Read what N-Dubz had to say in 2007
Those wacky capitalists are a funny bunch. On the one hand, they’re
moaning about not having enough money. Yet on the other, they’re baldly
refusing to raid the piggy banks of the nation’s youth. After all, what
else are the kids of today supposed to spend their pocket money on now
it’s illegal to target them with ads for junk food, fizzy drinks and
fags? The UK music industry’s failure to capitalise on an existing
scene is ably demonstrated by N-Dubz, who finally release their debut
album this week after nine years of doing it for themselves.
Older
readers may remember the last time we featured Dappy, Tulisa and Fazer,
aka N-Dubz, back in October 2007, just after they won the Mobo for Best
Newcomer without the aid of a record company. Following this fame
injection, the band were picked up by major label Polydor, home of 50
Cent and Girls Aloud. So far, so not surprising – after all, nobody
took any notice of unsigned trance-metal teens Enter Shikari until they
sold out the Astoria. What is surprising is that the label failed to
profit from this position. A re-release of fan favourite ‘You Better
Not Waste My Time’ charted at a respectable-ish Number 22 (around the
same as Dizzee Rascal’s last three pre-‘Dance Wiv Me’ releases), but
failed to set the zeitgeist alight because most people, as Dappy points
out, had already downloaded the track a year earlier.
Feature continues
‘It’s very
important to build up your own underground fanbase,’ says Tulisa,
‘because they will be the ones that buy your records. I think
re-releasing “Better Not Waste My Time” was a mistake Polydor made
because they weren’t aiming at our main fanbase, they were reaching out
for a new fanbase. It did gain us new fans, but at the same time, we
missed out on how many thousands of fans we already had, because we
didn’t bring out a fresh track.’
Ultimately,
the band asked to be released from their contract and went back to
doing things the old-fashioned way: over the internet. Still in their
early twenties, the group put their own money into self-produced
internet sensation, ‘Ouch’, a kind of dwarf-free ‘Trapped In The
Closet’ which introduced the phrase ‘My name’s Shaniqua and what?’ to a
startled public. The video has had around ten million views in the past
five months and spawned a surf-worthy surfeit of tribute videos.
‘We’re
talking about thousands and thousands of imitations,’ says Dappy.
‘Young ladies doing the “walking up the stairs” dance routine… You will
laugh your head off.’
The group’s new video, ‘Papa (Can You Hear
Me)’ looks set to beat even that, having run up more than two million
views in the past three weeks. At one point, the video ranked just
below Barack Obama’s presidential acceptance speech on YouTube’s
most-viewed rankings – and above it, in the top spot, on the ‘most
discussed’ chart. Although the UK’s well established club scene means
dancier strands of urban music, from drum ’n’ bass to bassline via
dubstep, are more easily disseminated into the mainstream, the
potentially poppier, radio-friendly end of British urban music is a
viral culture, something shared between peers via word of mouth and
Bluetooth. Although Channel U, Kiss and the pirates all play their
part, the intensely localised support networks of labels, clubs and
radio stations which nurture urban music in the US just doesn’t exist
over here. This is perhaps one of the reasons that British urban
artists are often teamed up with American counterparts to ‘legitimise’
them. The belated success of Estelle, who has struggled to cross over
despite her all-round brilliance, is held up as a prime example of the
British industry just not knowing what to do with British artists.
‘Estelle’s
amazing,’ says Dappy. ‘She went to America to do what she had to do.
But we wanna do that from where we live. We want 50 Cent, Lil Wanye,
Black Eyed Peas to say, “Man, N-Dubz, they’re the dogs.” I don’t wanna
have to collaborate with anyone else to get big.’
The current
wave of post-grime urban music must be the first youth cult not to be
ruthlessly exploited since the 1950s. This week the band headline the
2,300-capacity IndigO2, with support from Bashy, whose ‘Black Boys’ was
one of the best tracks of 2007, and Chipmunk, already a rising star
despite the fact he’s only just released his first proper single. In a
parallel universe, the news that Chipmunk will be joining the band on
stage to perform their joint non-hit ‘I Will Destroy You’ is like
Rihanna and Kanye West duetting at the Super Bowl. In this one,
however, it will likely mean nothing to anyone outside the building.‘Records
labels right now,’ explains Fazer,‘they’re a bit scared to invest in
urban music because they think the main crowd of people who listen to
it are downloaders. Actually, the people that listen to urban music
like to see artwork, they will go out and buy CDs.’
