Observatory

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  • Hall of Comparative Anatomy. Musum national d'histoire naturelle, Gallery of Palaeontology and Comparative Anatomy, Paris, France, Established 1793

  • Gallery View, Musum national d'histoire naturelle, Gallery of Palaeontology and Comparative Anatomy, Paris, France, Established 1793

  • Plaster Models in Pathological Cabinet, The Museum of the Faculty of Medicine at the Jagiellonian University, Krakow, Poland

  • Natural History Museum Backroom, United States

  • Natural History Museum Backroom, Netherlands

  • "Anatomical Venus" Wax wodel with human hair augmented with pearls, in rosewood and Venetian glass case, demountable into over 200 pieces, "La Specola" (Museo di Storia Naturale), Florence, Italy " Probably modeled by Clemente Susini (around 1790)

  • Wax Department Store Mannequin, Early 20th Century; From the Home Collection of Evan Michelson, co-proprietor of Obscura Antiques and Oddities, New Jersey

Hall of Comparative Anatomy. Musum national d'histoire naturelle, Gallery of Palaeontology and Comparative Anatomy, Paris, France, Established 1793

A box factory that was built in 1900 along the Gowanus Canal seems an unlikely place to celebrate the Age of Enlightenment. But at Observatory (543 Union St between Bond and Nevins Sts, Gowanus, Brooklyn; observatoryroom.org. Thu, Fri 3--6pm; Sat, Sun noon--6pm; free), enlightenment occurs on a regular basis. The gallery and event space was founded in February 2009 by a group of seven artists who aim to transport visitors back in time. “[The space is] inspired by the 18th-century notion of 'rational amusement,’?” explains cofounder Joanna Ebenstein. It’s also part of a broader artistic renaissance that has transformed the area around the Gowanus Canal from a toxic wasteland to a budding home for urban pioneers: Observatory shares a home with other eclectic groups, including the Museum of Matches and Proteus Gowanus.

The idea for Observatory grew out of two earlier exhibits curated by Ebenstein and artist James Walsh; “Arcane Media,” one of the projects, showed off antiquated methods of capturing images on film. After the success of those shows, they gathered together like-minded partners to form Observatory. The group’s mandate is to be a home for “kindred geeks,” says cocurator Pam Grossman. Each of Observatory’s members curates one show per year that features their own work, or that of artists with a similar archaic bent. The current exhibit, “The Secret Museum” (through Sunday 6), was assembled by Ebenstein and features images of odd items from museums across the globe.

But what’s most notable about Observatory is its lectures: If you have a hankering to learn about poisons or how to preserve plants, this is the place to be. The events are alike in that they occupy the intersection of history, science and art. The Observatory celebrates the eccentric and nurtures the curious; its oddities delight the eye as well as the mind.—Melissa Stern

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