Things to do in Melbourne in March

My first encounter with the viridescent power of Wicked was through the sliding door of a suburban dance studio. Face pressed against the glass, I strained to hear the optimistic refrains of ‘One Short Day’, eyes bulging and dopamine levels skyrocketing. So widespread is the pop-cultural impact of this fan favourite musical, that half of Melbourne likely has a similar memory of discovering Wicked.  This faithful revival of the bewitching blockbuster sees the show fly into Melbourne for the third time in 15 years with an abundance of pine-hued pizazz, after celebrating the 20th anniversary of its Broadway premiere at the Sydney Lyric Theatre. It’s also worth noting that the Gregory Maguire novel that forms the basis of the plot was published back in 1995. After all this time, it’s only fair to check in and ask: does Wicked remain evergreen? The costumes, choreography and sets are as slick as they come, which is exactly what’s expected from a show that’s had this many chances to get it ‘right’. This version of Wicked is not reinventing the wheel – instead it’s the cast who keep the cogs turning in a fresh way.   There’s no mistaking that these performers are magical. While Melbourne always loves to get a show before Sydney, our advantage here is that the cast has had time to fully take command of their characters – and they’re flourishing.  Courtney Monsma’s G(a)linda is slap-your-knees, let-out-a-squeal funny. She re-shapes the virtue-signalling mean girl role and makes Glinda

Italian polymath, painter, inventor and astounding genius Leonardo da Vinci is one of the most celebrated artists and scientists of all time, yet seeing his works is typically out of reach for the average Aussie. Well, all that’s about to change thanks to the Lume Melbourne’s new immersive experience opening on March 16.  Leonardo da Vinci – 500 Years of Genius will feature massive projections of some of the world’s most famous works of art, including the ‘Mona Lisa’ and ‘The Last Supper’. These four-storey high projections showcase da Vinci’s breathtaking Renaissance paintings in a way that’s much more accessible than a trip to the Louvre.  Alongside da Vinci’s visually stunning artworks, this exhibition will also focus on his excellence as an inventor with ideas far beyond his era. His pioneering work in architecture and engineering laid the foundation for the technology we enjoy today. That’s why alongside his art, the exhibition will also feature groundbreaking inventions from his notebooks recreated to scale by Italian artisans, including flying machine concepts that predate human flight by more than 400 years.  As if that wasn’t exciting enough, for the first time in history, original pages of da Vinci’s sketches and writings will touch down in Australia. The Codex Atlanticus is a 500-year-old collection of Leonardo’s innermost workings, previously displayed in the likes of the Metropolitan Museum of Art and the Louvre. Now, Melburnians and visitors alike will be able t

The Immigration Museum on Flinders Street is getting its first major exhibition in several years and it’s all about leaning into what makes us happy. The exhibition, called Joy, opens on Friday, March 1 and will run through until August 29, 2024. Joy features seven brand new commissioned installations from leading Victorian-based creatives, each expressing the artists’ own personal joy. You can expect an emotive adventure where colour and storytelling combine, and big happy moments that sit alongside more reflective ones. Experience the vibrant power of joy as you walk amongst room-sized interactive artworks, or contribute your own joy with the collaborative ‘share your joy’ wall. Venezuelan-born Australian artist Nadia Hernández has filled the Immigration Museum’s hallway with bold collage works, ‘future positive’ fashion designer Nixi Killick has created a ‘joy generator’ and queer artist Spencer Harrison has created a runway where you can strut your stuff. Jazz Money, a Wiradjuri poet and artist, has fused sculpture, audio and mural for a work reflecting the history of the museum site, while local artist Beci Orpin has taken over a room with a giant toy rabbit made to be hugged. Afghanistan-Australian visual artist and poet Elyas Alavi and Sher Ali have also created a large-scale mural illustrating a Persian myth.  Lastly, much-loved pop artist and designer Callum Preston has constructed a full-scale replica of a nineties video store, a joy he never thought he would miss u

