Sports movies: The top 50 sports films of all time

Get into the game with our definitive list of the best sports movies: inspirational dramas, rude comedies and classic documentaries celebrating the real thing.

London’s Olympics are already underway—and who knows how many hours you’ve logged watching disqualified teen gymnasts weep before a global audience. Let us suggest additional viewing: In ranking the 50 best sports movies of all time, we stuck to traditional athletics. (Please, chess and billiards fans, save the fury for another comments board.) To get in shape, we pounded the heavy bag, swore off sweets and drank plenty of raw eggs—by which we mean we watched a lot of DVDs. Surely there are titles we’ve missed. Raise a penalty flag if that’s the case. Remember, it’s not about winning—unless you’re counting backward in a ranked list. What’s the mightiest sports film of all time? Dive in and find out.

Bend It Like Beckham (2002)

Fresh-faced Keira Knightley became a star when this crowd-pleasing cross-cultural drama booted its way into American multiplexes. Even if the definitive soccer movie is yet to be made, this one—about the importance of inclusiveness on the field and off—scores nicely.—Joshua Rothkopf

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Big Fan (2009)

Folks in the stands are thanked plenty enough come postseason, but how often do they get their own movie? After scripting The Wrestler, writer-director Robert D. Siegel turned his attention to the subject—darkly and with great empathy—via this tale of a Giants fan (Patton Oswalt) tackled by his own obsession.—Joshua Rothkopf

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Murderball (2005)

Quadriplegic athletes don’t want your sympathy—and to watch them play their variation of wheelchair rugby, flesh and metal merging into living cruise missiles, they don’t want casual entertainment either. This exuberantly rude documentary captures the essence of sports euphoria in a surprising, universal way.—Joshua Rothkopf

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Dodgeball: A True Underdog Story (2004)

The bane of young nerds everywhere, this violent playground game offers the perfect vehicle to parody sports-movie clichés: the team of lovable misfits, the rich snob rivals, the tournament with a decisive sudden-death moment. Grafted onto a kids’ game, the high stakes seem hilariously absurd, even as you sincerely root for Vince Vaughn & Co. to be the last ones out.—David Fear

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Eight Men Out (1988)

Because it’s a John Sayles movie, you can expect the director’s heady brand of politicized entertainment. Still, the real-life scenario—about the infamous Chicago “Black Sox,” who threw the 1919 World Series—makes the stridency go down in riveting fashion, as does a dynamite cast led by John Cusack.—Joshua Rothkopf

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Big Wednesday (1978)

Three close-knit California dudes break the waves and comb their way through some turbulent political tides in John Milius’s awesomely macho surf drama. The cast is pure ’70s virility (Jan-Michael Vincent, William Katt, Gary Busey) and the spindrift set pieces are as epic as a Star Wars space battle.—Keith Uhlich

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Field of Dreams (1989)

Kevin Costner had already strutted his stuff once in Bull Durham, but Phil Alden Robinson’s sentimental tale of a man building a playing field in his backyard proved that the star was Hall of Fame material. Here, baseball isn’t just a game; it’s a chance for fathers, sons and even dead legends to have one last crack at redemption.—David Fear

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A League of Their Own (1992)

Penny Marshall’s funny and moving dramedy about a WWII-era women’s ball team has an A-list roster (Tom Hanks, Geena Davis, Madonna), some stellar pinch hitters (hey, Rosie O’Donnell) and memorable one-liners (“There’s no crying in baseball”) that’ll have you choking on your chewing tobacco.—Keith Uhlich

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Million Dollar Baby (2004)

Clint Eastwood directs and stars in this tough, tear-jerking story about a gruff, aging trainer and the unseasoned female boxer (Hilary Swank) he takes under his wing. The film strikes a near-perfect balance between brawn (in the arduously raw fighting sequences) and sentimentality (in Eastwood and Swank’s tender surrogate father-daughter relationship).—Keith Uhlich

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The Fighter (2010)

Using vintage Betamax cameras and hiring veteran cable-sports crews to replicate the look of HBO’s mid-’90s boxing matches, David O. Russell adds a level of period-perfect verisimilitude to this biopic on welterweight champ Micky Ward. The stoic Boston brawler is played, punch for punch, by Mark Wahlberg, who personally nurtured the project for years.—David Fear

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The Set-Up (1949)

In this dark, disturbing noir, the great Robert Ryan plays a has-been pugilist who learns his manager has fixed one of his bouts—which unleashes some of the old fighting spirit. The jittery boxing sequences directly influenced Martin Scorsese’s Raging Bull.—Keith Uhlich

