A composer as well as an artist, Moran delves into his fascination with jazz in a group of rubbings on paper of keyboards and bass fiddle fret-boards, as well as a pair of sculptural tableaux, re-imagining two legendary New York clubs—the Savoy Ballroom and the Three Deuces—that no longer exist. Polished and refined, Moran’s work harkens back to an golden age of New York nightlife.
Jason Moran, “STAGED”
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