Tameka Norris, "Too Good for You (Introducing Meka Jean)"

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Courtesy of the artist and Lombard Freid Gallery
Tameka Norris, Meka Jean – Too Good For You, 2014
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Courtesy of the artist and Lombard Freid Gallery
Tameka Norris, My First Semester Yale School of Art, My Second Semester Yale School of Art, My Third Semester Yale School of Art, My Fourth Semester Yale School of Art, My Graduation Yale School of Art, 2010-2012
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Courtesy of the artist and Lomba
Tameka Norris, How to Write a Cursive X, 2014
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Courtesy of the artist and Lomba
Tameka Norris, 12 Times Table, 2014
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Courtesy of the artist and Lomba
Tameka Norris, Butterfly McQueen, 2014
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Courtesy of the artist and Lombard Freid Gallery
Tameka Norris, Piggly Wiggly 1, 2014
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Courtesy of the artist and Lombard Freid Gallery
Tameka Norris,Piggly Wiggly 2, 2014
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Courtesy of the artist and Lombard Freid Gallery
Tameka Norris, Open House (diptych), 2014
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Courtesy of the artist and Lombard Freid Gallery
Tameka Norris, Open House (diptych), 2014
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Courtesy of the artist and Lomba
Tameka Norris, installation view of "Too Good For You (Introducing Meka Jean)"
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Courtesy of the artist and Lomba
Tameka Norris, installation view of "Too Good For You (Introducing Meka Jean)"
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Legendary for her Studio Museum in Harlem performance, in which she licked a bloody line around the walls with her cut-open tongue, New Orleans artist Tameka Norris makes her New York gallery debut with a promising if somewhat jumbled show of abstract paintings and videos in which she stars.

My First Semester Yale School of Art (2011) features Norris as she recalls earning her M.F.A. through monologues and changing hairstyles. Meka Jean—Too Good for You (2014) seems like a straightforward music video, with the artist addressing an unworthy lover while she vamps in the shower and at the Laundromat.

Norris’s paintings—with their scattered images of houses and the Piggly Wiggly logo limned on patchwork fabric—attempt to evoke the chaos as her hometown continues to rebuild nine years after Hurricane Katrina. Still, these compositions only wanly suggest the struggles of a city in transition. Cryptic and too elegant by half, their tastefulness pales in comparison with the compelling presence of the artist herself.

Joseph R. Wolin

Event phone: 212-967-8040
Event website: http://lombard-freid.com
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