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Personal Best (1982)

The characters are U.S. track-and-fielders striving to qualify for the women’s team headed for the 1980 Olympics (a Games the States would boycott). But what will always set this drama apart is its exploration of physical attraction between same-sex competitors, presented in an honest, nonexploitative manner. Side note: Here’s how you do arm wrestling.—Joshua Rothkopf

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Knute Rockne All American (1940)

Pat O’Brien may have played the titular character in this ode to the legendary Notre Dame football figurehead, but it’s Ronald Reagan’s gridiron all-star, George Gipp, who inspired football’s most famous inspirational motto: “Let’s win one for the Gipper!” So many coaches have quoted the movie’s line that Reagan’s estate should be paid annual royalties.—David Fear

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Gentleman Jim (1942)

One of Hollywood’s most charismatic actors plays one of the sweet science’s most charming practitioners: You’d swear Errol Flynn was born to play heavyweight champion “Gentleman Jim” Corbett. Raoul Walsh’s film re-creates 1890’s rollicking, game-changing Corbett vs. John L. Sullivan match—the moment when boxing became as much about brains as brawn.—David Fear

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Dogtown and Z-Boys (2001)

The director, Stacy Peralta, was a teenage celebrity in the late-’70s: a SoCal skateboarder whose revolutionary style got him all the way to a cameo on Charlie’s Angels. His affectionate, irreverent profile of his fearless comrades plays more like a rock documentary, the band broken up by money, endorsements and bad luck.—Joshua Rothkopf

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This Sporting Life (1963)

Director Lindsay Anderson made his fiction debut with this gritty tale of a hotheaded coal miner (Richard Harris) who finds stardom on the rugby field. Harris’s jagged-edge performance complements the film’s immersively rough-hewn aesthetic; even the sports scenes feel as if they’ve been doused in kitchen-sink grime.—Keith Uhlich

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Undisputed (2002)

Fueled by a scrappy, improvisatory energy, this prison-set boxing drama pits a recently incarcerated heavyweight champ (Ving Rhames) against a yard favorite (Wesley Snipes). Apart from the imminent clash of fists and egos, there’s a fascinating side plot concerning promotion, masterminded by elderly con Peter Falk in one of his craftiest turns.—Joshua Rothkopf

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Pumping Iron (1977)

The biceps are watermelon-size, the grunts deafening and the imposed narratives a little dodgy. But boring this docudrama is not. Mainly, it serves as a fascinating peek at two future superstars, Arnold Schwarzenegger (witty and already a ham) and TV-Hulk-to-be Lou Ferrigno, his chief competition for the title of Mr. Olympia.—Joshua Rothkopf

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White Men Can’t Jump (1992)

No film better captures the psych-out art of athletic trash-talking than Ron Shelton’s ode to playground B-ballers. Woody Harrelson and Wesley Snipes display serious game on the court, but it’s the way they gracefully ace lines like “Still throwing up bricks? What is this, a mason’s convention?” that makes the duo so dynamic.—David Fear

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Jerry Maguire (1996)

Writer-director Cameron Crowe casts an eye off the field in his crowd-pleasing romantic comedy, focusing on a conscientious sports agent (Tom Cruise) who starts his own firm. Classic scenes abound, from Cruise’s ecstatic rendition of “Free Fallin’ ” to costar Cuba Gooding Jr.’s highly memorable demand to “Show me the money!”—Keith Uhlich

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Sugar (2008)

For every Adrián Beltré success story (he was signed to the Dodgers at age 15 and transitioned well), there are a dozen Dominican players like the fictional composite Miguel “Sugar” Santos—a talented pitcher hacking it out in the U.S. minor leagues. Filmmakers Ryan Fleck and Anna Boden lay on the culture clashes beautifully, but it’s the dangling promise of the American Dream that really gets this movie hitting fly balls over the fence.—David Fear

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Pat and Mike (1952)

In real life, Katharine Hepburn was no slouch on the tennis court or the golf course; that’s Kate herself swinging those rackets and clubs in this rom-com costarring Spencer Tracy. Her natural abilities, plus cameos from pro athletes like Betty Hicks and Gussie Moran, add an edge of realism to this story about competitions of the body and the heart.—David Fear

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Friday Night Lights (2004)

Before there was a beloved TV series, there was Peter Berg’s feature film about high-school football in Texas—a lyrical, stirring look at the way communities revolve around their pigskin heroes. Even a viewer who doesn’t know a punt from a pass could understand how these games could give an economically gutted small town something to believe in.—David Fear