There has been a disappointing run of big name shows underserved by low-key production design of late, with both the revivals of Rocky Horror and Grease seriously lacking in the razzle-dazzle department. So why does a similarly stripped-back staging of musical maestro Bob Fosse and Fred Ebb’s Chicago pull it off, like so many of the cast’s silken mesh costume changes? Perhaps something in the bare bones of this deceptively dark comedy, set in the Windy City in the fast and loose 1920s, lends itself to simplicity? Delivered via a sassy brawl between warring molls Velma Kelly (Zoë Ventoura) and Roxie Hart (Lucy Maunder), it’s a broken bottle-sharp commentary on an America that values celebrity crime most malignant over justice and the good of heart, that cuts even deeper now we’re staring down the barrel of a possible second Trump term. That swirling, prophetic darkness lends itself well to scenic designer John Lee Beatty’s darkened stage flanked by cabaret chairs and dominated by a bandstand atop which gamely charismatic musical director James Simpson leads a brass-heavy band through John Kander’s razzmatazz music.  “Give ‘em an act with lots of flash in it, and the reaction will be passionate … What if your hinges all are rusting? What if, in fact, you’re just disgusting?”The contradiction is inherent in the work. And so when Roxie opens the show by shooting dead the beefy but not bright Fred Casely (Devon Braithwaite, a stand-out in a spectacular ensemble) because he had the

Update December 4, 2023: Due to popular demand, the dates for the BBC Earth Experience have been extended until April. Also, new session types have been introduced, including adults-only time slots every Thursday night and special seniors sessions, scheduled every second Friday. There will also be selected dates for relaxed, sensory-friendly sessions and pram sessions. These new sessions will begin in February, 2024. Plus, the experience is introducing children's activities with new Kids Passports, with children able to earn passport stamps by completing tasks. Find out more on the website.  There are few voices more recognisable and beloved than that of Sir David Attenborough's. For decades now, the famous British biologist's dulcet tones have accompanied countless incredible documentaries showcasing the wonders of the planet we call home.   A new immersive audiovisual experience from BBC Earth will transport you inside one of those documentaries at the Melbourne Convention Centre this year. Stepping in, you'll be surrounded by massive multi-angle screens playing a documentary from one of BBC Studios' award-winning natural history series, Seven Worlds, One Planet. Of course, it'll be accompanied by the voice of Sir Attenborough, who'll guide you on a 360-degree journey to far-off places across the globe, unveiling the intricacies of the natural world. You'll see up-close visions of all kinds of animals, from fireflies and monkeys to cassowaries and so much more.  The world-f

Flowers can brighten up any day, but what can make it even brighter is the simple pleasure of getting to pick them yourself. Beloved community garden CERES is spreading this blooming joy throughout the warmer months, welcoming visitors every weekend to come and harvest a fresh bunch.  On Saturday mornings from 10am, head to Coburg site for the Festival of Flowers, where you can pick your own blooms at Joe's Market Garden. There are blossoming sunflowers, zinnias and cosmos to choose from, and you'll be able to build a beautiful bouquet with up to ten individual stems. Sessions are $30 and you can book a spot here.  Plus, there'll also be special floral events held on some Saturdays, including workshops on how to put together the perfect bouquet, flower vase arranging with floral experts and even eco-dyeing tote bag classes for kids. Book your place in an upcoming workshop here.  The Festival of Flowers will run until the end of April, with U-pick flower sessions happening every Saturday from 10am to 1pm. Find out more on the CERES website.  Are you a floral fanatic? Here's a guide on where to see beautiful blooms near Melbourne. 

We all know the story of the Afghan Girl. The searing portrait of an anonymous Afghan child with a pair of wildly green eyes has stood the test of time and war – its beauty, mystery and ability to wordlessly capture of the pain of a nation are all things that have struck a chord with millions of people since it was published by National Geographic back in 1985.  This groundbreaking snapshot is the work of American photographer Steve McCurry, whose vivid shots of the most colourful and obscure people and corners of the world have been seen in more places than most of us can count. And now, they’re all on the way to Melbourne.  As of February 28, Melbourne will become home to one of the most complete retrospectives of McCurry’s work ever seen. Named Icons, the exhibition will feature more than 100 large-format photographs of McCurry’s most famous images, including (of course), the portrait of Sharbat Gula, otherwise known as the 'Afghan Girl'. This exhibition gives Melburnians the chance to wander through time, history and the most remote corners of the world. Get transported to a desert in Jordan, a dust storm in rural India, an oil field in ‘90s Kuwait, and a silent green river in Kashmir – along with a whole host of other wild and wonderful places. No matter where you go with McCurry, humanity – in all its complex, beautiful contradictions – is always the protagonist.  All of this visceral travel will be going down at Seaworks Maritime Precinct in Williamstown from February

