, Reifenstahl’s ‘Triumph… ’ is still arguably the most famous propaganda film ever made. A gaudy celebration of Teutonic immovability, it documents the 1934 Nuremburg rally for which Adolf Hitler descends from the clouds like some toothbrush-moustachioed deity to ‘review the columns of his faithful followers’. Reifenstahl employed some of the most innovative cinematographic techniques of the day in order to capture the full glory of a revitalised Germany. From speeches, processions and shots of strapping, semi-clad men washing each other and engaging in a friendly tussle to epic panoramas filled with Aryan poster boys marching in strict formation, it’s a dangerous if dull film that now takes on more of a cautionary (pathetic, even?) tenor. Tellingly, it was exec produced by one A Hitler. DJ Watch the closing scenes of the film

Read Time Out's review

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45. Empire of the Sun (1987)

Directed by Steven SpielbergSteven Spielberg adapts JG Ballard’s memoir of Japanese iniquity.Empire of the Sun’ came smack in the centre of Steven Spielberg’s mid-’80s slump: ‘Temple of Doom’ had been excoriated for excessive violence, and there was still ‘Always’ and ‘Hook’ to come before the director’s ‘Jurassic Park’/‘Schindler’s List’ rebirth. As a result, the film tends to be passed over: weak box-office performance and lack of (then) recognisable stars left the film in a limbo from which it has never really managed to emerge. But there are some incredible moments in ‘Empire of the Sun’. The choice to hire Tom Stoppard to adapt JG Ballard’s autobiographical novel pays dividends with a tight, focused script and some memorable characters, not least John Malkovich’s Machiavellian hipster Basie. Allen Daviau’s sterling cinematography and John Williams’s stirring score add a sense of grandeur (and, at times, glitz), and Spielberg himself was still in his more-light phase, drenching the screen with dazzling searchlights, blazing buildings and, at the climax, Hiroshima itself. TH
Watch the film’s most spectacular scene: ‘P-51, Cadillac of the Skies!’

Read the original Time Out review

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44. The Dam Busters (1954)

Directed by Michael AndersonDum Dum Dum Dum duh duh Dum Dum...
Zoom! Boom! Splash! etc.
The Dam Busters’ represents that particularly British type of cinematic military endeavour – one that isn’t considered to be truly up to snuff unless it has shuffled us in and out of an endless series of stuffy boardrooms, past a chain-smoking array of lab-coated eggheads and through a rigorous testing process before allowing its audience to experience anything approaching excitement. Happily for us, the lengthy development section of the film is lent charm and eloquence by an especially fine turn by the ever-impeccable Michael Redgrave as ‘bouncing bomb’ boffin Barnes Wallis. The actual busting of the dams of the Ruhr Valley is an edge-of-the-seat, seat-of-the-pants affair that wrings a good deal more exhilaration than it has any right to from sequences that deal in hand-drawn tracer-fire and obvious miniatures. Soon to be remade by Commodore Peter Jackson from a script by Wing Commander Stephen Fry. Adam Lee Davies
Watch for the trailer

Read Time Out's review

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43. Days of Glory (2006)

Directed by Rachid BoucharebThe war seen through the eyes of a brotherly band of North African conscripts.Proof positive that there are still hundreds of untold WWII stories still to be filmed, Rachid Bouchareb’s powerful drama shines a light on those North African soldiers drafted in to fight for the Free French after D-Day. The film itself is no masterpiece – it’s entertaining and well-characterised, but a mite predictable – but what remains impressive are the ripples it created: after the film’s release, the French government agreed, for the first time, to begin paying compensation to the remaining widows of North African fighters. Proof that a work of art can have direct political impact. THWatch the trailer

Read the original Time Out review

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42. Hannibal Brooks (1969)

Directed by Michael WinnerOllie Reed packs his trunk and heads for the Alps.Long before he was Britain’s premier insurance salesman, Michael Winner was a reliable directorial journeyman, helming everything from ‘Death Wish’ to ‘Won Ton Ton, the Dog Who Saved Hollywood’. Winner's contribution to the ’60s-’70s Technicolor WWII boom was this odd, likeable Alpine adventure, in which plucky POW Ollie Reed (back when he was a dish, rather than a drunk) is put in charge of the elephants at Munich zoo and attempts to flee with one to Switzerland when the city is firebombed. Along with some spectacular landscape photography and the cheerful rapport between Reed and his pachyderm pal, most of the film's undoubted charm stems from a peculiar, compelling performance by the underused Michael J Pollard, cheekier than a boatload of monkeys as a renegade American platoon commander raising merry hell behind enemy lines. THWatch the genius original trailer

Read the original Time Out review

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41. Mr Klein (1976)

