Cannes, close to the end, but still rewarding

We're winding down our festival coverage with thoughts on three strong titles.



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Venus in Fur

Venus in Fur

I'm almost at the end of my Cannes journey. Today I have reviews of Roman Polanski's latest single-set perversity, Venus in Fur, as well as Jim Jarmusch's laconically hilarious Only Lovers Left Alive and Abdellatif Kechiche's impressive coming-of-age drama Blue is the Warmest Color. Click here to see what I think.

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