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The Natural (1984)

This is the moment when baseball becomes golden-hued pageantry onscreen, the diamond dappled with sunbeams and the promise of redemption. Even if the film changed the ending of Bernard Malamud’s classic novel, there’s no doubting the genius of cinematographer Caleb Deschanel (Zooey’s dad) and effortless star Robert Redford.—Joshua Rothkopf

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The Endless Summer (1966)

The granddaddy of surfing docs follows longboarders Mike Hynson and Robert August as they trek around the world looking for the perfect wave. Bruce Brown’s lively film not only set the template for every extreme-sports vérité profile that followed, it helped sell surf culture to a global audience, inspiring thousands to start hanging ten.—David Fear

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Ali (2001)

Michael Mann’s vivid, visceral biopic explores an eventful decade (1964–1974) in the life of prominent prizefighter Muhammad Ali (Will Smith, exuding both mystery and magnetism). More than just the story of a man, this hypnotically impressionistic film weighs the influential athlete’s accomplishments against a tumultuous historic period.—Keith Uhlich

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Seabiscuit (2003)

As Gary Ross’s biopic shows, the title’s gangly bay beat the odds to become a champion racehorse and brought out the best in his stellar jockey, Red Pollard (Tobey Maguire). It also demonstrates how, like the best champions, the thoroughbred inspired a wounded nation to brush itself off and get back in the saddle.—David Fear

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Tokyo Olympiad (1965)

Japan’s first hosting of the Games in 1964 was considered a massively important moment for national rebranding. After testy Akira Kurosawa was taken off the plum assignment, the job went to the more flexible Kon Ichikawa, who produced an unusually thorough and artful tribute to both winners and losers.—Joshua Rothkopf

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The Karate Kid (1984)

Or Rocky for teens: The underdog in this rousing ’80s gem is bullied adolescent Daniel Larusso (Ralph Macchio) who crane-kicks his way to the top with the help of martial-arts sage and car-waxer extraordinaire Mr. Miyagi (Noriyuki “Pat” Morita).—Keith Uhlich

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The Loneliness of the Long Distance Runner (1962)

Angrier-than-thou young man Tom Courtenay wants to pick a fight with the world; instead, this borstal boy finds solace in competitive running. This British drama gives viewers a great sense of the way sports can help troubled kids wrestle their demons and gain self-confidence. It also ends with one of the most unlikely inspirational movie moments ever.—David Fear

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Any Given Sunday (1999)

Leave it to Oliver Stone to make you enjoy feeling like a tossed-around pigskin. His absorbing look at a fictional pro-football team and the veteran coach trying to lead them to victory (Al Pacino at full bellow) packs a testosterone-filled blitz into two-and-a-half thrillingly steroidal hours.—Keith Uhlich

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Offside (2006)

What if you can’t cheer on your favorite team because of your gender? That’s the reality in Iran, providing the basis for Jafar Panahi’s buoyant, brazenly political drama about a group of female soccer fans sneaking into a World Cup match.—Keith Uhlich

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Breaking Away (1979)

Dennis Christopher refuses to be just another Indiana nobody…so why not pretend to be a champion Italian cyclist? Peter Yates’s feel-good sports drama says a lot about the allure of competitive biking, but this is really a movie about relying on your teammates—the friends who’ll always get you across the finish line.—David Fear

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Chariots of Fire (1981)

Even if all you remember is that shot of Olympians running on the beach to Vangelis’s pounding synth score, it’s fine. Sometimes a great sports movie only needs sweat and exhilaration. Return to the story, though, and you’ll be beguiled by a real-life tale of British resolve, imperial hauteur and religious tolerance.—Joshua Rothkopf

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Fat City (1972)

In John Huston’s engrossing drama, Stacy Keach plays a past-his-prime boxer who acts as both mentor and rival to cocky up-and-comer Jeff Bridges. The ensemble is stellar—especially Susan Tyrrell as a belligerent barfly—and ace cinematographer Conrad L. Hall brings out the seedy poetry of the back-alley California setting.—Keith Uhlich

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Miracle (2004)

This uplifting drama about the U.S. hockey team’s “Miracle on Ice” at the 1980 Olympics is a fabulous paean to coaching. Kurt Russell fully transforms himself body and soul into impassioned trainer Herb Brooks, never shying away from his character’s family-neglecting obsessiveness, even while delivering spirited speeches that would have amateurs entering the rink.—Keith Uhlich

