“Marjorie Strider: Come Hither”

The Pop Art movement of the 1960s was largely a boy's game, though a few female artists managed to elbow their way in. Marjorie Strider was one such figure, largely forgotten until a 2010 survey of women Pop artists at the Brooklyn Museum brought her work back into the public eye. This exhibition features artworks dating from the 1960s and ’70s, including some of her self-described “build-outs,” in which elements of the images—the breasts of a woman in a bikini top, a yellow rose—literally protrude out of the painting.