The 25 best Shakespeare-to-screen adaptations
To film, or not to film, that is the question. We rank the answers.
Thu Oct 20 2011
15. FORBIDDEN PLANET (1956)
"Any sufficiently advanced technology is indistinguishable from magic," wrote sci-fi novelist Arthur C. Clarke, and this uncredited adaptation of Shakespeare's final play amply proves his point. Prospero becomes reclusive scientist Morbius, lord of a distant world, while "airy spirit" Ariel becomes Robby the Robot.—JR
14. MUCH ADO ABOUT NOTHING (1993)
The Bard's delightful romantic roundelay gets the Kenneth Branagh treatment (his second Shakespeare feature after Henry V). The star-director and Emma Thompson are a wonderful Benedick and Beatrice, the sun-dappled settings are swoonworthy, and even Keanu Reeves acquits himself nicely as the villainous Don Pedro.—KU
13. TITUS (1999)
Broadway's Spider-Man may have permanently soured her career, so let's go back to when Julie Taymor was a beacon of hope for stage and screen. From its Ancient Rome--meets-Mussolini--era production design to Anthony Hopkins's fiery lead performance, this take on Titus Andronicus is a bloody marvel.—KU
12. RICHARD III (1995)
Director Richard Loncraine's swift, stylish take on the Bard's matchlessly vitriolic play recasts the malformed king as an English Hitler in an alternate 1930s. The bravura opening sequence—in which a wormy Ian McKellen begins his winter-of-discontent soliloquy as a public address and continues it alone in the loo, sputtering into a urinal—is typical of the film's invigorating wit.—AF
11. HAMLET (2000)
Medieval castles are traded for modern-day skyscrapers in Michael Almereyda's masterful, Manhattan-set update of Shakespeare's hallowed tragedy. Almereyda cleverly transposes the action to the cutthroat world of big business (Ethan Hawke is the slacker film-student prince trying to bring down his CEO uncle) where murder isn't the only thing most foul.—KU






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