If he had his time over, Jason Friedman would probably choose another name. Since first launching The Boggs in NYC and guiding them through countless line-up changes, the collapse of City Rockers in 2004 (which meant second album ‘Stitches’ was never released outside the UK) and relocation to Berlin, Friedman has spent rather too much time explaining why they weren’t mere bluegrass copyists. Now, any namesake of US country-blues cum hillbilly-folk legend Dock Boggs might have seen that one coming, but despite having its twisted roots in the
Appalachian tradition, their 2002 debut album boasted both punkish energy and post-Strokes attitude.
Those looking for a new tag are going to have a tough time hanging one on ‘Forts’. Recorded in Berlin and NYC and featuring guests from Liars and Au Revoir Simone, it’s a considered, but instantly likeable, affair with the gleam of inventiveness ever in its eye. The title track recalls The Rapture (whose ‘Sister Saviour’ video Friedman directed), ‘The Orphans’ Television and The Pop Group, while ‘After The Day’ reflects The Triffids’ moodiness and ‘Arm In Arm’ (since remixed by Hot Chip) reveals Friedman’s love of rockabilly. The Boggs 2008 – both redux and deluxe.
