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The term feminist makes a lot of modern women bristle, but the activists at the center of Braderman’s extremely personal doc embrace and embody the word. A chronicle of the indie arts-and-politics journal Heresies, which was published from 1977 to 1992 in NYC, the film profiles the collective of “womyn” behind it, though it’s an unnecessarily quirky affair. Braderman will sit for a postscreening Q&A.
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