Get us in your inbox

Danny Boyle
© Rob Greig

The making of Danny Boyle

Seven friends and colleagues explain what makes the director so special

Advertising

He’s an Olympic hero with a reputation for being an all-round nice bloke. But why is ‘Slumdog Millionaire’ and Opening Ceremony director Danny Boyle so influential? As his new film ‘Trance’ hits cinemas, Cath Clarke and Dave Calhoun asked the seven people who know him best.

‘If Danny thinks it's okay, you trust him.’

Frank Cottrell Boyce, writer, ‘Millions’ and the Olympic Opening Ceremony

‘Danny's real superpower is to build loyalty. He asks people that he trusts rather than finding the most prestigious person. For the Olympics, he needed someone to write a percussion concerto and he didn't ask Philip Glass or Michael Nyman. He asked Rick from Underworld. That's his magic.’

‘When he asked me to do the Olympics, I immediately said yes. That’s another thing about Danny. I had no idea what it meant or if I’d get paid, or even if it would be career suicide. I just said ‘yeah’. If Danny thinks it’s okay, you trust him.’

‘He's a bit of an animal when he's shooting.’

Christian Colson, producer, ‘Slumdog Millionaire’, ‘127 Hours’ and ‘Trance’

‘Really, we produce the films together. He’ll deny that because he’s kind. And he’d flinch at the word auteur. Shooting our new film ‘Trance’ we were working six-day weeks. We’d schedule the day off to be a Thursday. So when everyone else collapsed Danny could go and do Olympics work. But the thing about him is he thrives on the very cusp of exhaustion.’

‘On ‘127 Hours’ he was often working from 6am till midnight, seven days a week, for eight weeks. He was completely fried at the end of it. He tends to lose two stone shooting. He doesn’t eat. I think adrenaline keeps him going. He’s a bit of an animal when he's shooting. Then, as you go into post-production, the weight comes back on, you see him munching pizzas.’

‘He’s the brickie of the British film industry.’

Anthony Dod Mantle, cinematographer, director of photography on ‘28 Days Later...’ ‘Millions’, ‘Slumdog Millionaire’, ‘127 Hours’ and ‘Trance’

‘My introduction to Danny was on my answerphone, this lovely affectionate Manc voice. Within a year we were ripping London apart in “28 Days Later…”, turning a double-decker bus upside down at the crack of dawn in the middle of Whitehall. How insane can you get?’

‘We were running around trailing newspapers and toilet roll on the pavement, being scolded by the special branch. We had to run around like naughty school kids picking up litter. Of course we picked it up ourselves! Danny is the first person to muck in. That’s the way he is. He’s the first on set in the morning and usually the last to leave. He’s very hard working. He’s the brickie of the British film industry.’

‘He doesn’t suffer fools.’

Seb Coe, chairman of London Organising Committee of the Olympic & Paralympic Games

‘When I first met Danny I was on the Simon Mayo show [on BBC Radio 2] one Friday. Danny had just won the Oscar for ‘Slumdog Millionaire’. We had a conversation on air about the Games and Danny said he thought they were fantastic. I said he should help. And he said, “Yes, I’ll make tea!” A few weeks later, we had a proper conversation. That’s how he came on board.’

‘One of the memories I will always treasure is Danny at the dress rehearsals for the Opening Ceremony. Remember the weather? London was under water at the time. The volunteers were cold and wet and Danny was among them, talking to them and going round chatting and thanking them. He was Pied Piper-like in that respect.’

‘He doesn’t suffer fools. I’ve seen him in full flow when he’s not getting what he wants out of a shot or an angle. He doesn’t pull his punches. But I like him. He was in it for all the right reasons. Apart from anything else, I just got on with him. He’s bloody good company.’

‘He never sits down, he just keeps walking.’

Tessa Ross, controller of film and drama at Channel 4, executive producer of ‘Slumdog Millionaire’ and ‘127 Hours’

‘The minute Danny was on board with ‘Slumdog Millionaire’ it took on a whole other life. Danny on a film is a motor unlike any motor I’ve seen. He just has this unbelievable adrenaline, unbelievable leadership, unbelievable inspirational quality. He never sits down, he just keeps walking. He just keeps going. And everybody wants to go with him. And he’s very, very honest. When I need to be brave in my job I think of Danny Boyle. What would Danny do?’

