The Whistles & The Bells

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The Whistles & The Bells
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The Whistles & The Bells says
$ 10.00 / Age All Ages

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"I wanted to make a record that sounded like some great cosmic dinner party," explains Bryan Simpson (aka The Whistles & the Bells) of his sophomore LP fittingly dubbed Modern Plagues. "Not a gross, homogenized one where people bludgeon their intellect with one-sided conversation but more of a 'if you could invite four people from history over for dinner who would it be?' kind of shindig. Where some strange collection of human heavyweights sit around discussing the odd pilgrimage that is life. I wanted to sonically interpret what a cosmic intersection of such varied DNA might sound like. Except fast forward the evening past the pretense and the niceties of the appetizer course and push record as the party polishes off the last drop of an encore bottle of wine."Modern Plagues' 11 expansive tracks find singer / songwriter / producer / multi-instrumentalist Simpson delivering eye-opening lyrical insights and audacious verbal imagery, while displaying a freewheeling sonic sensibility that draws inspiration from a bottomless well of genres and textures. Collaborations with The Raconteurs' Brendan Benson resulted in such out-of-the-box tunes as "Harry Potter," "Small Time Criminals," and "Zombie Heartz," where Simpson's revealing lyrics and richly compelling soundscapes mix to create a singular, personally-charged vision of organized chaos. This extends to remarkably candid tracks like "Year of the Freakout" and "Playing God" when Simpson's satirical observations call into question how we all cope with the turbulent times in which we live; and, more introspectively, to songs such as "Good Drugs" and "Highlight Reel" that sonically grasp, and for that matter, celebrate the fragility and ferocity of man. As the album culminates with the funky, almost playful, apocalyptic closer "40 Years," Modern Plagues leaves no deadly sin untouched, no false idol unexposed."I don't necessarily feel like this is me, but it's a portion of me that I'm willing to unveil and explore, "Simpson notes. "I could say, 'Go listen to that Bryan Simpson record,' but that idea is just confusing to me. I don't know what Bryan Simpson sounds like, but I'm starting to understand what The Whistles & the Bells sounds like. It's more of an idea than an identity, and I had to get to a certain point in my life where I had the keys to unlock that vault.""My cosmic dinner party might have ultimately turned out a little more like a muggy Saturday night in Coney Island with Soren Kierkegaard and Malcolm Muggeridge eating hot dogs and nervously climbing in for a second ride on the Tilt-A-Whirl only to exit 40 minutes later the best kind of woozy." Simpson divulges while reflecting upon the finished work. "But this record is where I openly embrace the weirdness of my existence. Eleven songs, till death do us part. Hope it does something to ya."
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