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Voted for by over 100 experts including Simon Pegg and Roger Corman
The hip-hop impro duo work 2012 comedy highlights into a freestyle rap.
The Shakespeare Olympics begin April 22 at the Globe
© Manuel Harlan
Designer Naomi Dawson uses the close scale of the Gate Theatre to make the audience feel the claustrophobic paranoia which is the main – at times the only – emotional dimension of Falk Richter's dystopic German drama. A glass wall separates the actors from the play's Woman and Man, who are trapped in their living room, their lives, and a gated community which seems to be echoing with gunshots underneath the soothing pumped-in muzak of the waves. Why are they nameless? Well, Richter's play has aspirations towards Orwellian, universal political significance – meaning it raises some big personal and political questions about ideological imprisonment, but expresses them too vaguely to keep the audience completely gripped.
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What is 'following'?A doll's house of a theatre, with rickety wooden chairs as seats, the Gate devotes itself almost exclusively to foreign drama, often in specially...
Read full venue reviewTransport Notting Hill Gate
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