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  • Art

    Time Out New York / Issue 653 : Apr 2–8, 2008
    Culture report: gatekeepers

    How a show is made

    The splashy events and exhibits you lap up as greedy consumers take months—often years—to pull together. We trace one current art show from birth to afterlife.

    By Sophie Fels

    Click the timeline to navigate to different stages of the show's preparations.

    timeline

    November 20, 1996

    Guggenheim Soho
    The Hugo Boss Prize 1996 nominee exhibit
    After a decade in Japan, Cai moves to New York and—with temporally dislocating speed—finds himself showing in a major museum. Within a year of his arrival, he is nominated for the Guggenheim’s first Hugo Boss Prize. For the accompanying exhibit showcasing Boss nominees (including once and future stars Laurie Anderson, Matthew Barney and Yasumasa Morimura), Cai makes Cry Dragon/Cry Wolf: The Ark of Genghis Khan, from 108 sheepskins, three Toyota engines, paddles, rope and magazine clippings. Cry Dragon/Cry Wolf goes from the Guggenheim Soho straight into the museum’s permanent collection, to be polished up and showcased again in the current show. Perhaps more importantly, Guggenheim heavy Thomas Krens is a member of the prize jury; he will eventually become Munroe’s cocurator on Cai’s retrospective.

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