Photo: Robert Lewis

Joe’s Pub; Tue 14

James Carney is one of many local jazz players hidden in plain sight. Rarely does a week go by without a gig or two by the keyboardist, and in his role as curator of Konceptions—a progressive-jazz series at Park Slope’s Bar 4—he acts as a linchpin of that scene in Brooklyn. If all that activity hasn’t done much for his profile, this performance just might: Leading a large band at a snazzy Manhattan venue, the L.A. transplant celebrates the release of Green-Wood, his first CD on the respected Songlines label.

The disc’s supporting cast (including saxist Tony Malaby, trumpeter Ralph Alessi and trombonist Josh Roseman) might be more recognizable than its leader. But Carney’s intricate, engaging compositions serve as a constant reminder of who’s in charge. Pieces like the infectious album opener, “Power,” begin with odd-time vamps—often played on proggy analog synths—and layer on vibrant, acrobatic horn lines, suggesting a brainier version of Herbie Hancock’s Headhunters. Carney spends much of the record exploring this aesthetic, but he also includes fascinating tangents, most notably “Shame,” a grand, prismatic horn choir.

At Joe’s Pub, six of Green-Wood’s seven players will be on hand, so expect full-bodied readings. One of the disc’s most striking moments is Carney’s free-roaming unaccompanied turn on “It’s Always Cold When You’re Leaving,” so here’s hoping he doesn’t shun the spotlight. At this point, he’s certainly earned it.