Three theatres, three casts, one major disaster and seven Olivier Awards on, the National Theatre’s adaptation of Mark Haddon’s novel about Christopher Boone, the teenage ‘mathematician with some behavioural difficulties’ remains a thing of unbridled wonder.The occasion for this re-review is the end of the enforced layoff inflicted upon ‘The Curious Incident of the Dog in the Night-Time’. The show figuratively blew the roof off when it transferred from the NT to the Apollo Theatre, but unfortunately the ageing ceiling responded by literally collapsing, necessitating a change of venue and months off.
'My mummy says I'm a miracle,' lisps a pampered mini-me at a purgatorial kiddies' birthday party at the outset of this delicious, treacly-dark family show. The obnoxious ma and pa of its titular, gifted, pint-sized heroine are not, of course, quite so doting. But 'Matilda' must be making its creators, playwright Dennis Kelly and comedian-songsmith Tim Minchin, a very pair of proud parents. Opening to rave reviews in Stratford-upon Avon before transferring to the West End in 2011 and snatching up Olivier Awards with all the alacrity of a sticky-fingered child in a sweetshop, Matthew Warchus's RSC production remains a treat.