New York movies: The 100 best films set in New York City
From King Kong's spire down to the scummiest subway tunnel, TONY ranks the definitive list of the 100 best New York movies: crime dramas, romantic comedies, documentaries and more.
Tue Jul 3 2012
New York movies: 25th Hour (2002)
New York movies: The Clock (1945)
New York movies: All That Jazz (1979)
New York movies: Little Fugitive (1953)
New York movies: American Psycho (2000)
New York movies: Goodfellas (1990)
New York movies: Breakfast at Tiffany's (1961)
New York movies: 42nd Street (1933)
New York movies: Serpico (1973)
New York movies: Hannah and Her Sisters (1986)
New York movies: 25th Hour (2002)
Bombastic, wrenching and heartsick, Spike Lee’s drama remains the great post-9/11 love letter to New York City—filled with American flags and displaced rage—as seen by a drug dealer (Edward Norton) about to head to jail for seven years. He bids goodbye to the messy, wounded, wonderful chaos of the city with one last night out, surrounded by everyone close to him.—Alison Willmore
A WWII soldier (Robert Walker) falls for city girl Judy Garland while on two-day leave, and he romances her in cathedral-size, extras-populated re-creations of Gotham landmarks such as Penn Station, Central Park and the Metropolitan Museum of Art. Directed by Vincente Minnelli (and an uncredited Fred Zinnemann), this spellbinding romance is golden-age Hollywood at its finest.—Keith Uhlich
Ping-ponging from a West 58th Street pussy-hound duplex to troubled Broadway show rehearsals and endless editing on his latest motion picture, Dexedrine-fueled director Joe Gideon (Roy Scheider) makes extreme exhaustion look positively electric. Bob Fosse’s self-destructive film à clef proves it: Only in New York can workaholism be considered hedonistic.—Stephen Garrett
Convinced he has killed his older brother with his toy rifle, a seven-year-old Brooklyn boy hightails it to Coney Island, where he wanders around with gaping wonder. This pioneering child’s-eye production captures its summery setting with a casual realism that François Truffaut credited as a major influence on The Four Hundred Blows.—Keith Uhlich
Flattering Bret Easton Ellis’s stone-cold satire with a devilish Christian Bale performance and scalpel-sharp period detail, Mary Harron’s thriller is close to peerless as a picture of ’80s-era vapidity and entitlement. This is the Manhattan of chichi painted plates (and securing the impossible restaurant reservation), Phantom of the Opera visual jokes and pounding dance clubs.—Joshua Rothkopf
An Irish-American kid (Ray Liotta) gets his hands bloody with Brooklyn’s Italian-American wiseguys, shaking down everything from small-fry operations to JFK cargo freight. Martin Scorsese’s exhilarating biopic is a harrowing tribute to those who’d rather snake through the kitchen of the Copacabana and pistol-whip neighbors than endure law-abiding life like a schnook.—Stephen Garrett
A literary gigolo (George Peppard) and a high-class prostitute (Audrey Hepburn) are rudderless lovers in a town where lost souls are as common as Cracker Jack rings. Blake Edwards’s adaptation of Truman Capote’s novella (mostly shot on the Paramount lot but with key exteriors in NYC, including the famous Fifth Avenue jewelry store) uses its New York state of mind to infuse a staggeringly depressing story with irresistible charm.—Stephen Garrett
“You’re going out a youngster—but you’ve got to come back a star!” Has any line captured the zero-to-famous allure of the Great White Way better? This peerless backstage musical also gave us the title song (“where the underworld can meet the elite”) and a delirious Busby Berkeley–choreographed tribute to Broadway’s own boulevard of broken dreams.—David Fear
Can a hero survive NYC’s mean streets? Just barely, as Sidney Lumet’s crime classic—based on the tragic real story of uncorrupted cop Frank Serpico—depicts. Fulsome in his righteous rage, Al Pacino uncorked a signature performance, torn between do-gooder zeal and go-it-alone anxiety. Shooting in every borough except Staten Island, the film is a near-complete portrait of the city at its grimiest.—Joshua Rothkopf
Sibling rivalry doesn’t begin to describe the subtly complex dynamics within a sororal trio as each one seeks happiness among an array of (sometimes overlapping) men. Woody Allen’s vivid dissection of an Upper West Side family—stopping at sites including the Café Carlyle, Pageant Book Shop and CBGB—uses the city’s grandiose neuroses and urbane patois to convey a singular kinship.—Stephen Garrett
"The World of Henry Orient" in which two preppy private school girls stalk their crush - an increasingly irate concert pianist played by Peter Sellers - all over mid-60s midtown.
"Moscow on the Hudson" - Robin Williams as a Russian saxaphonist defector, with Maria Conchita Alonso, a Bloomingdales counter girl, and friends - early 1980s East Village and beyond, immigrants' story, romantic comedy, valentine to NYC, filled with the ups, downs, and ups of living here and being from somewhere else.
I completely agree with CyCC, "Moonstruck" should go without saying... And what about "Working Girl"? That movie should definitely have cracked the top 100.
Several of these movies could have been located in some other city without much change. But Prince of the City couldn't have been made in, or about, any other city. How can it not make the list?