‘He really trusts people.’

Ewen Bremner, actor, ‘Trainspotting’

‘I met Danny when he was doing “Shallow Grave”. They wanted see me about a part. And I was a real snob about the script. Then I saw the movie and really kicked myself. What fantastic, sexy filmmaking.’

‘They got me back in when they were dong “Trainspotting”. It was a fun set, “Trainspotting”, it really was. There was a real chemistry between the actors he got to work together. It was a lucky film. Everybody was on this mission. There’s always a lot of fear on sets because you’ve not got much chance to get it right. But with Danny he doesn’t worry about that. He really trusts people.’

‘He always wants to make something as visceral as possible.’

Mark Tildesley, production designer, ‘28 Days Later...’, ‘Millions’, ‘Sunshine’, ‘Trance’, ‘Frankenstein’ and the Olympic Opening Ceremony

‘Working with Danny is always fun, but the most fun I had was on “Frankenstein”. We were doing it the same time as the Olympics, in this little office in Soho. We just stuck pictures on the wall. One end of the room was the play. The other end we had the Olympics.’

‘Danny always wants to make something as visceral as possible. We built a ceiling full of old light bulbs [3,100 in total]. It was very hot, giving this a sense of the force of electricity harnessed by Frankenstein and the discoveries of the nineteenth-century. It wasn’t period correct at all! Frankenstein was earlier than that. But we just thought: it doesn’t matter. It’s what’s going to be coming in the new age.’

‘It was good to practice on “Frankenstein” for the Olympics. In theatre you’ve got the sense that there’s no way any of this can fail.’

Latest Time Out film features

Advertising
15 films you need to see before the end of 2014
  • Film

From blockbusters to biopics, we look forward to the best films coming to cinemas between now and Christmas The latest film interviews Andy Serkis As the actor monkeys around in ‘Dawn of the Planet of the Apes’, he talks chimps, ‘Star Wars VII’ and playing Hitler Few actors have done more to revolutionise filmmaking than Andy Serkis, the unseen star of apocalyptic blockbuster ‘Dawn of the Planet of the Apes’. Wearing a ludicrous green Lycra ‘performance capture’ suit (basically a high tech leotard), Serkis has no qualms about wriggling around as Gollum in ‘Lord of the Rings’, or chestbeating in ‘King Kong’. Rather than view it as a sideline to ‘proper’ acting, the 50-year-old north Londoner has become the king of performance capture technology, where an actor’s movements are digitally recorded and translated into a computer image. He’s even opened a dedicated studio in Ealing, the Imaginarium, where he’ll direct ‘The Jungle Book’. His turn as chimp leader Caesar in the new ‘Apes’ was shot in performance capture. It’s a breathtaking example of technology and Serkis’s raw and powerful acting – even if you can’t see his face.Is performance capture your life’s work? ‘I’ve championed the technology because I really believe in it. It’s the most liberating tool for an actor. It enables you to play anything, regardless of shape, colour or sex. I wouldn’t say it’s everything, but it’s a massive chunk of my life.’ You’ve been doing it for years, but are there still times when you feel

