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© Jeremy Whelehan
There are two unforgettable images in Goold's production of Pinter's hypnotic play: one is of Michael Gambon's Hirst, his battered face more jowly than ever, staring blankly into the audience; the other is of the same man bounding skittishly on in a smart suit in the morning. Hirst is a wealthy alcoholic who lives in a prison of his own making. He has invited a guest back to his house: David Bradley's seedy Spooner who he picked up in a Hampstead pub.Torn between his old fear of failure and ending up like Spooner, and his new fear of success and of a future like Hirst's, Pinter wrote one of his most haunting plays and Bradley and Gambon are the men to bring it to life.
The Duke is where Puccini saw 'Madame Butterfly' and decided to write the opera; JM Barrie premiered 'Peter Pan' and Al Pacino wowed British...
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