Blimey, there’s a lot of blood here. Brutus stabs Julius Caesar so many times it’s a wonder there’s any skin left. Everyone walks around with gore-spattered riot shields and red streaked faces. By the end of Iris Theatre’s promenade production, the steps of St Paul’s Church are stained crimson.
The battles in director Daniel Winder’s chest-thumping version of ‘Julius Caesar’ are very good. It’s the war of words I’m not sure about. The action jumps from the church steps to the rose garden and the show doesn’t settle. We never reach that eureka moment when Shakespeare’s language becomes our own.
Joanna Beart-Albrecht’s eclectic costumes confuse things further. The context is ‘vaguely modern’ at best. Julius Caesar (a peacock-chested Matthew Mellalieu) and his followers are dressed in skinny black jeans and the occasional toga. Brutus (David Hywel Baynes) accessorises with a threadbare shawl and the Soothsayer scampers about in a gas mask and garland of fairylights. There’s a visual impact but they don’t make sense.
The same can be said of Winder’s direction, which is brilliantly committed but not always helpful. There’s a lot of dry ice, white hot lighting and roaring bass music but not much consistency.
The best scene is a modest one, which allows the audience into the action. It is the night before battle and Brutus is afraid. The audience huddles together under a simple canopy, Brutus weeps and Caesar’s ghost walks amongst us all.
By Miriam Gillinson
Average User Rating
5 / 5
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The best experience I've ever had with a theater production. The production vacillates from intimate and moving to awe-inspiring dramatics. It's a small production, where the audience get really close to the performers. I cannot recommend this highly enough.
This was absolutely amazing!! The best thing i have seen in theater and the fact its on a smaller scale than larger theaters makes it even better, It really did feel like you were there and you were involved too. Amazing!