Though often as muddled as a wino on his breakfast bottle, Grid Iron have nonetheless crafted a rambunctiously entertaining hour in this dramatisation...
Of the two major Gogol adaptations at this year’s Fringe, the leaner by far is not the new challenger – Gecko’s flabby ‘The...
To get the criticism out of the way early, the plot of Reeling + Writhing’s ‘Funny’ is basically drivel: a sub Boy’s Own fantasy...
All art is ultimately audience manipulation but I don’t know that I have ever seen a piece that operates so transparently yet impacts so...
Michael Pinchbeck’s ‘The Post Show Party Show’ is a family affair, performed by Pinchbeck and his dad (in identical brown shirts and...
Nigerian-born poet Inua Ellams is an undoubtedly impressive storyteller. Throughout ‘The 14th Tale’ his body is in confident, expressive...
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