Double Take print by Craig & Karl
Finch indulges his Sharon Stone flashing obsession. Out now.
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The creative director of Antipodium takes a moment to enlighten us about ‘90s erotic thrillers and the wonders of Cecil Beaton
How does it feel to man the tiller of the good ship Topshop?
‘I remember my initial trip to London as a teenager and Topshop was the first place I came to. I walked into the Oxford Circus store and had never seen anything like it! It’s that sense of awe that Topshop has all over the world, and why I guess it’s having such success with its international growth.'
Why do you think the label has such enduring appeal?
'No matter what type of fashion you’re making – luxury or affordable – it’s about making something no one else is going to deliver. Being first, best or different. And that’s just what Topshop does.'
Your latest Antipodium collection, Sex, Lies and CCTV, arrives in stores this week –what’s it all about?
‘I set out to create a sort of uniform for a life under surveillance. It’s the age of the selfie; with more social media channels than you can shake an iPhone at and, with phone hacking and sex-tape scandals, there’s not much that’s private now. But I came to the realisation that we kind of like it – fashion’s about exhibitionism, after all.’
What’s your favourite piece?
‘I love the Façade coat. We’ve been really influenced by tough masculine outerwear this season, but covering up a sort of buttoned-up sexuality underneath. The Façade is based on a man’s coat reimagined in faux pony, velour and napa. The whole collection is full of different textures – I love a texture play, if you know what I mean – but I really went for it for this line. There’s also mohair, slinky jersey fabric, silk georgette and PVC.’
You’ve worked with all manner of creative types – how important is collaboration to you?
‘I’m a very collaborative designer. Antipodium has built up a collective of lovely weirdos from all sorts of backgrounds, it’s what’s given the brand its aesthetic and personality. We work with different artists every season, from Jaime Perlman, the creative director of Vogue to Pernilla Ohrstedt [the woman behind the Coca-Cola Beatbox Pavilion at the 2012 London Olympic Park], and we developed a surgical markings print with Dr Tim Goodacre of BAPRAS, a renowned plastic surgeon. It underlines my obsession with characters. You get lots of different opinions, and hear lots of different stories, and all that energy ends up in a garment.’
Finch indulges his Sharon Stone flashing obsession. Out now.
A cheeky, pretty print, with a hint of ‘The Silence of the Lambs’. Delicious!
Guns, roses and eyes embroidered on organza for Instagram fans.
The best is yet to come. You’ll find some very badly behaved bears in this print, out in November.
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