"Juice" if it hasn't been mentioned is deserving of a mention. "Party Monster" really has to be able to crack the Top 100 at least. Club kids? Limelight? That's as 'New York' as New York got in the late 80s/early 90s.
"Street Scene" 1931 directed by King Vidor.....a one block stretch in the NYC, from dawn to night.."Dead End" 1936...shows life in NYC during the Depression and what it took to survive....Bogart is in this as a supporting role, he plsys a gangster who comes back to the neighborhood and finds his girl friend a hooker, hard to make clear in 1936 film censorship.....he is finally killed by Joel Mcrea, an other neighborhood kid who came back trying to make is as an architect
and btw, Taxi Driver may be a brilliant film but it does not summarize or even remotely encapsulate a particularly NY experience. This film is really about any city that exists the periphery of a normal city. These people and these situations come out at night, when it's dark, when everyone has gone home. And it happens everywhere. Even in the so called "nicer" cities. And btw, even if you ARE a 12 year old hooker, there aren't very many vets/cab drivers who are looking to liberate you. What you have in Taxi Driver is a story that's an extraordinary AMERICAN story about a wartorn, disoriented, displaced vet in need of such an extreme episode of such outrageous vengeance and violence, it gives him a justifiable and bloodsoaked gateway back to the living, to the norm.
I watched "Saturday Night Fever" last night on DVD. I first saw the film when I was in college and in my 20s. I am now 53 and still love this film. It has aged well and I saw it through much diferent eyes at age 53 than I did in college. A terrific story with a terrfic John Travolta.
Serpico? Pope of Greenwich Village? Basketball Diaries? Marathon Man? A Bronx Story? Get outta here!
Awesome list but my only complaint is that Rent isn't included. Even though it was mainly shot in San Francisco the movie captures New York and especially Alphabet city in a unique way. Also Nick and Nora's infinite playlist captures NY city nightlife extremely well
I think that Vanilla Sky should have a place in the classement, New York had a great influence on the movie.
There were some good choices on this list, but I was very disappointed by the low placement of "Requiem for a Dream" and complete lack of "The Basketball Diaries." Nobody sees the gritty nature of New York City like a heroin addict. And where exactly is "Se7en"? Tisk, tisk, although it's hard to do it right when you're making a list about the world's most iconic city.
For what is is worth, nearly all of The Crowd, aside from some preliminary establishing shots, was filmed in Los Angeles. Harold Lloyd's Speedy (1928) (Number 65) has dozens more NYC settings. You can read about Lloyd filming Speedy in New York in my book Silent Visions, and on my blog SilentLocations.Wordpress.com
I'd have liked to have seen "13 Conversations About One Thing" on this list. It had the bad luck of coming out when 9/11 tore the city apart.
New Jack City with Wesley Snipes, Ice T & Judd Nelson comes to mind as a great movie filmed in NYC!!!
How could you dare and ignore DIE HARD 3? Isn't this a typical movie for Manhattan? I love the scene with John McClane and Zeus meeting the first time in Harlem while John is carrying his "I hate ..." board! Reconsider, please!
Arthur (the original) and Moonstruck should definitely both be on that list as they are both great movies that are about specific cultures within NYC.
Terrible that three movies didn't make the great movies of New York ... Meet John Doe, The Seven-Ups, and Quick Change. All three have great true to New York scenes! None of which ever show scenes where you can tell they shot any of it in Hollywood!
scent of a woman, where is it ? who ranked this list? this is beyond trash. I dont want to live on this planet anymore.
Most of htese were pretty good choices, but picking the 1976 King Kong is a real letdown. Aside from the promise shown by a young actress named Jessica Lange in that rotten movie, that one was inexcusable. Thank the lord Peter Jackson revived the franchise with his later version.
Oh my goodness this is a crime against humanity. Manhattan should at LEAST be number two. The city is such a big part of that story there is no question that it is the most iconic New York City movie of the 20th Century.
I've seen most of these movies. Good list. A few things bug me (Man Push Cart over Chop Shop? No Royal Tenenbaums? Spider-Man 2? Half Nelson? ATCW Documentary?) My biggest issue, however, is that Die Hard with a Vengeance isn't included. Sure, it's not high brow cinema art, but it's a spectacle, it's fun, and it shows more of the 90s NYC than any other movie I've seen. And, IMO, it's one of the all-time great action films. Also, how about The Cruise?!!?!!?!!?!? Classic NYC romance in such an interesting way.
whoever things there are 24 movies that are set in NY that are better than Goodfellas has serious issues...
Is this supposed to represent the best movies filmed in New York, or movies that best exemplify New York. If it's the latter, a pair Adam Sandler movies, "Big Daddy," and "Mr. Deeds" would qualify.
And no "Panic in Needle Park." The more I look at this list, the more flaws I see. Expected, though, from JR. Can't Time Out find people who know more about film?
"The Hunger?" Does the author even realize that most of that film was shot in London because it was too expensive to shoot the whole thing here? Certainly films like "The Hospital" and "Beat Street" are more deserving of this list. I pretty much don't read anything JR writes or reviews, but figured I would check out as something as simple as a list.
No Eternal Sunshine of the Spotless Mind, Being John Malkovich, or Synecdoche, New York. Pretty much everything by Charlie Kaufman should be on this list.
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