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Punchdrunk’s ‘Tunnel 228’, with its free tickets, underground location (beneath Waterloo), and word-of-net publicity provided one of the most exciting moments of the year.
By Theatre editor Caroline McGinn and Time Out’s Off-West End and Fringe critics
I have no interest in cycling but this was a gripping play. I'm looking forward to seeing their next productions, in fact I shall make an effort to do so.
Pedal Pusher was absolutely spell binding. As a cyclist the idea of protesting the greatest cycling story of all time seemed doubtful on such a small scale but the beautiful way they represented the races got my heart racing!
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