If you were to ask almost any local what Melbourne is best known for, there’s a chance you’ll get a reference to its laneways. While a good number of Melbourne laneways are already filled with art, eateries, and hidden bars, there are a fair few that are lesser known and haven’t reached their full laneway potential, until now. Supported by the City of Melbourne, Flash Forward is Melbourne’s most ambitious street art project, with over 40 large-scale works commissioned and set to hit the laneways of Melbourne. Among the program are familiar names like Celeste Mountjoy (filthyratbag), Jarra Karralinar Steel, Olana Janfa, Aretha Brown, DREZ, and Ling, with more lighting, music and creative installations in the works.  From Mountjoy’s ‘Your Turn’ on Little Lonsdale Street standing over six metres tall with vibrant pops of colour, through to LING’s gargantuan sculptural piece ‘Crushed Can’ on Wills Street paying homage to the city’s graffiti scene, Flash Forward is encouraging exploration with an element of surprise, as pieces seem to pop up across the city overnight. While a fair few pieces are already up, the ever-growing program list means there are still a bunch more pieces yet to hit the laneways of Melbourne.  If you’re interested in taking yourself on a laneway tour, there’s an interactive and printable map available on the Flash Forward website. Want more art? Check out the best street art spots in Melbourne.

Whether you’re yet to grace restaurateur Chris Lucas’ opulent Society with a visit or you’re a die-hard dinnertime loyalist, it’s well worth a look in for a weekend lunch. From Friday to Sunday in the afternoons, the swish restaurant is hosting the Society Social, an extravagant multi-course affair featuring a generous array of savoury dishes and a roving dessert trolley to dazzle you at the end.  The offering was inspired by Lucas’ recent adventures in Paris and New York, cities where palatial dining rooms reign supreme and lunch is a social occasion in and of itself. Expect a fine dining experience but with a casual, unstuffy air and minus the enormous price tag (it costs just $77 per person for your choice of two courses or $99 if you opt for a third). You’ll start with artisanal housemade bread and butter and a rainbow of market-fresh crudité hand-picked daily from local farms. Opt for a crisp disc of radish dunked into taramasalata or a tree-like cauliflower bud smothered with smoked eggplant or crème fraiche. Repeat and relish the lavish assortment of textures and flavours before easing into your meal with one of Society’s signature drinks – or a bottle of Champers to make it a long and lazy one.  If you’ve got your eye on another varietal, just ask for the beverage director Loic Avril and his team of sommeliers, one of which will assist you in selecting the perfect drop from the impressive 10,000-bottle cellar. A selection of Society’s cult favourite snacks follow, fro

You’ve likely seen the ‘Temple of Boom’ standing tall in the NGV Garden, but now there’s a new architectural work set to take shape in the gallery’s outdoor space. Building on a series of annual commissions including the much-loved Pink Pond and the aforementioned colourful Greek-style temple, this year’s NGV Architecture Commission has been announced and it’s sure to be just as breathtaking as its predecessors. However, unlike previous installations, this one will actually be doing the breathing. Opening on November 23, ‘(This is) Air’ will see a giant inflatable sphere that literally inhales and exhales throughout the day become the centrepiece of the garden. The balloon-like structure will morph throughout the day as it draws in and releases air in a natural rhythm. If you get close enough, you may even get to feel a gust as the sphere ‘exhales’.  The work will be created by award-winning Australian architect Nic Brunsdon in conjunction with Eness, a St Kilda-based art installation studio. At more than 14 metres tall, ‘(This is) Air’ seeks to make the invisible visible, drawing attention to the significance of the air we breathe. By making air seen, heard and felt, the work will encourage visitors to consider their connection with and dependency on air as a finite resource.  “The idea for the project was conceived by the architect during the global pandemic, when the air we breathed was suddenly at the forefront of everyone’s mind”, says Ewan McEoin, NGV’s senior curator o