Directed by Joseph LoseyAlain Delon’s war profiteer finds himself on the sharp end of a Gestapo investigation.Following a great run of bleak British character pieces, American exile Joseph Losey headed to France in the early ’70s and threw himself wholeheartedly into the cause of the Euro-pudding: over-budget, half-baked historical dramas packed with periwigs and powder. But he also found time to make this gripping Paris-set holocaust thriller, which suffers from the same expanded runtime and unfocused plotting as its contemporaries, but benefits from a superb central character and some genuinely suspenseful sequences. Alain Delon plays Klein, a black marketeer profiting from the war by buying up the possessions of wealthy Jews before they are shipped off to the camps. But when Klein himself is mistaken for a Jew thanks to a bureaucratic mix-up, he finds himself on the same side of the fence as his victims, facing deportation and death. For all its failings, Losey’s film creates a compelling portrait of a city in the grip of terror, its populace struggling to maintain any semblance of normality. TH
Watch the original French trailer

Read the original Time Out review

Click here for 40 through to 31...

Author: Adam Lee Davies, Dave Calhoun, Paul Fairclough, David Jenkins, Tom Huddleston, Quentin Tarantino



Users say

13 comments
Sunny D
Sunny D

Lion.Of.The.Desert.1981 movie is the best war film. Ever

Hey
Hey

THIS IS STUPID

zahid@knowssquat.net
zahid@knowssquat.net

zahid, "Brotherhood", or more appropriately "Tae Guk Gi: The Brotherhood of War" [2004], is about the Korean War, but it is highly recommended! 1 star only for this lame, phoned-in list, with attempted propping up by QT comments...

Tray
Tray

Wow, some of these comments are spectacular examples of revisionist history. The children of the 220,000 RECOGNIZED members of the French resistance and the roughly 56,000 members caught and either executed or sent to contration camps campswould be interested to learn that "The French Resistance" was practically non existent." Or that "The real "horror" came after the allied invasion and the mass rapes of french women by white and black american soldiers" OR ORthethat "the gallant heroic french "resistance" fighters crawled out of the woodword(most even put on their badges for the first time) to hog the spotlight and attempt to cash in on some of that anti nazi hate." I suppose the halocaust never happened and that Hitler was just misunderstood. I suggest a trip to the nearest institute of higher learning. But, be sure to hire a tutor, this stuff my be beyond your ability to comprehend.

Sean
Sean

LOL Like anyone would ever give a shit about Quentin Tarantino's fantastical Ahistorical propaganda opinion(Inglorious Bastards makes Der Eternal Jude look like a scientific documentary). Occupied France WAS LIKE SESAME STREET!!! Nothing happened. Life was 100% ordinary. The "French Resistance" was practically non existent. The real "horror" came after the allied invasion and the mass rapes of french women by white and black american soldiers along with the complete destruction of all french property, theft, and barbarism from the allies. Then all the gallant heroic french "resistance" fighters crawled out of the woodword(most even put on their badges for the first time) to hog the spotlight and attempt to cash in on some of that anti nazi hate. Occupied France was not brutal, sadistic, or even uncomfortable I mean just look at the photos. "Oh the horror!! Look frenchmen observing a german parade in paris! They make us watch GERMAN MOVIES, THEY MAKE US SMOKE GERMAN CIGARETTES THIS IS MADNESS!!!."

This site is a waste of time
This site is a waste of time

Most of these films are tripe ... art house anti-war ... tripe. Nothing to do with the actual history of the conflict, but rather some coked up director's whacked out vision based on very little background. Then there are films in here like "The Keep" seriously? Half of these titles are simply films that happen to be set in WW II. Just another typical spam internet list aimed at advertising the scrawling banner adverts and nothing else.

zahid
zahid

Brotherhood 2003 korean movie is the best war film. Ever , it makes saving private ryan look like a joke

zahid
zahid

Brotherhood 2003 korean movie is the best war film. Ever , it makes saving private ryan look like a joke

Dave Ramona
Dave Ramona

If there are 47 WWII films better than "Stalingrad," then I'm an ignorant, lucky SOB.

mahnoor
mahnoor

i just finshing reading number the stars it was so so so good i really recomend it

Gary
Gary

Sadly, some the best world war two movies aren't on this list! Whoever put "come and see" as the number one rated movie needs to have his head examined. It just goes to show; movie critics are really out of touch and maybe a little touched themselves.

JIM
JIM

WHY DON'T ANY OF YOU TRY THESE THREE FILMS, ......(1) NANKING, more of a documentary than a movie. But made very well. (2) CITY OF LIFE AND DEATH, (3) THE FLOWERS OF WAR. This last movie i have said is a very new movie, but with some very big impact. All three of these movies are about the terrible war the chinese felt when the japanese overran the city of NANKING . Once the capitol of that country at that time. Over 300,000 people died in the early stages of this attack, way before we was attacked at PEARL HARBOR.



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