Oh, to be so beautiful and troubled. Fans of introspective, kohl-eyed woe will lap up this debut record from north Londoner Annie Eve: such listless guitar picking is the right and proper soundtrack to existential teenage melancholy. Suffused with vocals dark and sweet as Amaretto, ‘Sunday ’91’ is an intoxicating listen, if at times a little soporific.
Not that the album is wholly without pep: lead single ‘Basement’ will have you nodding along with its insistent snare and bouncy bassline. But it’s more as an exploration of sadness, denied lust and inchoate angst that ‘Sunday ’91’ finds its feet. On the lilting ‘August’, for instance, our willowy heroine entreats we let her ‘lie beneath the chaos / let the movement stir [her] soul.’
If anything, she could do with dialling back a little on the ethereal vocal echo: some artists need it (I’m looking at you, Del Rey), Annie Eve doesn’t. The girl can really sing – her melody on ‘Ropes’ is as delicate and entrancing as gossamer stretched over iron railings. It’s that voice that makes ‘Sunday ’91’ perfect for a rainy evening in, when you’re too old for ‘Twilight’ and too lazy for Sylvia Plath.
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Enfolded within Camden Market, this building may have been a horse hospital at one point in its lifetime, but it certainly ain't an animal refuge any more. The cobbled floors remain, as do the stables, but they've been spruced up and turned into booths. The roof terrace has also been revamped with bright colours and twee bunting. The main space is usually decked with artwork on the walls and also has a stage for live bands. There's a cabaret room on the other side of the venue and, of course, a bar serving up the usual tipples. Club nights here usually feature indie-electro, synth-pop, R&B, hip hop and funk.
Venue says: “From Drizzy to Dizzee, we play you the best in hip hop, trap and grime every Wednesday at Proud Camden.”