New York movies: The 100 best films set in New York City

From King Kong's spire down to the scummiest subway tunnel, TONY ranks the definitive list of the 100 best New York movies: crime dramas, romantic comedies, documentaries and more.

  • New York movies: 25th Hour (2002)

  • New York movies: The Clock (1945)

  • New York movies: All That Jazz (1979)

  • New York movies: Little Fugitive (1953)

  • New York movies: American Psycho (2000)

  • New York movies: Goodfellas (1990)

  • New York movies: Breakfast at Tiffany's (1961)

  • New York movies: 42nd Street (1933)

  • New York movies: Serpico (1973)

  • New York movies: Hannah and Her Sisters (1986)

New York movies: 25th Hour (2002)

30

25th Hour (2002)

Bombastic, wrenching and heartsick, Spike Lee’s drama remains the great post-9/11 love letter to New York City—filled with American flags and displaced rage—as seen by a drug dealer (Edward Norton) about to head to jail for seven years. He bids goodbye to the messy, wounded, wonderful chaos of the city with one last night out, surrounded by everyone close to him.—Alison Willmore

 

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29

The Clock (1945)

A WWII soldier (Robert Walker) falls for city girl Judy Garland while on two-day leave, and he romances her in cathedral-size, extras-populated re-creations of Gotham landmarks such as Penn Station, Central Park and the Metropolitan Museum of Art. Directed by Vincente Minnelli (and an uncredited Fred Zinnemann), this spellbinding romance is golden-age Hollywood at its finest.—Keith Uhlich

 

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28

All That Jazz (1979)

Ping-ponging from a West 58th Street pussy-hound duplex to troubled Broadway show rehearsals and endless editing on his latest motion picture, Dexedrine-fueled director Joe Gideon (Roy Scheider) makes extreme exhaustion look positively electric. Bob Fosse’s self-destructive film à clef proves it: Only in New York can workaholism be considered hedonistic.—Stephen Garrett

 

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27

Little Fugitive (1953)

Convinced he has killed his older brother with his toy rifle, a seven-year-old Brooklyn boy hightails it to Coney Island, where he wanders around with gaping wonder. This pioneering child’s-eye production captures its summery setting with a casual realism that François Truffaut credited as a major influence on The Four Hundred Blows.—Keith Uhlich

 

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26

American Psycho (2000)

Flattering Bret Easton Ellis’s stone-cold satire with a devilish Christian Bale performance and scalpel-sharp period detail, Mary Harron’s thriller is close to peerless as a picture of ’80s-era vapidity and entitlement. This is the Manhattan of chichi painted plates (and securing the impossible restaurant reservation), Phantom of the Opera visual jokes and pounding dance clubs.—Joshua Rothkopf

 

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25

Goodfellas (1990)

An Irish-American kid (Ray Liotta) gets his hands bloody with Brooklyn’s Italian-American wiseguys, shaking down everything from small-fry operations to JFK cargo freight. Martin Scorsese’s exhilarating biopic is a harrowing tribute to those who’d rather snake through the kitchen of the Copacabana and pistol-whip neighbors than endure law-abiding life like a schnook.—Stephen Garrett

 

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24

Breakfast at Tiffany's (1961)

A literary gigolo (George Peppard) and a high-class prostitute (Audrey Hepburn) are rudderless lovers in a town where lost souls are as common as Cracker Jack rings. Blake Edwards’s adaptation of Truman Capote’s novella (mostly shot on the Paramount lot but with key exteriors in NYC, including the famous Fifth Avenue jewelry store) uses its New York state of mind to infuse a staggeringly depressing story with irresistible charm.—Stephen Garrett

 

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23

42nd Street (1933)

“You’re going out a youngster—but you’ve got to come back a star!” Has any line captured the zero-to-famous allure of the Great White Way better? This peerless backstage musical also gave us the title song (“where the underworld can meet the elite”) and a delirious Busby Berkeley–choreographed tribute to Broadway’s own boulevard of broken dreams.—David Fear

 

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22

Serpico (1973)

Can a hero survive NYC’s mean streets? Just barely, as Sidney Lumet’s crime classic—based on the tragic real story of uncorrupted cop Frank Serpico—depicts. Fulsome in his righteous rage, Al Pacino uncorked a signature performance, torn between do-gooder zeal and go-it-alone anxiety. Shooting in every borough except Staten Island, the film is a near-complete portrait of the city at its grimiest.—Joshua Rothkopf

 

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21

Hannah and Her Sisters (1986)

Sibling rivalry doesn’t begin to describe the subtly complex dynamics within a sororal trio as each one seeks happiness among an array of (sometimes overlapping) men. Woody Allen’s vivid dissection of an Upper West Side family—stopping at sites including the Café Carlyle, Pageant Book Shop and CBGB—uses the city’s grandiose neuroses and urbane patois to convey a singular kinship.—Stephen Garrett

 

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Comments & ratings

Rated as: 3/5 (31 ratings)
  • The wanderers is better than 90% of this list.

    Matt About 3 days ago
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  • Great list but where is "Ghost"? That surely has to be included here!

    Louis Lilakos About 6 days ago
    Rated as: 4/5
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    XRwogannimeieTest About 11 days ago
    Rated as: 2/5
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  • Ghost Dog was filmed in Jersey City. This is a well known fact so why is it in this list? And yes, I'm from Jersey City.

    John O'Hara Thu Apr 25
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  • Where is Scent of a Woman?

    casey Mon Mar 25
    Rated as: 2/5
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  • What about "LIMITLESS" and "How to Lose A Guy In 10 Days" ????????????

    AM Wed Mar 20
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  • coming to america Home alone 2 Big Daddy the list here is shi*

    Dean Tue Mar 19
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  • What about Breakfast at Tiffanys? Coming to America? Sister Act? The list goes on. I will say that you guys did a good job of putting "Do The Right Thing" in the Top 10.

    Jordan Sun Mar 17
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  • How could you not include "An Affair to Remember" and even "Working Girl"? aacch!!

    liz Sat Mar 9
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  • Whaaaat? No Die Hard with a Vengeance?!

    Creon Thu Mar 7
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