'This Roman silver drinking vessel is one of the most explicit images in the whole museum. It was acquired in 1999 and has been on public display ever since. The cup is remarkably small and sits easily in the hand. Two men are shown making love, while a slave boy peeps round a door to watch them – exactly as the modern museum visitor does today.'
'From the other side of the world and almost two millennia later, Japanese prints include many erotic scenes with a range of desires. This print by the artist Chokyosai Eiri shows two ladies preparing to anoint a large sex toy with ointment. One says, “Hurry up and put it in!”'
'The museum inevitably also contains records of lives destroyed by persecution. One letter from the archives is to the family of a gentleman collector and MP, William Bankes. All seems normal, but we know he was later caught with a guardsman and had to flee the country in 1841.'
'We wanted to include the full diversity of gender and desire. Among North American Indians, gender was constructed in different ways from contemporary Europe, and on this pictorial calendar the year 1891 is represented by a picture of the suicide of a ‘winkte’ transvestite.'
'The museum’s modern collections reflect the ongoing struggle for rights and the battle against Aids. This laser print was produced by the Australian artist and activist David McDiarmid. It reminds us that ‘gay’can remain celebratory, witty and frivolous about serious things, even in the face of death and oppression.'
‘A Little Gay History’ by RB Parkinson is published by The British Museum Press at £9.99. He introduces a special screening of ‘Maurice’ at BFI Southbank on Tuesday Jul 2.