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North Dallas Forty (1979)

The mightiest of football movies enters the world of pro athletics through the beer-and-drug-laced locker room, the debauched lifestyle and endless partying. Intended as a satirical comedy, the darker truth of the circus surrounding the game lingers, as does a terrific Nick Nolte performance as a hero past his prime.—Joshua Rothkopf

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The Bad News Bears (1976)

Not a small number of film lovers—those who see themselves in these foulmouthed little-leaguers—would call this one of the key movies of the ’70s. They wouldn’t be wrong: Subversively, it’s a comedy that revels in the dirty nature of American competition, criticizing it as well as celebrating it to the operatic strains of Carmen.—Joshua Rothkopf

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Hoosiers (1986)

Small-town athletes make good in this enthralling underdog drama about a gruff coach with a checkered past (a terrific Gene Hackman) who leads his high-school basketball team to the state championships. Dennis Hopper is especially memorable as an alcoholic father given a redemptive second chance to get on the winning side.—Keith Uhlich

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The Pride of the Yankees (1942)

Fans were still mourning the death of legendary pinstriper Lou Gehrig when Sam Wood’s film about the first baseman hit screens, barely a year after his passing. This tip of the cap was the perfect salve to their grief. Gary Cooper’s “luckiest man on the face of the earth” speech captures the dignity, grace and resolve of one of the game’s true MVPs.—David Fear

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Olympia (1938)

The legacy of filmmaker Leni Riefenstahl will always be tarred by her willing association with the Nazi Party: She directed the towering Triumph of the Will (1935), a landmark of propaganda, and stuck around Germany long enough to enjoy the good life as a pet artist of the Reich. Yet Riefenstahl was also the inspired mind behind this stylish account of the 1936 Berlin Olympics, a classic piece of sports glorification. Among its innovations are the tracking shot through cheering crowds, the prerace close-up of a concentrated athlete’s face and the balletic filming of divers seemingly in defiance of gravity. Rising to the occasion, Riefenstahl celebrated the physique of multiple-medal winner Jesse Owens; disturbingly, the film cuts to Adolf Hitler, impressed. In many ways, the movie is a utopian fantasy.—Joshua Rothkopf

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When We Were Kings (1996)

Blessed with total access to what would be a seismic, symbolic event, documentary director Leon Gast headed to Zaire, Africa, to capture 1974’s “Rumble in the Jungle,” the apotheosis of Muhammad Ali’s legend. Among the many subjects straying in front of Gast’s perceptive camera are wire-haired promoter Don King, sports writers Norman Mailer and George Plimpton, soul godfather James Brown (on fire in performance) and pitiless dictator Mobutu Sese Seko, grabbing the world’s attention. But all eyes ultimately turn to the fleet-tongued Ali, charming in his training routine and fierce against George Foreman via the celebrated “rope-a-dope.” Ali’s connection with crowds of cheering Zaireans became a spiritual bond, one that turned him into a global icon of pride and power.—Joshua Rothkopf

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Senna (2010)

It takes a certain kind of man to get behind the wheel of a Formula One race car and strategically outmaneuver other speed demons while going 200mph—and the late Ayrton Senna was most certainly that kind of man. Asif Kapadia’s documentary on the Brazilian world champion keeps talking-head testimonies and expert voiceovers to the barest minimum. Instead, he tells Senna’s story almost entirely through footage of press conferences, vintage interviews with the star himself and the races, as seen from the cockpit-cam—there’s virtually no separation between Senna the person and the Senna the driver, who took home three top F1 trophies. Kapadia’s movie doesn’t spend the bulk of its running time fixating on the loss of a great sportsman; instead, it celebrates his accomplishments and lets viewers laud Senna’s remarkable life one lap at a time.—David Fear

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Slap Shot (1977)

For all the high-minded glory of honorable competition, you don’t get a complete picture of sports without a healthy dose of animal rage, vulgarity and shameless rule-breaking. This is where George Roy Hill’s beloved hockey comedy comes in: It undermines the lure of winning with an appeal to the worst instincts. Player-coach Paul Newman leads a squad of ruffians who resort to on-ice fighting to spur interest. The ploy doesn’t work long-term, but for a brief moment in a mill town demoralized by unemployment (the team itself becomes a rumored sell-off), the fans have something worth shouting about. Bloodlust courses through the veins of the film, lending it an unholy potency. And before you call it a “guy movie,” know that the script was written by quick-witted Nancy Dowd (inspired by her hockey-playing brother).—Joshua Rothkopf

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The Wrestler (2008)

