Located in a converted 1930s veneer factory near Victoria Park this not-for-profit space has an established reputation for recognising new talent and for hosting ambitious new works and installations. Chisenhale Gallery commissions up to five shows a year by emerging and under-represented artists, alongside interim events, offisite public projects and programmes for young people. Artists who have worked with the gallery include Rachel Whiteread, Cornelia Parker, Paul Noble and Pablo Bronstein.
|Venue name:||Chisenhale Gallery||Contact:|
64 Chisenhale Rd
|Opening hours:||Wed-Sun noon-6pm|
|Transport:||Tube: Bethnal Green/Mile End|
|Do you own this business?|
- The story was already old-fashioned in 1948: budding prima ballerina Victoria (Moira Shearer) finds herself torn between the divergent demands of art and heart, as represented by two equally headstrong men – tortured control freak and impresario L...Read more
Pick a dateto
Alex Baczynski-Jenkins: The Tremble, The Symptom, The Swell And The Hole Together
Take note: this exhibition is taking place at select times during the its run – in the form of a series of choreographed performances that will tap into Baczynski-Jenkins's ongoing interest in queer politics. Episodes: 'The Tremble', Thursday January...Until Sunday March 12 2017 Free
Brennan will be exhibiting a new film, drawn from her experiences of living in the Lebanon, which bounces between an archaeological conservator at the American University in Beirut and a mechanic and joyrider from another part of the country.Friday March 31 2017 - Sunday June 4 2017 Free
Average User Rating
5 / 5
- 5 star:2
- 4 star:0
- 3 star:0
- 2 star:0
- 1 star:0
Thanks for the review. This would have passed me by otherwise. I love the idea.
To be a Grumpy Old Man for a moment and risk sounding ungrateful, I was overwhelmed by the generosity but underwhelmed by the lack of imagination of the presents for my 50th birthday (Chris not included - thanks for the Chateau Musar) so at 51 I bought myself Tate, RA and British Museum memberships. For the last three years I've been late in, had long lunchtimes and left early to get to galleries during the week, occasionally taken my boss to members' previews and had a standing date with an old colleague to the RA Summer Ex opening. Of course I go back at weekends to enjoy as much as I can at that time. Chatting to one of the guards at Tate Britain last Bank Holiday at the Conceptual Art show, he recommended that I take two oranges rather than one as they were particularly juicy and well worth having. He wasn't wrong.
Out of necessity, I squeeze a lot of my art-going into snatched minutes or hours during the week. I applaud Maria Eichhorn for her statement.