Time Out saysWhen Wyler made The Heiress, he was, of course, filming a Broadway adaptation of Henry James's novel. This version goes back to the original book, jettisoning the stage-related business, and retrieving details and scenes lost in the translation from page to stage. Other 'corrections' include a greater teasing of the audience concerning the affections of the heroine's suitor: is anything stirring there besides opportunism? And Wyler's ending - a melodramatically decisive balancing of the moral books - here becomes a faithful transcription of the low key but equally deadly last interview described by James. But one does miss the severe monochrome of 1949, amid all this colour, all this brightness.
Cast and crew
<strong>Rating: </strong><span class='lf-avgRating'>0</span>/5