The 50 greatest war films of all time
Fall in for TONY's list of mighty military movies.
Thu May 26 2011
Black Book (2006)
Pervy Dutch director Paul Verhoeven is better known for Basic Instinct and Showgirls, but war movies are his true métier. In this deliciously plotted WWII survival tale (a comeback of sorts for the Hollywood exile), a hotcha Jewish singer becomes a spy, a freedom fighter and a bed partner of Nazis. Talented Carice van Houten commits fully.—Joshua Rothkopf
The Dirty Dozen (1967)
It's become one of the most beloved "dad movies" of all time—but maybe Father knows best. The murderous "dozen," conscripted for a suicide mission on the eve of D-Day, includes a shifty-eyed psychopath (John Cassavetes), a religious fanatic and woman-beater (Telly Savalas), and a slow-witted "General" (Donald Sutherland). They get the job done.—Joshua Rothkopf
Merry Christmas, Mr. Lawrence (1983)
Can it be that between The Man Who Fell to Earth and this quietly powerful film, David Bowie is the most underrated actor of his generation? The art-pop star effortlessly embodies the guilty conscience of a WWII British prisoner of war, striking up a complex friendship with camp sergeant Ryuichi Sakamoto (also the composer of the movie's gorgeous score).—Joshua Rothkopf
The Bridge on the River Kwai (1957)
Hark! Is that the "Colonel Bogey March" we hear? In David Lean's rousing WWII epic, American POW William Holden plots a daring escape from a remote Japanese prison, while captured British colonel Alec Guinness and camp commandant Sessue Hayakawa determinedly vie for power. The title bridge figures in one of the most suspenseful action sequences ever filmed.—Keith Uhlich
Germany Year Zero (1948)
In the spirit of war photography itself, Roberto Rossellini focused on the ravaged aftermath of a city's destruction (here, actual locations in Berlin). Thus we have one of the purest records of the violence of World War II, an invaluable time capsule as well as a neorealist landmark.—Joshua Rothkopf
Gallipoli (1981)
Peter Weir's tragic, superbly mounted tale of two professional sprinters who join the Australian army circa WWI sheds some light on the casualty-heavy Turkish campaign. Weir's facility with action scenes is fully evident, especially during the gut-wrenching climactic battle. The film also helped to put a young actor named Mel Gibson on the international stage.—Keith Uhlich
The Deer Hunter (1978)
Based on its most notorious scenes—games of Russian roulette, one of them with vicious Vietcong captors—this actorcentric POW movie (featuring an unhinged Christopher Walken) earns its place on our list. The metaphor is a provocative one: Many saw holding a loaded gun to one's head as an obvious parallel to the United States' entrance into the war itself.—Joshua Rothkopf
All Quiet on the Western Front (1930)
A pacifistic masterpiece that showed the horrors of WWI trench warfare to a curious if unprepared audience, this epic (based on Erich Maria Remarque's popular novel) also positioned the genre of the combat film as a Hollywood mark of pride: It was one of the first movies to earn a Best Picture Oscar.—Joshua Rothkopf
Three Kings (1999)
Production was reportedly hellish, with director David O. Russell and star George Clooney coming to physical blows. (Guys, it's a war movie.) But the ultimate payoff was rare: a combat film that achieved political profundity via off-the-wall comedy. Call it the lure of Saddam's gold.—Joshua Rothkopf
Paisan (1946)
The masterful second film in Roberto Rossellini's WWII trilogy—in between 1945's Open City and 1948's Germany Year Zero—is built out of six vignettes set during the Allied invasion of Italy, exploring stories about street urchins and soldiers, prostitutes and priests. There's not a dud in the bunch, and the director's clear-eyed appraisal of the moral havoc wrought in his homeland is particularly astonishing considering how recently the fighting had ceased.—Keith Uhlich
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