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Trafalgar Theatre

  • Theatre
  • Whitehall
Photo by Trafalgar Theatre
Photo by Trafalgar Theatre
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Time Out says

This modern theatre is a no-frills home for the edgier end of proper drama

As of April 2021, Trafalgar Studios is due to reopen as the revamped Trafalgar Theatre, a larger and more conventional venue with no second studio

A kitsch-free rebel on the outskirts of theatreland, Trafalgar Studios is a modern, minimalist, not-especially comfortable space in the shell of the former Whitehall Theatre. Its two studios tend to present emerging, established and international talent with varied success. Director Jamie Lloyd successfully scuffed it up for a trio of big name, youth-focussed seasons under the banner of Trafalgar Transformed, but this seems to have ended, and the venue potters on much as it did before. The 380 seater Studio One tends to play host to celebrity-led productions that run for a few months, as well as transfers from big producing houses like the NT's 'Nine Night'. With just 100 seats, Studio Two is essentially a glorified fringe theatre, and often hosts shows from the likes of the Finborough and Theatre 503.

Trafalgar Studios assumed its current form in 2004, when an ambitious conversion turned the austere art deco 1930s theatre into two spaces: the dress circle was turned into Studio One, with a new elevated stage, while the former stalls area was turned into Studio Two. The great divide marked a change of pace, too. The old Whitehall Theatre was best known for Brian Rix's so-called Whitehall farces, a series of five long-running comedies in the '50s and '60s which featured crowd-pleasingly silly plotlines full of misunderstandings and trouser-dropping mishaps. And in grey wartime Britain, the Whitehall follies featured naked turns from Phyllis Dixey, who tickled audiences with dances with feathered fans in the West End's first stripshow.

Details

Address:
14
Whitehall
London
SW1A 2DY
Transport:
Rail/Tube: Charing Cross
Opening hours:
Temporarily Closed
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What’s on

People, Places and Things

  • 5 out of 5 stars
  • Drama

This review is from 2016. ‘People, Places and Things’ will return for 2024, with Denise Gough reprising the role of Emma. Interview: Denise Gough – 'If this had happened when I was 23, I'd be dead' Before I really get busy with the hyperbole, it may be worth noting that second time around, one of the best things about Denise Gough’s astounding performance in Duncan Macmillan’s addiction drama is how understated it is.  True, her chronically unreliable addict-actress character Emma spends most of the first half completely off her tits: Headlong and the National Theatre’s transferring hit starts with its heroine slurring her way through the role of Nina in Chekhov’s ‘The Seagull’, suddenly staggering into a nightclub, then shambling into rehab (groggily hoovering up a cheeky final line of gak first). It is undeniably pretty funny.  Yet, for all the initial, broad black comedy and the flourishes lobbed in by director Jeremy Herrin – multiple Emmas erupting out of the walls, floor and furniture as the cold turkey bites – Gough gives a masterclass in nuance and subtlety. It is the best London stage performance since Mark Rylance’s in ‘Jerusalem’, but it’s also the polar opposite of his larger-than-life turn.  Emma is a self-invented woman trying desperately to be normal, to be honest. She has lost all touch with herself, self-medicating through booze, drugs and pretending to be other people. As she reluctantly enters the drab rehab facility – presided over by Barbara Marten as a d

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