Telekinesis And Say Hi, Cactus Cats

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Telekinesis And Say Hi, Cactus Cats
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Telekinesis And Say Hi, Cactus Cats says
Buy Tickets: https://www.stubwire.com/t/hzav7y85

Ticket Prices:
$13.00 ADV
$15.00 Day Of

This show is All Ages

Artists
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Headliner
- Telekinesis And Say Hi
Opener
- Cactus Cats

Description
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When it came time to make the fourth Telekinesis album, drummer/songwriter/principal architect Michael Lerner found himself in a predicament that will sound familiar to anyone with even a passing interest in the lore of rock bands. In just under five years, he had released three fantastic records—Telekinesis! (2009), 12 Desperate Straight Lines (2011), and Dormarion (2013)—each more ambitious than the last. He had toured all over the world, shared stages with great bands (Death Cab for Cutie, Portugal. The Man, Aimee Mann and Ted Leo's The Both), and enthralled fans of his infectious, ebullient power pop. Newly married and happily ensconced in the home studio he'd assembled in his West Seattle basement, Lerner found himself asking the question that has haunted modestly successful bands down the ages: What do you do after the rock and roll dreams you had when you were 19 have come true? The obvious answer was to make another Telekinesis record—that was his job, after all, and he was grateful for it. So he got to work. It didn't go well. At least not at first.

And yet, for all the new methodology and instrumentation, the DNA of Ad Infinitum is oddly familiar. The melodic hooks that have endeared Telekinesis to the world of pop music aficionados are flagrantly front and center. The pinging pong of an instrumental figure on album opener "Falling (In Dreams)" sounds almost like a permission slip for Lerner to let loose with a soaring head voice in the chorus. It's a chilling entrance to an album that soon veers into the much faster new-wave thrills of "Sylvia," the ironically technology-averse retrofuturism of "In a Future World" (which sounds like the missing link between Speak & Spell-era Depeche Mode and the birth of Erasure), and onward. The hyperactive gem "Courtesy Phone" proves that no matter how many stylistic obstacles he places in his own path, Lerner's knack for perfect power pop is irrepressible. But the highenergy dance rhythms of "It's Not Yr Fault" and the gorgeous, McCartney II-esque polyphony of "Ad Infinitum Pt. 1" are totally unprecedented in the Telekinesis oeuvre. The whole album is a relentless marriage of old and new, memory and imagination, deconstruction and rediscovery.
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By: Pegstar Concerts

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