Everyone loves a comeback—and though it doesn’t seem possible for fictional Randy “The Ram” Robinson (Mickey Rourke), a down-on-his-luck pro wrestler who longs to relive his ’80s glory days, it was definitely achievable for former leading man Mickey Rourke. This unflinching portrait of death-wish dedication would be unthinkable without the actor, who imbues the role with a heartbreaking pathos—especially in the tender scenes with his estranged daughter, played by Evan Rachel Wood. The Wrestler reminded everyone what this great performer was capable of; it also gave a boost to director Darren Aronofsky, who underplayed the heavy stylistics that sunk his ridiculous otherworldly romance The Fountain and achieved a new, bracing sincerity.—Keith Uhlich

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Caddyshack (1980)

After scoring as the screenwriter of Animal House and Meatballs, Harold Ramis made his directorial debut with this hilarious comedy set at an exclusive golf course. Initially the film was supposed to focus on the teenage caddies played by Michael O’Keefe and Scott Colomby, but cast members Chevy Chase, Rodney Dangerfield and Bill Murray began improvising, brilliantly. What could have been an unmemorable youth comedy became an endlessly quotable classic, from Murray’s famous “Cinderella story” tee-off (created entirely in the moment) to Dangerfield’s bull-in-a-china-shop quips (“Hey, baby, you must’ve been something before electricity”). Tiger Woods has cited this snobs-versus-slobs satire as a personal favorite (snooty Ted Knight types need not apply), and animatronic gophers with a taste for Kenny Loggins agree it’s a hole in one.—Keith Uhlich

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Bull Durham (1988)

Baseball’s finest comedy celebrates the sport in ways that are often overlooked: the long stretches of bum luck, the wispiness of job security, the transient thrill of a valiant at-bat. (Writer-director Ron Shelton had played in the minors and became the go-to guy for authentic scripts.) The movie sets up its themes via three wonderfully complex characters: Catcher “Crash” Davis (Kevin Costner at the peak of his likability) is the aging also-ran, clutching to memories of a 21-day stint in “the Show” while struggling to stay relevant as a leader in the single-A leagues. Annie (Susan Sarandon) is the superfan, luring fresh players to her bed while depositing serious wisdom. And “Nuke” LaLoosh (Tim Robbins) is the goofy hotshot pitcher, undisciplined and the future of the game. The three of them make up a triangle of need and resentment, undergirding a movie of rare grace. (It’s really about the game of life.)—Joshua Rothkopf

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Hoop Dreams (1994)

Arthur Agee is a wispy kid who worships Isiah Thomas; William Gates is a soft-spoken young man with a killer layup. Both of these 14-year-old NBA hopefuls will see their lives change drastically over the next five years, but the one constant remains basketball. Filmmaker Steve James followed Agee and Gates around Chicago throughout their respective high-school careers, and what he emerged with was something much deeper than a look at up-and-coming B-ballers. This is the ultimate real-life portrait of what sports mean to young men of a certain social class and background, and how the ability to consistently get the fast break offers a ticket to a better life (or doesn’t). By this epic film’s end, you’ll have a better understanding of how the game is played—and how sometimes the game can play you.—David Fear

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Raging Bull (1980)

Martin Scorsese’s evocative black-and-white biopic about real-life brawler Jake LaMotta (Robert De Niro) is an intensely physical movie, tracing with operatic grandeur its protagonist’s life from volatile middleweight contender to an obese has-been. The punches land hard in and out of the ring—LaMotta’s confrontations with his long-suffering wife (Cathy Moriarty) and loyal-to-a-fault brother (Joe Pesci) often seem bloodier than any of the astonishingly visceral slugfests. It’s also a deeply spiritual film, in no small part due to De Niro’s monastic commitment to the role. His much publicized regimen—training with LaMotta himself to get into tip-top fighting condition, then plumping himself up for the final scenes via a four-month eating binge—is the ultimate in actorly sacrifice.—Keith Uhlich

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Rocky (1976)

He’s called a bum, a chump, a never-was—even a “tomato.” Truthfully, if you were to watch boxer Rocky Balboa (Sylvester Stallone) in his two-bit amateur matches, you’d think he was on the express train to Palookaville. But Philly’s forgotten son is about to get a once-in-a-lifetime chance: challenging the heavyweight champ. Written by its star (who insisted he play the lead), this Oscar-winning hit is the ne plus ultra of underdog movies, the story of every guy who’s been pegged a loser so many times that he believes it. Then Bill Conti’s iconic score kicks in and, suddenly, Rocky becomes a symbol for finding the true winner in all of us. It’s a Cinderella story pumped up to perfection, the kind that gets you out of your seat and cheering the way real athletic events do. By the time Stallone’s battered everyhero steps into the ring with Apollo Creed, it doesn’t matter whether he gets the belt. The man has “gone the distance”—and that makes him the victor.—David Fear

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Comments

31 comments
dimitris ionas
dimitris ionas

sorry but a list without major league is disgraceful. Cant argue with rocky being number 1, but i think the 2nd one was better.

