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- Rated as: 4/5
Three million theatre-goers in New York, London, Sydney, Sweden, Canada, Italy and Argentina, and now the musical based in the 1994 movie of the same name arrives in Spain. It's the story of three friends who cross the Australian desert aboard a dilapidated bus that they baptize Priscilla. They're on their way to do a drag show and are also on the lookout for love and friendship. A road movie taken to the stage with 40 artists, 500 spectacular costumes, 200 fabulous wigs and one 10-tonne robotic bus. Oh, and of course, 25 of the greatest disco hits to ensure a good time is had by all. (In Spanish)
Who doesn't know a song by The Rolling Stones, The Who or Neil Young? Now you can look back on 60 historic moments of 20th-century pop culture via the songs that gave them life. Commissioned by the director of 'Rockdelux' magazine, Santi Carrillo, this exhibition (The Power of Songs) will delight music lovers. Besides being able to hear each composition and read part of the lyrics, you'll also be able to see a series of films.
Jorge Molder studied philosophy, but soon turned to photography for his livelihood. This exhibition of nearly 50 photographs brings together a selection from his most significant series dating from 1990 through to the present day, divided into different series including aged self-portraits. In his work, linked to other arts such as painting, sculpture and literature, the Portuguese photographer stands as a spectator and critic of himself and the space around him. In 2010, Molder was recognised with the Grande Prémio Fundação EDP/Arte (Grand Prize of the EDP Foundation/Art), one of Portugal's most prestigious awards in the field of visual arts. Now this exhibition comes to the Círculo de Bellas Artes following its showing at Lisbon's National Museum of Contemporary Art.
The Prado is known as always being connected with the canonical in terms of art, and the Reina Sofía for the very latest of the latest. 'The rediscovery of the experience of working photography; the emergence of a new constellation of photographic practices and groups linked to the new social movements; the emergence of self-managed projects for photography in pursuit of different forms of articulation with public policies in expansion; the discourse of the new social movements and the "urban spin" in social struggles.' Sound familiar? No, this isn't about the present day (or is it?), but about reinterpretations of the 1930s and the new documentary movement out of the 1970s. It's the description of the first big event of the Museum of Contemporary Art and we can't help but shudder when we read it. A must (even more so in such a politically charged year).
The Fundación Mapfre doesn't usually let us down. And it looks like this time is no different with this promising exhibition that includes 84 works from collections from the Musée d'Orsay in Paris. The idea is to show that the 'academic' shouldn't be something that keeps us away. After all, there lie Cabanel, Bouguereau, Moreau, Ingres and Sargent – names from 19th-century French academicism who feature in this show to teach their own value, far from the pejorative connotations that at risk here. Without academia, this exhibition sets out to show, many elements of modernity wouldn't be what they are. See for yourself, and be convinced.
- Fundación Mapfre Paseo de Recoletos, 23, 28004
- Sat Feb 14 - Sun May 17
His art is the exaltation of the joy of life, a hymn to the pleasure that he claimed through his paintings, wonders in manipulating light from colour. Now, part of the work of Raoul Dufy (1877-1953), an artist who played an essential role in the birth of the avant-garde, comes to the Thyssen Museum. A total of 89 pieces are added to the four works owned by the museum and honour the memory of this artist with a brilliant palette who was included in the pantheon of masters for a time and then unfairly relegated to oblivion soon after. It's a show that tells of his first steps as an Impressionist and Fauvist artist, and his next as a Cubist painter and author of works of printing, prints and ceramics.
A total of 46 doors distributed over 500 square meters of exhibition space make up the backbone of this direct invitation to reflect on the causes of poverty in the world. Vido projections, sounds, smells, screens, illustrations and other items make up this exhibition, installed on the third floor of CentroCentro, which acts as a tour of four different worlds: 'Happy' World, Real World, Fake Remedies and Possible World. Realities in which the doors are metaphors for a reflection on that which has united art professionals and the media, NGOs and the government.
- CentroCentro Plaza de Cibeles, 1, 28014
- Thu Feb 19 - Sun Jun 28