The highs and lows of Bruce Willis
  • Film

We chart the skyscraping highs and bum-flashing lows of wisecracking action man and all-American idol Bruce Willis The latest film interviews Andy Serkis As the actor monkeys around in ‘Dawn of the Planet of the Apes’, he talks chimps, ‘Star Wars VII’ and playing Hitler Few actors have done more to revolutionise filmmaking than Andy Serkis, the unseen star of apocalyptic blockbuster ‘Dawn of the Planet of the Apes’. Wearing a ludicrous green Lycra ‘performance capture’ suit (basically a high tech leotard), Serkis has no qualms about wriggling around as Gollum in ‘Lord of the Rings’, or chestbeating in ‘King Kong’. Rather than view it as a sideline to ‘proper’ acting, the 50-year-old north Londoner has become the king of performance capture technology, where an actor’s movements are digitally recorded and translated into a computer image. He’s even opened a dedicated studio in Ealing, the Imaginarium, where he’ll direct ‘The Jungle Book’. His turn as chimp leader Caesar in the new ‘Apes’ was shot in performance capture. It’s a breathtaking example of technology and Serkis’s raw and powerful acting – even if you can’t see his face.Is performance capture your life’s work? ‘I’ve championed the technology because I really believe in it. It’s the most liberating tool for an actor. It enables you to play anything, regardless of shape, colour or sex. I wouldn’t say it’s everything, but it’s a massive chunk of my life.’ You’ve been doing it for years, but are there still times when y

Advertising
Ten reasons we love Robin Williams
  • Film

We pay tribute to the wild, unpredictable Hollywood star whose career ranged from outright comedy to Oscar-winning dramatic roles The latest film interviews Andy Serkis As the actor monkeys around in ‘Dawn of the Planet of the Apes’, he talks chimps, ‘Star Wars VII’ and playing Hitler Few actors have done more to revolutionise filmmaking than Andy Serkis, the unseen star of apocalyptic blockbuster ‘Dawn of the Planet of the Apes’. Wearing a ludicrous green Lycra ‘performance capture’ suit (basically a high tech leotard), Serkis has no qualms about wriggling around as Gollum in ‘Lord of the Rings’, or chestbeating in ‘King Kong’. Rather than view it as a sideline to ‘proper’ acting, the 50-year-old north Londoner has become the king of performance capture technology, where an actor’s movements are digitally recorded and translated into a computer image. He’s even opened a dedicated studio in Ealing, the Imaginarium, where he’ll direct ‘The Jungle Book’. His turn as chimp leader Caesar in the new ‘Apes’ was shot in performance capture. It’s a breathtaking example of technology and Serkis’s raw and powerful acting – even if you can’t see his face.Is performance capture your life’s work? ‘I’ve championed the technology because I really believe in it. It’s the most liberating tool for an actor. It enables you to play anything, regardless of shape, colour or sex. I wouldn’t say it’s everything, but it’s a massive chunk of my life.’ You’ve been doing it for years, but are there sti

The 20 most hilariously bad sci-fi movies
  • Film

The 100 best sci-fi movies Check out our epic celebration of sci-fi on screen, from established masterpieces to small-scale oddities. We hope it’ll serve not just as a fun read for film fans, but as inspiration for future directors, writers and perhaps even budding scientists. Get it right, and science fiction can be the most awe-inspiring cinematic genre there is. Get it wrong, and the results can be catastrophic, embarrassing – and really fun to watch Take a closer look at the world of sci-fi... The 100 best sci-fi movies This is a golden age of science fiction cinema. But how did we get here? How did this hugely popular but critically frowned-upon genre go from cardboard spaceships on strings at the local drive-in to the world-conquering pinnacle of blockbuster success? To find out, we created ‘The 100 best sci-fi movies’, a definitive look at the genre from the silent spectacle of 1927’s ‘Metropolis’ to the emotional intimacy of 2013’s ‘Her’. More on sci-fi movies What sci-fi planet should you live on? The 20 most hilariously bad sci-fi movies The biggest sci-fi movies of all time The ten sci-fi movie inventions we wish were real The 20 most horrific sci-fi movie deaths 1977: the most important year in sci-fi movie history From a spaceship on strings to guy-in-a-rubber-suit aliens, cardboard robots, Mick Jagger in leather chaps and John Travolta with dreadlocks, the worst sci-fi movies offer us a whole universe of wrong. Strap on your blaster, pour yoursel

