It starts with a fuzzy, MBV-styled surge, then swings into an oingo-boingo, ’60s-pop freakout, all parping Casio and casual yeah-yeah-yeahs, adding a massively distorted drum loop just when you think you’ve got it sussed. It’s equal parts De La Soul and a Latino Doris Day – fantastic indeed. But then, what else would you expect from a DIY popster called Sharon?
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