Cannes, close to the end, but still rewarding

We're winding down our festival coverage with thoughts on three strong titles.

Venus in Fur

Venus in Fur


I'm almost at the end of my Cannes journey. Today I have reviews of Roman Polanski's latest single-set perversity, Venus in Fur, as well as Jim Jarmusch's laconically hilarious Only Lovers Left Alive and Abdellatif Kechiche's impressive coming-of-age drama Blue is the Warmest Color. Click here to see what I think.

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