Advertising
Five things you probably didn’t know about Nicolas Cage
  • Film

From his famous uncle to tripping with a feline friend, there’s more to the ‘Leaving Las Vegas’ star than you might have thought 1. He’s big on superheroes Born Nicolas Coppola, he got sick of being teased that he only had a career because of his surname (thanks to uncle Francis Ford). So he changed it to Cage after Marvel superhero Luke Cage. Well, it’s better than Thor. Latest film interviews Elle Fanning ‘I’m 16. I still go to school dances’ The teenage actress talks Disney princesses, fashion, feminism and getting star-struck. Read the interview Ken Loach ‘It’s difficult to keep out of mischief’ We speak to veteran director Ken Loach about rumours of retirement and his new film ‘Jimmy’s Hall’. Read the interview Michael Fassbender ‘You have to take risks’ We ask the star of ‘Shame’ and ‘12 Years a Slave’ why he’s hiding inside a giant fibreglass head. Read the interview Joanna Hogg ‘I tend to draw from my own life’ The British director discusses her new film, which explores the lives of two middle-aged artists. Read the interview Adam Driver ‘The military is the best acting training’ The accidental sex symbol talks about joining the US Marines, ‘Girls’ and his new film ‘Tracks’. Read the interview 2. He also likes dinosaurs In 2007, Cage paid $276,000 for a dinosaur skull, outbidding Leonardo DiCaprio. Excessive? This is a man who once owned nine Rolls Royces. The best films now showing Dawn of the Planet of the Apes The sequel to the prequel is a knockout Bo

Five things we learned at Comic-Con 2014
  • Film

All the big news from this year’s ultimate gathering of movie geeks The world’s biggest celebration of geek-friendly movies, comics and TV shows, San Diego’s Comic-Con International took place at the weekend. The internet is full of news pieces, screaming headlines and insider reports – but we’ve broken it all down into one handy five-point piece. This is all you need to know. 1. The Marvel Express shows no signs of slowing   For the past few years, Marvel Comics have dominated our summer viewing schedule. That’s not likely to change any time soon. Top of their upcoming release slate is ‘The Avengers: Age of Ultron’, next summer’s sequel to 2012’s ‘Avengers Assemble’, which is their biggest hit so far and one of the most successful films of all time. Cast members Robert Downey Jr, Mark Ruffalo, Chris Hemsworth, Chris Evans and Samuel L Jackson were all on hand to promote the new movie, alongside villains James Spader and Josh Brolin. Comic-Con attendees were treated to a clip depicting the Avengers in their civvies sharing a drink, before a horde of galactic warriors came to gatecrash their party.In other Marvel news, footage was screened from the upcoming ‘Ant-Man’, in which Paul Rudd plays a hero able to shrink to insect size, and a sequel was announced for this summer’s sure-to-be-smash, ‘Guardians of the Galaxy’. Latest film interviews Elle Fanning ‘I’m 16. I still go to school dances’ The teenage actress talks Disney princesses, fashion, feminism and getting sta

Advertising
Five reasons why 1977 was the most important year in sci-fi movie history
  • Film

1. ‘Star Wars’ is a hit George Lucas was a punk. He may not have had a Mohican or a safety pin through his nose, but the California-born director’s bloody-minded determination to make ‘Star Wars’ his way – building from scratch his own SFX studio, refusing to cast major stars, ignoring the advice of experienced industry insiders left and right – displayed a total dedication to the DIY ethos. Of course, it paid off handsomely, but there was never any guarantee. And if audiences hadn’t warmed to this odd little film about spaceships and mystical forces, the movies as we know them might look very different.‘Star Wars’ has been blamed for everything from infantilising filmgoers to celebrating American military might and thereby putting Ronald Reagan in power. But it also brought joy to millions of people around the world, and helped to make filmmaking a more democratic, grassroots process. God save George Lucas. We mean it, man.‘Star Wars’ is number six in our list of the 100 best sci-fi movies The 100 best sci-fi movies Check out our epic celebration of sci-fi on screen, from established masterpieces to small-scale oddities. We hope it’ll serve not just as a fun read for film fans, but as inspiration for future directors, writers and perhaps even budding scientists. It wasn’t just ‘Star Wars’ that sent the popularity of the genre into orbit. Here’s why the late ‘70s were a golden time to be a nerd 2. ‘Damnation Alley’ flops The likelihood is you’ve never even heard of ‘Damnati

Recommended
    You may also like
    You may also like
    Advertising