Drew
Drew

The lack of "Warrior" degrades this list tremendously.

awesome one
awesome one

I can agree that rocky is the greatest sport film of all time.

Corey
Corey

uh, no Remember the Titans, Cinderella Man, Basketball Diaries..this list sucks

capitaine514
capitaine514

you forgot Nick Nolte-Blue chips ;) keep it up!

Devin Howard
Devin Howard

May be top 100 would be better, because there are a lot of other films out there. "He Got Game" "Above the Rim" "varsity Blues" and oh lol Rob Lowe "Young Blood"

jcwebb
jcwebb

Not in any specific order....Bull Durham, Raging Bull, Rocky, Hoosiers,Major League, The Natural, always make every top10. Hoop Dreams and Caddyshack top 10? Good flicks...not top 10, esp. when Remember the Titans, Hoosiers, and so many othe great films ranked lower!

Chris Williams
Chris Williams

The wrestler made the list and not The Program? Where is Rocky 4? Remember the Titans? He Got Game? Blue Chips?

Rhys
Rhys

Raging Bull should have been number 1 in my opinion it was so masterfully done. And I agree Cinderella Man should have been included.

Daniel
Daniel

What about Secretariat or Cinderella Man? And Any Given Sunday shouldn't even be on the list. It was terrible.

Kent U
Kent U

How could you or anybody else not even mention not to have Secretariat. Come on that is one of the greatest sports stories of all time. Karate Kid and not Secretariat.

Kirk
Kirk

I no I'm not from the "greatest city on earth", yawn! but this list is wildly inconsistent, and geocentric to New Yawk. While I applaud the research done to compile a list that includes many forgotten and great sports doc's, therein lies the problem. Is Lincoln up against Searching for Sugarman for best pic this year? No, and it shouldn't be, different art form. So I take issue with the criteria used for ranking them, personal taste, I suppose. Guess I'm just bitchin cuz I'd have Hoosiers over the Italian Stallion, and I'm from Michigan! But I went through the whole damn list, so...thanks!

Darrin
Darrin

And you have field of dreams at 44. And how did the Karate Kid make this list. Caddy Shack is a good movie but not much of a sports movie.

Darrin
Darrin

Wow you forgot Warrior, The Longest Yard, Sandlot, Remember the Titans, We Are Marshall, and a number of others.

Sport
Sport

Remember the titans, we are marshall, coach carter, road to glory.... are you serious?!

KEVIN & GORDY
KEVIN & GORDY

DID ANYBODY ELSE NOTICED IN # 27 THAT THE PERSON IN THE PICTURE IS GOING TO THROW THE BALL RIGHT-HANDED. AND WE ALL KNOW THAT IN THE MOVIE ROY HOBBS STRIKES OUT THE WHAMMER ON 3 PITCHES, LEFTHANDED!

Funkysylvanelf
Funkysylvanelf

How about Remember the titans?? Return to your homeworks son!

James
James

Really? No Mighty ducks?

tch71
tch71

what about The Color of Money and The Hustler?

Gwen
Gwen

VICTORY, Michael Caine Sylvester Stallone, and Pele!!!

Geoxie
Geoxie

Bump for Brian's Song - And, ehem! ROLLERBALL? Duh.

John G.
John G.

Are you kidding me?! No Rudy and Any Given Sunday at #20? That's silly.

alfred weiss
alfred weiss

Too bad the trendy shunnung of musicals kept DAMN YANKEES off the list.

sara
sara

good list ! My favorite is Bull Durham !

Sally
Sally

Thank you,Thomas,I couldn't agree more...

Jordan
Jordan

This list is weak. Rocky at number one is cliche. Being that this is TimeOutNY not TimeOutBoston (or Philly), there are plenty of Yankees movies you left out, and "Pride" should be a helluva lot higher than 11th. It had Babe Ruth in it for God's sake! Also where is Basketball Diaries? I like sports movies that invoke childhood memories of the City.

Thomas
Thomas

What about Rudy?