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In this sassy four-hander, Andrew Bovell makes full use of both interpretations of his title: his characters are locked in mutual incomprehension but they hope that physical contact will take them further than speech can. So they cheat on their spouses - or try to; manipulate their therapists; write to long-lost lovers; and, in one case, cause terrible damage to the people whose lives they are supposed to enhance.
The play, which Bovell converted into the stunning film 'Lantana', actually began life as two playlets, and the join still shows. But, given that it's largely about intimacy and the holes that pock it, that's not necessarily a disadvantage. After the interval the coherence of the first act, in which two couples cheat, or attempt to cheat, on their spouses, disintegrates like a damaged marriage.
A woman is missing; another woman sees her male neighbour shiftily disposing of a female shoe; and the chain of mistrust tightens round all nine characters. John Simm, Ian Hart, Kerry Fox and Lucy Cohu deal deftly with all this do-si-do-ing, and the bare brick set is nicely offset by some artfully deployed film footage. The story may be a bit murky at points for those who haven't seen 'Lantana', but then theatre is more tolerant of open-endedness than cinema. In that, when it comes to the misdeeds that proliferate in relationships, it's a lot closer to real life.
The Duke is where Puccini saw 'Madame Butterfly' and decided to write the opera; JM Barrie premiered 'Peter Pan' and Al Pacino wowed British...
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Some great acting keeps this together. Some suspense created by the use of projections, lighting and music. Simply isn't a terribly compelling story at least on stage. Hope that the DVD is better but I don't think this work deserves four stars.
It looks perfect on paper; take four strong actors and add them to the play on which the film Lantana was based, and another hit for the Duke of York's. But whereas the film was moody and melancholic the play, and its direction, is overstylised, depending on a whole set of coincidences that even Dickens would have baulked at. The cast play a multitude of characters; in true Archers fashion the men make certain that they are recognisable by their accents, here we have a Scot, a Welsman and a Geordie. The women seem to show their characters' difference in where their hands are. Fox is either hands up or hands down never changing her accent. The set is okay though, but I did have trouble with the films of closeups of women running into the countryside like some middle-class version of a low budget horror film. Just rent the DVD instead.
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