Grigori

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Grigori

Berkay Buğdanoğlu’s second solo exhibition makes use of recycled pieces of discarded metal to examine individual consumption of luxury items. Throughout a series of fictionalised plots, the artists envisions obsolete and rusting signs – once glistening advertising boards of a bygone era’s fashionable luxury designers, now scrap, rusting objects – as items of sheer beauty; and in doing so is able to evoke images of a decaying aesthetic destruction.

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