• Latest reviews

    • Marguerite

    • What is it about Nazis and musicals? With ‘Cabaret’ and ‘The Sound of Music’ playing elsewhere, Jonathan Kent’s season at the Haymarket concludes with...

    • F**king Men

    • ‘This is America,’ one closeted gay man tells another, ‘you’re still defined by what you do with your dick.’ If you hadn’t guessed it already, all ten gay...

    • Never Forget

    • Could this be magic? The ‘Take That musical’ – based on the songs of Gary Barlow and featuring the trials and torments of a Take That tribute band – finally reaches London,...

    • Rosmersholm

    • A melodramatic love triangle between aristocrat Rosmer, his dead wife Beata, and his dead wife’s companion, Rebecca? Or flawed idealists, fighting rearguard actions against their tragic...

    • Stockholm

    • Frantic Assembly’s ‘Stockholm’ is about personal matters, and one’s reactions to it will be personal too. I, for example, found its characters unlikeable from the outset....

    • The Good Soul of Szechuan

    • The death-toll of the Szechuan earthquake is currently estimated at 33,000. So this revival of Brecht’s parable, in which three indifferent Gods try to wash their hands of the suffering...

    • Rapunzel's Last Midnight

    • Ah, the terrible paradox of the fairy tale – they make fantastic source material, but they are also, almost by definition, unimprovable. Joe Evans’s play with music takes the Grimm tale...

    • Pygmalion

    • Peter Hall is a prolific director who once in a while strikes gold. And, by George, he hits the jackpot here. Admittedly, he does nothing to help the dodgy first act in which playwright Bernard...

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