‘They’re probably more album buyers,’ says Tulisa.
‘Kids
at high school, from 13-16, they’re the downloaders,’ continues Fazer,
‘and then they pass it between their friends on the phone. But there’s
a big market out there for urban music and it still hasn’t been opened
100 per cent, and that’s what we’re trying to do.’
‘Uncle B’ by N-Dubz, is out now on All Around The World.
N-Dubz, Bashy and Chipmunk play the IndigO2 on Nov 22.
Read what N-Dubz had to say in 2007
164 comments
I Actually L O V E <3 N Dubz So Much Its UnReal.
Cant Wait Until The Next Album Shudd Be A Good One, Anyone Know When Its Actually Out?
Keep Up The Good Work N Dubz Your Going Too Hopefully Be Unbelievably BIG Someday! LoveYou xx
tEXT ME ON MSN PLEASE BABE IM TALKIN TO YOU dAPPY!
Dappy PLEASE CONNTACT ME i LOVE YOU ! Ilove you so muchhhhhhhhhhhh
Love Dappy soooooooooooooooooooooooooooooooooooooooooooooooooooo much he is just like wow!
I'm such an n dubz fan! Dappy lilltle louis is sooo cute!!!! I was at your n dubz concert in seawick, i luv u and fazer and louis!!!!!! Tuilsa is sooo pretty
PLZ COME TO MY HOUSE NDUBZ, HERES MY ADDRESS!!!!!!
18 PERCIVAL ROAD
WALTON ON THE NAZE
ESSEX
CO14HHH
can't belive daps has a girl omg still
loveee him tho so smexy xxxxxx luff yuh bbe
dappy i love u so much and the other n dubz but dappy always and more
OMG Dapyy u r mint,,Tulisa so glad tht you hant got the swine flu al you songs r mint i have got every song on my fne and on my ipod i am cumin to see yas agen i have seen ya 3times and i am cumin agennn Tulisa ya propper bonny as Dappy ya xmint,,fazer ya class xxxx
i love ndubz and dappy is gawjussssssssssssssssssssssssssssssssssssssss
i luv u loadzz man ur great the hole of kingfisher primary school yr 6 luvs u ive got ur album and all ya songs on my fone man my freind fancies dappy and i fancie fazer and tulsa has the best fashion ever hope she gets well soon xx
p.s. fazers and dappys trainers are bad asss blud luv u loads chloe-jo terri worton :D XXX
Dancing dancing twirling around
Hand in hand they fall to the ground
He turns her around to know she’s breathing no more
This feels like a open bleeding sore
He holds his breath and fights back tears
He’s still in the place where it confirmed his fears
She doesn’t now how this came to be her lover is in pain she is in agony
He’s getting tired of living
But it’s only the beginning
He takes a gun and some bullets too
And shot his head all the way trough
Sparkling tears in her eyes
She holds out her hand
He grabs it lovingly full of surprise
Here begins her beloved demise
Hand in hand they walk away
Their spirits linger till this day
Remember their love
Remember their pain
Only frm then will are love gain
Tulisa dunt have swine flu yeyyyyyyyyyyyyyy lol :] i love u xxxxxxxxxxxxxxxxxxxxxxxxxxx lol :]
yer boii is fazer fittty
x
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gws tulisa matee xx
Tulisaaa Maay hav swinee flu x Tulisaa,Hopee Yoohh Gtt Well Very Soon x Hopee Yoohh Dontt Hav Swinee Flu Hopee Itss A Falsee Alarmeee x Lovee Yoohh N-Dubz =] x Tulisaaa =] x
Dappys real name is dino constostavlos
Tulisas real name is tula contostavlos
And fazers real name is richard rawson
Look on wikipida if Yuu dont belive me x
ii Lovee N-Dubz (Y)x