Things to do near the Solomon R. Guggenheim Museum

While the Guggenheim’s collection of modern art works is certainly impressive, it is impossible to separate the museum’s contents from its form with architect Frank Lloyd Wright’s brilliant and controversial design. Opened in 1959 on Fifth Ave across from Central Park, just months after Wright’s death, the concrete inverted ziggernaut (a Babylonian step pyramid), stomped on the expectations and tradition of clean square galleries exemplified and cherished by the neighboring Upper East Side museums, like the nearby Metropolitan Museum. Instead Wright combined his use of geometric shapes and nature, to create a gallery space that presented art along a flowing, winding spiral, much like a nautilus shell, with little in the way of walls to separate artists, ideas or time periods. Best experienced as Wright intended by taking the elevator to the top of the museum and following the gentle slope down, the art is revealed at different angles along the descent and across the open circular rotunda in a way that even the most well known Monet landscape might seem like a revelation. This unusual, bold way of approaching art, both as it is displayed and viewed, has inspired spectacular exhibits by highly-conceptual contemporary artists such as a series of films by Matthew Barney and hundred of Maurizio Cattelan's sculptures hanging from the ceiling. Considering the steep price of admission ($25, students and seniors $18, children under 12 free), make sure to take a break from the captivat

NOTE: The Frick Collection is currently housed at the Frick Madison, the former Met Breuer and Whitney Museum Building at 945 Madison Avenue, while the mansion undergoes a major renovation. The opulent residence that houses a private collection of great masters (from the 14th through the 19th centuries) was originally built for industrialist Henry Clay Frick. The firm of Carrère & Hastings designed the 1914 structure in an 18th-century European style, with a beautiful interior court and reflecting pool. The permanent collections include world-class paintings, sculpture and furniture by the likes of Rembrandt, Vermeer, Renoir and French cabinetmaker Jean-Henri Riesener.

Even in the worst of times, a world-class city needs restaurants offering the escape of over-the-top coddling and luxurious food, with a star chef who's not just on the awning but in the kitchen and dining room, too-—in short, a place like Daniel. The most classically opulent of the city's rarefied restaurants, Daniel Boulud's 15-year-old flagship emerged from a face-lift last fall, looking about as youthful as a restaurant in a landmark Park Avenue building realistically can. The sprawling dining room no longer resembles the doge's palace in Venice. Instead it's been brought into the 21st century with white walls, contemporary wrought iron sconces and a centerpiece bookshelf lined with vibrant crystal vases among other curios. The redesign, by longtime Boulud collaborator Adam Tihany, couldn't have come at a better time. With even neighborhood regulars keeping an eye on their budgets, now more than ever the place needs to cultivate a new clientele. Despite Boulud's ever-expanding reach—he'll soon launch his tenth restaurant, on the Bowery—the chef still prowls the dining room here most nights, charming fans and sending extras to his special guests. While the setting has been revamped, the food—overseen since 2004 by executive chef Jean Franois Bruel—hasn't taken a radical turn. Still, presentations overall seemed much more up-to-date. The tiered silver tower cradling an overkill of miniature bites that used to kick off a meal has given way to a less-is-more amuse-bouche on a

This elegant addition to the city’s museum scene is devoted entirely to late-19th- and early-20th-century German and Austrian fine and decorative arts. Located in a renovated brick-and-limestone mansion that was built by the architects of the New York Public Library, this brainchild of the late art dealer Serge Sabarsky and cosmetics mogul Ronald S. Lauder has the largest concentration of works by Gustav Klimt (including his iconic Adele Bloch-Bauer I) and Egon Schiele outside Vienna. You’ll also find a bookstore, a chic (and expensive) design shop and the Old World–inspired Café Sabarsky, serving updated Austrian cuisine and ravishing Viennese pastries.

From the iconic Madeline murals by Ludwig Bemelmans to the live music, Bemelmans is like no other experience. Somehow, the white-jacketed service doesn't feel stuffy but transportive to another era that isn't just another Prohibition-style bar knockoff. Maybe it's the fact that the classics are done just right (head bartender Luis Serrano has worked here for 31 years).

Founded in 1897 by the Hewitt sisters, granddaughters of industrialist Peter Cooper, the only museum in the U.S. solely dedicated to design (both historic and modern) has been part of the Smithsonian since the 1960s. The museum hosts periodic interactive family programs that allow children to experiment with design.

Founded in Soho in 1996, Marianne Boesky Gallery migrated to Chelsea in 2005, taking up an elegant purpose-built space right next to the High Line. After opening and closing venues on both the Upper and Lower East Side, Boesky re-consolidated her operation at her Chelsea shop, adding an annex—Boesky East—next door. She also operates a space in Aspen, Colorado. Throughout her career, Boesky has exhibited a mix of established, mid-career and emerging artists that includes such high-profile names as Frank Stella and John Waters.

The iconic institution, which was founded in 1874, hosts all manner of events, including lectures (with boldfaced names like Eliot Spitzer and the late Nora Ephron), live music, dance performances and more. Expect special programming during Jewish holidays such as Passover and Hanukkah. Browse and sign up for classes at 92nd Street Y

Undeniably lavish, minus the pomp, The Mark does everything right (and makes it seem easy, too) Known for its impressive celebrity clientele, The Mark beckons the fashion-conscious with near-tangible magnetism. Why? Because ostentatious aspects of design are married with more contemporary and zealous aesthetic choices. Yes, there’s black-and-white decor and yes there are marble features, but it’s all punctured by distinctive orange hues in the form of flora, wallpapers and soft furnishings. In short, it looks really, really nice.  And the whole operation is slick and polished, from succinct check-in to simple check out. As for the suites, the bath is luxuriously deep and the wifi is speedy. Plus, it’s culinary wonderboy Jean-Georges Vongerichten who heads up the fine dining restaurant and bar offerings, so you can expect an eclectic menu with the likes of hamachi sashimi, Scottish salmon and parmesan-crusted chicken with artichokes and lemon-basil butter. Delicious. Neighborhood: A five-minute wander from Central Park and pretty close to the Guggenheim, The Met and the rest of Museum Mile, you’re perfectly located for a few days of culture. But while it may be the glistening streets of the Upper East Side that draws tourists and inner-state travellers to the hotel, it’s The Mark’s flamboyance that keeps them there.  Nearby: The Metropolitan Museum of Art: for creative inspiration Papaya King: to get your fill of hot dogs and syrupy papaya juice Bemelmen’s Bar: for a luxe dri

When Keith Cohen bought this bakery from its founding owners some years back, he wanted to expand on the classic kosher spot’s old-world reputation by producing cutting-edge artisan breads. Today, Orwashers still makes its famous Jewish rye, as well as tons of sweet baked goods and savory bread loaves, available in the remodeled, sunlit café.