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Guyton's latest outing is a reprise of a 2007 show at the same gallery, which presented some of the artist's patented all-black "abstractions" spit out by a digital printer, as well as the floor of his own studio, transported board by board to Chelsea. For this exhibition, he employs the same picture file used for the earlier works, creating much larger canvases printed in magenta ink. There's also a fish-out-of-water sculpture, this time in the form of a reproduction of the coat check counter at Pittsburgh's Carnegie Museum, where he's currently showing in the Carnegie International.
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