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18 peachy photos of Londoners from Becky Frances

Street photographer Becky Frances has been living in London for the past five years – and capturing its citizens long before that. Below, she shares her work and some of her tips

Written by
Guy Parsons
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Kids, 2016
© Becky Frances

Kids, 2016

‘For me, street photography is itIt's what I want to do. It's almost impossible to run out of subjects as something different happens on the same street every day. London is full of surprises.’

Pug Life, 2016
© Becky Frances

Pug Life, 2016

‘I started off using a Canon 450D and a long lens (50-200mm).  It took me a while to build up enough confidence to ditch the lens and use a regular 18-55mm, getting closer to the people I wanted to photograph.’

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Sister Ray's, 2016
© Becky Frances

Sister Ray's, 2016

‘The Canon is a lovely camera but it’s bulky and people do see you coming when you’re using it, so a couple of years ago I switched to an Olympus EM5 which I absolutely love.

It’s smaller and easier to use and has a flip screen, so you can shoot from the hip and see what you're doing.’


Pride, 2016
© Becky Frances

Pride, 2016

‘I’m fine with waiting for a person to notice me and photographing their reaction, but I'm not into the intrusive kind of street portraiture practiced by Bruce Gilden, which to me is all about sticking your camera right in someone's face – I wouldn't do that!’

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Metamorphosis, 2014
© Becky Frances

Metamorphosis, 2014

‘Two of my favourite street photographers are Martin Parr and Joel Meyerowitz.  I could see from their work that street photography is not just about photographing people walking down the street.’

Dave's strut, 2016
© Becky Frances

Dave's strut, 2016

‘It's about so much more – their surroundings, the light, the colour and humour in different situations.  I didn't set out to emulate them, but I did have an idea of what I should be looking for when I was out shooting.’
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Singing in Shoreditch, 2015
© Becky Frances

Singing in Shoreditch, 2015

‘As a city, London is fairly friendly to photographers.  Most people I come across are very happy to have their photo taken – if they even see me doing it. 

I've had a couple of instances where people have been very angry. The first time it happened it really put me off going out shooting and it took a while to go out on my own again.’

Red Stripe, 2016
© Becky Frances

Red Stripe, 2016

‘I think maybe it helps that I’m female – I do know a few male photographers that have been in physical fights with people who didn't want their photo taken!’
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Distracted, 2015
© Becky Frances

Distracted, 2015

‘If I were to give advice to aspiring street photographers, I would say practice, practice, practice.  Getting out as regularly as you can builds your confidence and sharpens your eye.’

Skater Girl, Brick Lane, 2016
© Becky Frances

Skater Girl, Brick Lane, 2016

‘Photograph in a way you feel comfortable with at first then slowly push yourself out of your comfort zone - get closer to people, wait for eye contact, that kind of thing. Find your own style and don't let other people tell you what to do.’
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Shake a tail feather, 2016
© Becky Frances

Shake a tail feather, 2016

‘And London is full of characters that are waiting to share their stories – and people who are less happy when you catch them doing something they shouldn't be! It's a fantastic city full of colour and diversity and I hope I'm shooting it for a long time yet.’

Shadow dancers, 2014
© Becky Frances

Shadow dancers, 2014

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Chapel Hill Market, 2012

Chapel Hill Market, 2012

Happy Shoppers, 2013
© Becky Frances

Happy Shoppers, 2013

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Happy Coppers, 2014
© Becky Frances

Happy Coppers, 2014

Thinking caps on, 2013
© Becky Frances

Thinking caps on, 2013

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It's lit, 2012
© Becky Frances

It's lit, 2012

City views blow away the blues, 2016
© Becky Frances

City views blow away the blues, 2016

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Last year it was announced that London's oldest park, and the biggest in the City, Finsbury Circus, will close for an entire year to get some much need renovations. Work began on the big green oval back in November 2023. Now, the first pictures of what the new and improved park could look like are here.  Finsbury Circus Gardens have been closed on and off over the past 13 years, with most of the area taken over as a construction site by the Crossrail project from March 2010 until August 2020. One of the oldest greens in the city, the central London glade has been offering Londoners a spot for peace and quiet since 1606 when it was laid out as London’s first public park. The Grade II-listed park is also home to a Grade II-listed drinking fountain which dates back to 1902. The fountain will remain in the park but in a new location.   Image: City of London Corporation  Green fingered workers in the gardens have been busy planting an ‘urban forest’, as well as other greenery that will help introduce a wide range of species and habitats for birds, bees, and bats in the central London oasis. Finsbury Gardens 2.0 will also have improved seating and pathways.  Chair of the City of London Corporation’s Natural Environment Board, Caroline Haines, said: ‘Finsbury Circus Gardens will be transfor med into a tranquil haven for people to relax and spend time outside. ‘Not only are City open spaces hugely important for people's health and wellbeing, they also play a vital role by increasin

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Ten amazing archive photos of London by Roger Mayne
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What gets us fixated on certain places? Why did a young photographer called Roger Mayne spend five years repeatedly photographing a single street in west London, visiting it 27 times and taking 1,400 photos? Maybe it was the shock of the new: born in strait-laced Cambridge, Mayne was thrilled by the working-class kids of Southam Street in Ladbroke Grove. Maybe it was a sense of foreboding: as concrete estates wiped out the old terraces, Southam Street seemed like a place that would soon vanish. (It did, obliterated by the Trellick Tower in 1969.) Or was it something bigger and more transcendent? That’s the kind of question you’ll find yourself asking after stepping back in time at this new Mayne retrospective with Southam Street at its centre. The Photographers’ Gallery exhibition charts Mayne’s travels across Britain, from bicycle factories in Nottingham and council estates in Sheffield to Brick Lane and Bermondsey. It also includes the first ever recreation of his photo installation ‘The British at Leisure’, commissioned for the Milan Triennale in 1964: five screens, 310 photo slides and a cool jazz soundtrack (nice). ‘These scenes from a lost city radiate history and absence’ But it was in the slums of North Kensington between 1956 and 1961 that Mayne (who died in 2014) found the perfect setting to produce what he called a ‘cinema of stills’: expressive, narrative, realist shots that helped to drag British documentary photography out of straight photojournalism. Mayne wa

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How do you sum up a city that changes its look as often as its underwear and always has plenty to say? It sounds impossible, but that’s the challenge we set ourselves when we decided to draw up a definitive list of the best photographs ever taken of the capital. In making our selection we had help. We couldn't do it all by ourselves, obviously. So we enlisted people like Wolfgang Tillmans, Juergen Teller, Nick Waplington, Dorothy Bohm and Eamonn McCabe. Those are just some of the names among the world-famous photographers who shaped our selection. We also picked the brains of the top London photography brass at museums including the Tate, V&A, Museum of London and Imperial War Museum. So it's not just our taste, it's their taste too. The result: a celebration of London’s architecture, its icons and its geography, but also of us: Londoners at work, at play, protesting, rising to a challenge and always ready for our close-up.  With thanks to: Dorothy Bohm, Michael Hoppen, Charlie Phillips, Dennis Morris, David Chandler, Helen Trompeteler, Tina Barney, Bruce Gilden, David Campany, Nick Waplington, Wolfgang Tillmans, Rob Greig, Simon Baker, Eamonn McCabe, Jim Dow, Alona Pardo, Martin Barnes, Brett Rogers, Juergen Teller, Fariba Farshad, Michael Benson, Anna Sparham, Hilary Roberts, By Gabriel Coxhead, Matt Breen, Phoebe Trimingham and Martin Coomer

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