Nzca/Lines - ‘Nzca/Lines’ album review

Read Time Out's review of Nzca/Lines' superb debut album

  • Nzca/Lines - ‘Nzca/Lines’

    Rating: 5/5
    By Kim Taylor Bennett

    Meet Michael Lovett, 24-years-old, Totnes-raised, art school student, multi-instrumentalist, unassuming: a formidable talent. For a time he played bass in his big brother's band Your Twenties, but all the while, in the sanctity of his bedroom, he was quietly working on his own material. Eschewing the production crutches traditionally associated with bedroom pop – ie hazy reverb – and with the help of housemate, fellow Lo Recordings artist/producer Charlie Alex March, Lovett realised his (vintage) synth compositions in glorious hi-def.

    Inspired as much by Austrian composer Anton Bruckner's motets and Brian Wilson, as Aaliyah's method of singing softly (check the a capella of ‘Try Again’), Lovett's falsetto harmonies cocoon, his melodies are sensual and stirring, even as he sings about formatting a hard drive (‘Base64 Love‘).

    While the music melds R&B and retro-futuristic synth-pop, Lovett's lyrics are no afterthought. His tunes tell of strange happenings in stranger environs. The melancholic ‘Nzca‘ sees the a man fall in love with his spaceship, ‘Moonlit Car Chase‘ is the tale of a lover's cryogenic pact gone awry; while ‘Atoms & Axes‘ finds two separated sweethearts searching for each other across a nuclear wasteland.

    Alongside album opener ‘Compass Points‘, the undoubted highlight is ‘Okinawa Channels‘ all crisp beats, a lithe hook and a heart-surging string sample at the halfway point. And a story about interfering transmissions from an alternate dimension. It's the record in a nutshell: supreme nerdiness married to a press-repeat groove. ‘Nzca/Lines‘ is exacting but soulful, sexy and imaginative; debut of the year.

    Listen to ‘Nzca/Lines’ on Spotify