Kinky Boots

Theater , Musicals Al Hirschfeld Theatre , Hell's Kitchen Until Saturday December 31 2016
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(6 user reviews)
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Photograph: Matthew Murphy
Kinky Boots
Photograph: Matthew Murphy
Kinky Boots
Photograph: Matthew Murphy
Kinky Boots
Photograph: Matthew Murphy
Kinky Boots
Photograph: Matthew Murphy
Kinky Boots

Theater review by Adam Feldman. Al Hirschfeld Theatre (Broadway). Book by Harvey Fierstein. Music and lyrics by Cyndi Lauper. Dir. Jerry Mitchell. With Stark Sands, Billy Porter, Annaleigh Ashford. 2hrs 20mins. One intermission.

[Note: The cast of Kinky Boots has changed since this review was first published. On November 20, Wayne Brady takes over the role of Lola.]

The kicky crowd-pleaser Kinky Boots is the very model of a modern major musical. Adapted from a 2005 English indie film, Harvey Fierstein and Cyndi Lauper’s fizzy pop tuner tells of Charlie (the capable Sands) and his Northampton footwear factory, Price & Son—a family business in danger of closing down. Hope arrives in the unlikely form of Lola (Porter), a self-possessed drag queen with ideas for a niche product line: knee-high, skin-tight, stiletto-heeled sheaths of ostentatious color, strong enough for a man who’s made up like a woman. (Gay style and consumer dollars to the rescue! The shoe must go on!) Directed with verve by Jerry Mitchell, Kinky Boots feels familiar at every step, down to its messages about individuality, community, pride and acceptance; it could have been cobbled together from parts of The Full Monty, Billy Elliot and Fierstein’s La Cage aux Folles, and it culminates in a feel-good finale so similar to Hairspray’s (which Mitchell choreographed) that it might as well be called “You Can’t Stop the Boot.”

Yet the musical holds up for the same reason Price & Son’s products do: solid craftsmanship and care. Lauper is a musical-theater natural, combining bright, infectious melodies with simple but effective lyrics. As each act progresses, the energy rises palpably, boosted by a heart-strong cast. Porter brings tough sass, wounded dignity and husky vocal authority to a part he has seemingly been training all his life to play; and as Charlie’s lovelorn underling, the sweetly tart Annaleigh Ashford—she of the perfectly timed comic take—adds another stolen show to her rap sheet. The overall effect is nigh irresistible; if you’ve been low about this season’s musicals, Kinky Boots may be just the thing to get you back on your feet.

Follow Adam Feldman on Twitter: @FeldmanAdam

RECOMMENDED: Most stylish New Yorkers: Cyndi Lauper

2013 Tony Award nominee. See our guide to the 2013 Tony Awards

Venue name: Al Hirschfeld Theatre
Address: 302 W 45th St
New York

Cross street: at Eighth Ave
Transport: Subway: A, C, E to 42nd St–Port Authority; N, Q, R, 42nd St S, 1, 2, 3, 7 to 42nd St–Times Sq
Price: $57–$137
Event website:

Average User Rating

3.2 / 5

Rating Breakdown

  • 5 star:2
  • 4 star:1
  • 3 star:0
  • 2 star:0
  • 1 star:2
NaN people listening
Senor Magnifico

I really enjoyed the show featuring Wayne Brady. A great score calls for a phenomenal singer that can belt the music, this was not the case for Wayne. Although I have to admit that he executed the choreography flawlessly. 

Maddie M

I had heard great things about this show so I had my hopes up, but unfortunately was not impressed. Lackluster plot, and the music was bad. I wanted to walk out mid show. Ranked among my least favorite Broadway shows right by Spiderman. 


THe music was forgettable, the plot derived. I found it boring.


The creators, cast, and crew have a winner. We laughed and cried-there are poignant moments. It's a great show. The only disappointment is when the show ends. We wanted more.


Saw Kinky Boots with a bunch of friends while it was still in previews and we all adored this musical. The audience loved it, went quite wild in fact. Porter and Sands do a great job carrying the show, and Annaleigh Ashford is indeed a standout -- completely charming with great comedic timing. All-around entertaining, with crowd-pleasing music, energetic song-and-dance numbers, and a lovely message to boot. (no pun intended, no really)